“Behind the scenes” at the recording session for “Les Chansons Du Voyageur”

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Live performance clips from the Clarke Hall Sessions

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Beautiful storytelling in the music video for \\\"When You Think No One Loves You\\\"

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Camels was my debut solo recording, released on Iron Music/BMG in 1997. Having just immigrated to Canada from Scotland, it was an album reflecting on starting a new life in a different country and all the swirling emotions that brings. Check out the lyric page of each song for more background on the stories behind the songs. Three singles were released off the record - Cold, Snow White and Driving On. The latter song co-written with Sean Keating, received prominent air play on Country Music Television in Canada. Check out the video above featuring my fun gang of musical compadres Sean on upright bass, Chris McNeil on drums, Troy McLaggan on electric guitar and the Steve Klodt on keys who is sadly no longer with us.\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","\"One of the joys of reviewing albums is discovering unknown singer-songwriters who may never be household names but are amazing talents. I've added David Leask to a group that includes John Prine, Joe Henry, John Hiatt and Peter Himmelman. This Scottish-born musician, who now lives in Canada, crafts an exquisitely tender and thoughtful 10-song, 34 minute package. The centrepiece, which is the unforgettable title track, sears into your mind. The song focuses on the death of Somali teenager Shidane Arone in Canadian Military hands. Rather than criticizing, it's a mournful and even angry track. Vocally, Leask can be compared to former Jam and Style Council Paul Weller. He also has the same sense of quiet and subtle but deadly hooks.\"\nPerry Bergson, BRANDON SUN\n**********\n\"The buzz about this album's good and I'm not one to argue with the bees. This is tough, straight-ahead folk music with a clear understanding of how to seduce a CD player. It's got a healthy taste of country, sprinkled like sugar throughout, and is Canadian driven lyrically (Leask uses the cold as imagery more than once). Stronger Than Friction has all the energy of the first day of spring, Cold, the frustration of opening a window in the dead of winter. \"\nFish Griwkowsky, EDMONTON SUN",10,2039,{"_208":423,"_210":424},{"_16":82,"_127":84,"_205":421},{"_87":419,"_89":420},{"_16":126,"_33":126,"_127":128,"_129":130,"_29":131,"_132":133,"_134":418},[],[403,404,405,406,407,408,409,410,411,412,413,414,415,416,417],"1997-02-22","1997",[],[309,310,311,312,313,314,315,316,317,318],"homepageFeatured",{"_16":395,"_100":32,"_35":396,"_18":397,"_101":398,"_103":399,"_105":400,"_107":401,"_109":38,"_11":402},{"_16":386,"_100":387,"_35":388,"_18":389,"_101":390,"_103":391,"_105":392,"_107":393,"_109":38,"_11":394},{"_16":378,"_100":379,"_35":347,"_18":380,"_101":381,"_103":382,"_105":383,"_107":384,"_109":38,"_11":385},{"_16":369,"_100":370,"_35":371,"_18":372,"_101":373,"_103":374,"_105":375,"_107":376,"_109":38,"_11":377},{"_16":361,"_100":362,"_35":320,"_18":363,"_101":364,"_103":365,"_105":366,"_107":367,"_109":38,"_11":368},{"_16":354,"_100":201,"_35":355,"_18":150,"_101":356,"_103":357,"_105":358,"_107":359,"_109":38,"_11":360},{"_16":345,"_100":346,"_35":347,"_18":348,"_101":349,"_103":350,"_105":351,"_107":352,"_109":38,"_11":353},{"_16":336,"_100":337,"_35":338,"_18":339,"_101":340,"_103":341,"_105":342,"_107":343,"_109":38,"_11":344},{"_16":327,"_100":328,"_35":329,"_18":330,"_101":331,"_103":332,"_105":333,"_107":334,"_109":38,"_11":335},{"_16":319,"_100":296,"_35":320,"_18":321,"_101":322,"_103":323,"_105":324,"_107":325,"_109":38,"_11":326},"21583",58,"100 Camels (Reprise)","/d/N9HTSkQ3d09NwiwNnvWqYfUDHW6ZFyHOdql8CQbKnL4=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/123718FD-2B08-4CB1-A68B-95753F6E7C3A/stream.mpd","/d/N9HTSkQ3d09NwiwNnvWqYfUDHW6ZFyHOdql8CQbKnL4=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/123718FD-2B08-4CB1-A68B-95753F6E7C3A/master.m3u8","BEHIND THE SONG:\n\"This little musical piece was an afterthought and a great idea from Sam Reid.\nSam was going to hire an opera singer for the haunting vocal treatment but I said\nwhat about my mother-in-law Ruth Beatty? He was quite skeptical about this suggestion but in the end discovered that she has a fabulous voice and did a great job.\"","Song:\nWritten by David Leask\n\nMusicians:\nVocals by Ruth Beatty\nPiano by Jonathan Goldsmith\nString arrangement by Sam Reid\n\nRECORDING:\nProduced by Sam Reid. Recorded at Digital Music and Riverside Studio\nEngineered and mixed by Mike Jones.\nMastered by George Marino at Sterling Sound, New York.",{"_16":149,"_18":150,"_39":152},"21582",9,226,"Flying Home","/d/atL6weKGpXRIGjE5O7et80tGdJ92NHhU2kyUen317yg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/56FC682D-6007-4AB0-82BB-94661CF7B731/stream.mpd","/d/atL6weKGpXRIGjE5O7et80tGdJ92NHhU2kyUen317yg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/56FC682D-6007-4AB0-82BB-94661CF7B731/master.m3u8","BEHIND THE SONG:\n\"It was a heart-wrenching experience to leave my friends and family and move to Canada. This song was a necessary catharsis of the conflicting emotions of emigration and really an explanation in some ways to my parents. I fly home as regularly as I can and maybe someday I will return for good.\"\n\nLYRICS:\nIt made me write this letter\nIt made me write this song\nIt makes me wonder if someday, some way\nI will wander home\n\nIt makes me feel so lonely\nLike your long lost son\nSearching to ignore or explore\nbefore I can return\nI know you need to try to reunite your own\nIf I had wings to fly\nI'd be flying home, flying home\n\nIt's hard to think about it\nSometimes it's hard not to\nAs time goes by I feel more and more at home\nEven though I'm without you\n\nI know you need to try, to reunite your own\nIf I had wings to fly\nI'd be flying home\nFlying home, flying home\n\nTears have been fought back again\nThe yearning has begun\nMy heart lives in two worlds instead of one\n\nIt's time to take adventure, in this promised land\nAnd I hope that someday, some way\nYou may understand\n\nWell it's time to dry your eyes\n'Cause I am one of your own,\nMaybe someday I will fly\nI'll be flying home, flying home","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - Vocals & acoustic guitar\nAnthony Vanderburgh - electric guitar\nJonathon Goldsmith - Piano\nMark Kelso - Drums\nPeter Bleakney - Bass guitar\n\nRECORDING:\nProduced by Sam Reid. Recorded at Digital Music and Riverside Studio\nEngineered and mixed by Mike Jones. Assist- Ian Mumble & Steven Stepanic \nMastered by George Marino at Sterling Sound, New York.",{"_16":149,"_18":150,"_39":152},"21581",8,190,"Driving On","/d/KZ8BLOsgoB24-4pEHoTF3D2v9UTK8Tp6-9CCoGmAOB0=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/D673ED2F-5350-4C3E-AB80-DAC709C0676A/stream.mpd","/d/KZ8BLOsgoB24-4pEHoTF3D2v9UTK8Tp6-9CCoGmAOB0=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/D673ED2F-5350-4C3E-AB80-DAC709C0676A/master.m3u8","BEHIND THE SONG:\n\"As I was approaching the milestone of my 30th birthday I was looking back at\nmy life as well as looking forward. I wanted to capture this experience in a\nsong so, while visiting my friend Sean Keating, we took a pen and paper with\nus on a walk along the dirt roads surrounding his farm.\nBy the end of the walk we had the lyrics pretty much nailed.\n\nLater on when I had the opportunity to shoot a video for this song the car I\nused for the shoot was a 1965 Pontiac Parisienne made in the same year as I\nwas born. Interesting coincidence given the subject matter of the song!\"\n\nLYRICS:\nIt doesn't seem that long, 30 years have come and gone\nLooking back I think you should never blink your eyes\n1973, Richard Nixon, Elvis Presley\nMysterious memories come flooding back to me\n\nDriving on, check your rear view mirror\nAnd remember what's been goin' on\nDriving on, check your rear view mirror\nAnd remember what's come and gone\nThen move on\n\n1984, George Orwell and theatre wars\nFresh out of school with a bag full of songs to sing\nIn that very year, Katie and the night of a thousand years\nBeer on tap and friendships come and go\n\nDriving on, check your rear view mirror\nAnd remember what's been goin' on\nDriving on, check your rear view mirror\nAnd remember what's come and gone\nThen move on, then move on\n\nI feel so alive, life is like a Sunday drive\nGot this car in gear and the radio's playing my song\n\nDriving on, check your rear view mirror\nAnd remember what's been goin' on\nDriving on, check your rear view mirror\nAnd remember what's come and gone\nThen move on, then move on","SONG:\nWritten by David Leask & Sean Keating\n\nMUSICIANS:\nDavid Leask - Vocals & acoustic guitar\nAnthony Vanderburgh - electric guitar\nJonathon Goldsmith - Piano and Hammond B3 organ \nRod McDonald - violin\nMark Kelso - Drums\nPeter Bleakney - Bass guitar\n\nRECORDING:\nProduced by Sam Reid. Recorded at Digital Music and Riverside Studio\nEngineered and mixed by Mike Jones. Assist- Ian Mumble & Steven Stepanic \nMastered by George Marino at Sterling Sound, New York.",{"_16":149,"_18":150,"_39":152},"21580",7,262,"I Can Hear Your Voice","/d/7d-Sd1GIsGojvIHjrR-qp99Le6n-Agp0EFdIMetnxeY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/EE19ADD0-4B15-4FB3-8FD5-79CC79ECFD9C/stream.mpd","/d/7d-Sd1GIsGojvIHjrR-qp99Le6n-Agp0EFdIMetnxeY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/EE19ADD0-4B15-4FB3-8FD5-79CC79ECFD9C/master.m3u8","BEHIND THE SONG:\n\"When I was working with Sam Reid on this album project and we were only 3 weeks away from tracking, we came to the conclusion that I needed one more song. I played this particular song to him and he suggested I re-write the chorus. I sat outside his studio by the Holland River and dug as deep as I could to finish this one off. With my spiritual collaborator the song was written just in time.\"\n\nLYRICS:\nI've lost my memory, I've lost my sight\nI've lost the thoughts I need to win this fight\nI'm scared of darkness in the lonely night\nShine a light on me\n\nPick me up again when I fall down\nDo I deserve to live on higher ground\nSome people say there is gold to be found\nShine a light on me\n\nI can hear your voice inside my head\nSinging to my soul\nHelp me understand what the music is\nIt's all I need to know\n\nI'm always taking when I need the most\nI'm scared of asking from the holy ghost\nThis winding path has me confused and lost\nShine a light on me\n\nI can hear your voice inside my head\nSinging to my soul\nHelp me understand what the music is\nIt's all I need to know\n\nI've lost my memory, I've lost my sight\nI've lost the thoughts I need to win this fight\nI'm scared dying without living life\nShine a light on me\n\nI can hear your voice inside my head\nSinging to my soul\nHelp me understand what the music is\nIt's all I need to know","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - Vocals & acoustic guitar\nAnthony Vanderburgh - electric guitar\nJonathon Goldsmith - Piano and Hammond B3 organ\nMark Kelso - Drums\nPeter Bleakney - Bass guitar\n\nRECORDING:\nProduced by Sam Reid. Recorded at Digital Music and Riverside Studio\nEngineered and mixed by Mike Jones. Assist- Ian Mumble & Steven Stepanic \nMastered by George Marino at Sterling Sound, New York.",{"_16":149,"_18":150,"_39":152},"21579",234,"/d/6dp_IkPTor99KUeXposYEiXrbjfYISHGBxDqzj_Rby8=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/A71627FA-E81F-452A-80DD-1A6AE0A2058F/stream.mpd","/d/6dp_IkPTor99KUeXposYEiXrbjfYISHGBxDqzj_Rby8=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/A71627FA-E81F-452A-80DD-1A6AE0A2058F/master.m3u8","BEHIND THE SONG:\n\"On the 17 March 1993 Somali teenager Shidane Arone was captured and\nbeaten to death by members of the Canadian Airborne Regiment.\nI read with horror an account of the story in the newspaper . The story told\nhow Shidane Arone's father requested - in line with Somali tradition,- that\nhe be paid the equivalent of 100 Camels for the death of his son, the Canadian\ngovernment actually proceeded to barter over the market price of a camel.\nAs with so many songs, \"100 Camels\" was a way to express\nmy feelings and reaction to this tragic death.\"\n\nLYRICS:\nOne man was born a hunter\nOn the northwest plains\nHe was assigned to be a commando\nIn a peaceful war campaign\nThe other man was a nomad\nFrom a hot dry land\nHe never asked for more than survival\nSuch a small demand\n\nYour price for life, is it a hundred camels ?\nWhere's your conscience and shame,\nTo follow the blame ?\n\nThe soldiers lived in a compound,\nFenced with razor wire\nThey were never meant to be helpers\nThey were trained to aim and fire\nMore force than was needed, a case of overkill\n\"Like murdering boys stealing water\"\n\nSomali blood would spill Your price for life, is it a hundred camels ?\nWhere's your conscience and shame,\nTo follow the blame ?\n\nOne night the nomad was hunted\nFor breaking enemy walls\nHe was thrown in a pit to be tortured\nAn example to them all\n\nThe hunter followed his orders\nHe made him fight for breath\nCries of Canada passed without mercy\nBefore his senseless death\n\nYour price for life, is it a hundred camels ?\nWhere's your conscience and shame,\nYour price for life, is it a hundred camels ?\nWhere's your conscience and shame,\nNow we know who's to blame,\nWe know who's to blame","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - Vocals & acoustic guitar\nAnthony Vanderburgh - electric guitar\nJonathan Goldsmith - Piano and Hammond B3 organ\nJohn Johnson - soprano sax\nMark Kelso - Drums\nPeter Bleakney - Bass guitar\n\nRECORDING:\nProduced by Sam Reid. Recorded at Digital Music and Riverside Studio\nEngineered and mixed by Mike Jones. Assist- Ian Mumble & Steven Stepanic \nMastered by George Marino at Sterling Sound, New York.",{"_16":149,"_18":150,"_39":152},"21578",5,"Shidane Arone","/d/troQJPiseFzHFsQCfzvV0i96pUADm9gYByqwOl7WGPo=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/DF19841A-D790-4ADC-8FE0-780AB54F1062/stream.mpd","/d/troQJPiseFzHFsQCfzvV0i96pUADm9gYByqwOl7WGPo=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/DF19841A-D790-4ADC-8FE0-780AB54F1062/master.m3u8","BEHIND THE SONG:\n\"When Sam Reid and I were working on the production of the song \"100 Camels\" we had the idea of recording some authentic Somali instrumentation as an intro. I got in touch with Abdi Adan, a well known traditional Somali performer, and invited him to come to the studio. When we played him the song he said he had also written a song about Shidane Arone. We recorded his beautiful lament and discovered it was in the same key as \"100 Camels\" and was the perfect intro. Thank you Abdi.\"","SONG:\nWritten by Abdi Adan\n\nMusicians:\nVocals by Abdi Adan\nSaxophone John Johnson\n\nProduced by Sam Reid. Recorded at Digital Music and Riverside Studio\nEngineered and mixed by Mike Jones \nMastered by George Marino at Sterling Sound, New York.",{"_16":149,"_18":150,"_39":152},"21577",4,233,"Open Hand","/d/2D7YaSUhJkJv_MxCEqrlbgtfRxtJU1B_wMHw6p0znZs=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/16DF75C7-9413-4484-B13F-16C82BAFAF05/stream.mpd","/d/2D7YaSUhJkJv_MxCEqrlbgtfRxtJU1B_wMHw6p0znZs=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/16DF75C7-9413-4484-B13F-16C82BAFAF05/master.m3u8","BEHIND THE SONG:\n\"This was another song that wasn't quite finished until I went for a walk with it.\nI wandered along the back lanes of the Niagara escarpment wine country\nwith pen and paper singing happily away until five miles later it was complete.\"\n\nLYRICS:\nIf I hide from my heart and shelter the feelings\nWill we soon drift apart like a disappearing tide\nWe have the choice to believe or deny\nListen to the voice that you hear inside\n\nIf the barriers are broken we might understand\nHow to share our emotions with an open hand\n\nTime takes it's toll when you harbor the hurting\nDistances can grow between a family of friends\nWhy fill your words full of sugar and spite\nSay what you feel then we can face the fight\n\nIf the barriers are broken we might understand\nHow to share our emotions with an open hand\n\nIt's never easy letting go\nWhen clenching your emotions is all you know\n\nYou have the choice to believe or deny\nListen to the voice that you hear inside\n\nIf the barriers are broken we might understand\nHow to share our emotions with an open hand","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - Vocals & acoustic guitar\nAnthony Vanderburgh - electric guitar\nJonathan Goldsmith - Piano\nMark Kelso - Drums\nPeter Bleakney - Bass guitar\n\nRECORDING:\nProduced by Sam Reid. Recorded at Digital Music and Riverside Studio\nEngineered and mixed by Mike Jones. Assist- Ian Mumble & Steven Stepanic \nMastered by George Marino at Sterling Sound, New York.",{"_16":149,"_18":150,"_39":152},"21576",3,"Stronger Than Friction","/d/4mnkhP9w79LEHg12XWDDZcWZti2DsRpG4FvF5moFRuY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/76377067-1082-4169-BF0D-BF23FECE7F44/stream.mpd","/d/4mnkhP9w79LEHg12XWDDZcWZti2DsRpG4FvF5moFRuY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/76377067-1082-4169-BF0D-BF23FECE7F44/master.m3u8","BEHIND THE SONG:\n\"This song was written with Sean Keating who came up with the hooky intro. melody. It originally had a line in it \"fielding questions with the skill of a silly mid-off\". I was advised to remove it during a songwriting workshop with Ian Thomas who informed me that positions in cricket wouldn't mean much to most Canadians!\"\n\nLYRICS:\nYou work hard all your life for what you've got\nAnd fall in a moment of despair, a senseless affair\nAvoiding questions that won't stop\nDenying what you know inside, it'll haunt your mind\n\nWatching you while you fight with lies\nAs you feel your world break down\nLet the words be spoken\nAnd the resolutions be found\n\nTruth is stronger than friction\nLet it lead you where you belong, to the one you love\nFear and shame will hunt you down\nThere's nowhere left for you to hide, can you turn the tide?\n\nWatching you while you fight with lies\nAs you feel your world break down\nLet the words be spoken\nAnd the resolutions be found\n\nWatching you while you fight with lies\nAs you feel your world break down\nLet the words be spoken\nAnd the resolutions be found","SONG:\nWritten by David Leask & Sean Keating\n\nMUSICIANS:\nDavid Leask - Vocals & acoustic guitar\nAnthony Vanderburgh - electric guitar\nJonathan Goldsmith - Piano and Hammond B3 organ\nJohn Johnson - soprano sax\nMark Kelso - Drums\nPeter Bleakney - Bass guitar\n\nRECORDING:\nProduced by Sam Reid. Recorded at Digital Music and Riverside Studio\nEngineered and mixed by Mike Jones. Assist- Ian Mumble & Steven Stepanic \nMastered by George Marino at Sterling Sound, New York.",{"_16":149,"_18":150,"_39":152},"21575",2,208,"Snow White","/d/Wh9-dzeaNy80UZWp07-IcF1VfYHM6KkFji9lNCwz02M=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/91582024-9C8E-49B3-8D3E-E43A714BBB0E/stream.mpd","/d/Wh9-dzeaNy80UZWp07-IcF1VfYHM6KkFji9lNCwz02M=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/91582024-9C8E-49B3-8D3E-E43A714BBB0E/master.m3u8","BEHIND THE SONG:\n\"This was the first single from \"100 Camels\" and it is still getting airplay.\nIt has an infectious groove that has the sheen of\nAnthony Vanderburgh's electric guitar work all over it.\"\n\nLYRICS:\nA bad night, bad dream\nNo control to direct this scene\nIt's so hard, sometimes it cuts so deep\nAnd I'm fed up counting all these sheep\n\nYou're Snow White, the sleeping beauty\nI'm alone tonight\nStaring at a ceiling full of memories\nWishing I could hear you say goodnight\n\nYou need time, you need space\nAll I need is your last embrace\nWho's wrong, on which side should the blame fall\nWhen you're the one that built these walls\n\nYou're Snow White, the sleeping beauty\nI'm alone tonight\nStaring at a ceiling full of memories\nWishing I could hear you say goodnight\n\nGive real reasons to me, have some dignity\nDon't waste my time, I've been here before\nI can recognise the lies on your face, its too late\n\nLife's full of good-byes, I sit here and wonder why\nI'll wait, and sometime around daybreak\nMy sleeping beauty will awake\n\nYou're Snow White, the sleeping beauty\nI'm alone tonight\nStaring at a ceiling full of memories\nTime to bid this fairy tale goodnight","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - Vocals & acoustic guitar\nAnthony Vanderburgh - electric guitar\nJonathan Goldsmith - Piano and Hammond B3 organ\nMark Kelso - Drums\nPeter Bleakney - Bass guitar\n\nRECORDING:\nProduced by Sam Reid. Recorded at Digital Music and Riverside Studio\nEngineered and mixed by Mike Jones. Assist- Ian Mumble & Steven Stepanic \nMastered by George Marino at Sterling Sound, New York.",{"_16":149,"_18":150,"_39":152},"21574",308,"Cold","/d/lUPZILGVq4Fz4BIkm0CsX8Tw1CEAzTxZvBgoGKk518E=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/32F73763-D1DF-43A9-9C3F-A6205C16BD78/stream.mpd","/d/lUPZILGVq4Fz4BIkm0CsX8Tw1CEAzTxZvBgoGKk518E=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/32F73763-D1DF-43A9-9C3F-A6205C16BD78/master.m3u8","BEHIND THE SONG:\n\"This was one of the first songs I wrote after moving to Canada. While I was\nwitnessing colder outdoor temperatures than I had ever experienced before,\nI also endured the kind of feelings of loss one experiences when moving far\naway from friends and family.\"\n\nLYRICS:\nI'm feeling winter in fall\nI have been made to feel small\nAnd if I should take that big fall\nI'll still crawl\nBut nothing gets colder than this\n\nI have been heard and not seen\nGone places they haven't been\nWatched when they all turned\ngreen in the face\nBut nothing gets colder than this\n\n'Cause it's cold in this house\nAnd the warm air that flows from my mouth\nIs recounting the memories of loving and leaving behind\n\nI have the time of the day\nNo need to watch what I say\nNow that I've gone my own way I'm o.k.\nBut nothing gets colder than this\n\nI've still got plenty to give\nPlenty of life left to live\nIf only I could stop all this shivering pain\n'Cause nothing feels colder than this\n\n'Cause it's cold in this house\nAnd the warm air that flows from my mouth\n\nIs recounting the memories of loving and leaving behind\nOne roll of the dice, can dictate all your chances in life\nSome can get lucky and some can get nothing at all\nNothing at all, nothing at all, nothing at all\n\nI'm feeling winter in fall\nI have been made to feel small\nEven though I've grown up so tall and so tough\nNothing gets colder than this","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - Vocals & acoustic guitar\nAnthony Vanderburgh - electric guitar \nJonathan Goldsmith - Piano and Hammond B3 organ\nMark Kelso - Drums\nPeter Bleakney - Bass guitar\n\nRECORDING:\nProduced by Sam Reid. Recorded at Digital Music and Riverside Studio. \nEngineered and mixed by Mike Jones. Assist- Ian Mumble & Steven Stepanic. \nMastered by George Marino at Sterling Sound, New York.",{"_16":149,"_18":150,"_39":152},"#080303","#160806","#3b130a","#2a0d08","#4a160b","#e97e24","#f9f2e4","#d74b19","#5c1b0d","#e46c1f","#e05d1d","#f09027","#e57022","#b33615","#c23c16",{"_199":38,"_200":201},700,{"_91":92,"_93":94},{"_87":69,"_89":422},{"_91":92,"_93":94},[216,217,218,219],[425,426,427,428],"/d/xXaiRRaCKGyAwvkJq8DN-Wa-wQ0CKuwk2tRCasi5xlU=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjR9LCJ2Ijo0fQ==/f6bd92cb-54d8-4851-a372-41bf40aa8426/source","/d/IDQqyh0cSBEv4XXP2qVNtjilK7HogDll0aPMhKPGwgw=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTAwfSwidiI6NH0=/f6bd92cb-54d8-4851-a372-41bf40aa8426/source","/d/XMBN4bex1n1Rd4r2QxArodWWnXmcBiGPMDLntod5Oo4=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MzAwfSwidiI6NH0=/f6bd92cb-54d8-4851-a372-41bf40aa8426/source","/d/5f7kv5MsWOzGeCvmxN_Xb84RjkNd-YciRRP6MkZBWlk=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjQwfSwidiI6NH0=/f6bd92cb-54d8-4851-a372-41bf40aa8426/source","https://app.sleeve.fm/artists/davidleask/a/ancestors-eyes","{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Ancestors’ Eyes\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" record has a family theme throughout and is a musical look at some of the people who have influenced my journey - a lover, a mother, a father, a grandfather and a great-grandfather. The title track is the perfect centrepiece that captures a startling discovery about my own ancestor.\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Not long after moving to Canada I read a book about the legend of \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Prince Henry Sinclair.\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" This Scottish adventurer traveled with an Italian navigator named Antonio Zeno, and a party of two hundred men from the Orkney Islands to Guysborough, Nova Scotia in 1398 - 90 years before Columbus came to the shores of North America. From Nova Scotia, they explored the land and waterways traveling as far as Massachusetts. It is understood that they came in peace and made no claims upon the lands of the Mi’kmaq people with whom they lived. Indeed, the legends of these indigenous people recount their harmonious relations with the visiting Earl of Orkney. It may be that their peaceful approach to the new land and its people contributed to them being overlooked by the pages of history. I was fascinated by this story, perhaps because of my own journey across the Atlantic some 600 years later and wanted to write a song about the legend. The song \\\"Prince Henry”, co-written with Kristi Magraw, was released in on a limited edition EP called \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"“In The Blood\\\"\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" along with an an earlier demo version of Ancestors' Eyes.\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"That recording was circulated amongst the Sinclair Clan and eventually made it overseas to the UK where it reached Niven Sinclair. Niven had devoted a lot of effort publicizing Prince Henry Sinclair's story and was so moved by the song he phoned me. After discussing the Sinclair story he drew attention to my own surname, Leask, and mentioned that there were a lot of Leasks on the Orkney Islands. He offered to search my own ancestry through his contacts on the island. I was absolutely flabbergasted when Niven faxed me evidence to show that a Thomas Leask was very close to Prince Henry and in all likelihood sailed with him to the new world. Niven concluded his fax by saying, \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":2,\"mode\":\"normal\",\"style\":\"\",\"text\":\"\\\"There's a reason you wrote this song, for what is born in the bone is not lost in the blood.\\\" \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"It sent shivers down my spine and this experience of discovering my roots inspired the song \\\"Ancestors' Eyes.”\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1},{\"type\":\"image\",\"version\":1,\"src\":\"/d/uJP9zxe7jTEyzJtoqzQRy9rjl36R7tYKj9v75tki7Kg=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTI4MH0sInYiOjR9/eeb2fbf7-a9a9-468c-aae9-ef91e4641733/source\",\"width\":1200,\"height\":1200,\"title\":\"\",\"alt\":\"\",\"caption\":\"\",\"cardWidth\":\"wide\",\"href\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"There are some fine musicians featured on the record including \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Troy McLaggan\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\", guitar; \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Mark Kelso\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\", drums; \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Jon Goldsmith\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\", piano and B3 organ; \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Todd Lumley\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\", accordion; \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Suzie Vinnick\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\", background vocals; \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Collin Barrett,\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" bass; \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Loretto Reid\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\", tin whistle and \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"John Johnson\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" on sax. It was engineered and mixed by the late, great \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Michael Banton-Jones\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" who was \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"nominated for a JUNO for his work on the tracks “Halfway to Heaven” and “Take Me In.”\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" \",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"We had fun working on the cover design using the image from a 100 year old portrait of my wife’s great-grandfather and, with designer Todd Lumley's creative genius, managed to pull together what I think is a pretty dramatic looking cover.\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","Ancestors' Eyes is an engaging look at the people who have influenced David's journey. Throughout the CD, Leask's insights and experiences are apparent via his compelling lyrics and beautiful melodies. The title track draws inspiration from discovering that one of his ancestors made the then uncharted journey from Scotland to Canada 600 years before David crossed the Atlantic. \n\n\"The music on this artist's second release is powerful with excellent songs and killer musical back-up.\" - KITCHENER WATERLOO RECORD",11,2493,{"_208":559,"_210":560},{"_16":82,"_127":84,"_205":557},{"_87":419,"_89":556},{"_16":126,"_33":126,"_127":128,"_129":130,"_29":131,"_132":133,"_134":555},[],[540,541,542,543,544,545,546,547,548,549,550,551,552,553,554],"1999-05-12","1999",[],[444,445,446,447,448,449,450,451,452,453,454],{"_16":533,"_100":32,"_35":510,"_18":534,"_101":535,"_103":536,"_105":537,"_107":538,"_109":38,"_11":539},{"_16":525,"_100":387,"_35":526,"_18":527,"_101":528,"_103":529,"_105":530,"_107":531,"_109":38,"_11":532},{"_16":517,"_100":379,"_35":518,"_18":519,"_101":520,"_103":521,"_105":522,"_107":523,"_109":38,"_11":524},{"_16":509,"_100":370,"_35":510,"_18":511,"_101":512,"_103":513,"_105":514,"_107":515,"_109":38,"_11":516},{"_16":502,"_100":362,"_35":503,"_18":504,"_101":505,"_103":506,"_105":507,"_107":493,"_109":38,"_11":508},{"_16":495,"_100":201,"_35":496,"_18":155,"_101":497,"_103":498,"_105":499,"_107":500,"_109":38,"_11":501},{"_16":487,"_100":346,"_35":488,"_18":489,"_101":490,"_103":491,"_105":492,"_107":493,"_109":38,"_11":494},{"_16":479,"_100":337,"_35":480,"_18":481,"_101":482,"_103":483,"_105":484,"_107":485,"_109":38,"_11":486},{"_16":471,"_100":328,"_35":472,"_18":473,"_101":474,"_103":475,"_105":476,"_107":477,"_109":38,"_11":478},{"_16":463,"_100":296,"_35":464,"_18":465,"_101":466,"_103":467,"_105":468,"_107":469,"_109":38,"_11":470},{"_16":455,"_100":432,"_35":456,"_18":457,"_101":458,"_103":459,"_105":460,"_107":461,"_109":38,"_11":462},"21735",213,"I'm Alive","/d/2VuIqEt-4c20BZtT0JKCnD-iexR0bsk5QllB-XXuzMU=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/CA8BF3EE-F5D0-4159-9105-657C73A537AF/stream.mpd","/d/2VuIqEt-4c20BZtT0JKCnD-iexR0bsk5QllB-XXuzMU=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/CA8BF3EE-F5D0-4159-9105-657C73A537AF/master.m3u8","BEHIND THE SONG:\n\"I wrote this song the first time my wife and I were apart for a month. When she returned I played her the song but I was missing the crucial last verse. It was only when she went away again that I could immerse myself in the same world I had been when the idea was born and finish the song. I told her it was great she had gone away again so I could finish the song. I think she understood!\"\n\nLYRICS:\nIf I could have you here\nI'd hold you close but I'm alone\nLike a song without words that cannot sing\nIf I could breath you in\nI'd hold my breath and not let go\nUntil I'm safe, safely drowned, drowned in you,\nDrowning in you\n\nAnd it makes me cry\nThat's how I know\nThere's a place inside\nWhere angels carry your love\n\nIf I had the wings\nTo let me fly and chase your heart\nThen I'd be gone like the wind, riding on\nWhen I count the hours and lonely days\nI know I'll wait\nAnd I'll be strong, like the pain when you're gone\nLike the pain when you're gone\n\nWhen I have you here\nI'll take the time to let you know\nThat like a song I can sing\nAnd like a bird I can fly\n'Cause I'm in love, I'm alive","SONG:\nWritten by David Leask\n\nTHE MUSICIANS:\nDavid Leask - vocals\nJonathan Goldsmith - piano\n\nRECORDING:\nProduced by David Leask - Mixed by Mike Jones \nRecorded at Digital Music Toronto and Jeddart Music Studios\nMastered by George Marino at Sterling Sound, New York.\n",{"_16":154,"_18":155,"_39":157},"21734",249,"Talking Away","/d/CU11CU-vnWaHnf1TbkpqJq2xnjfE_rMBSCcO20zUFwE=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/D500BB71-3F0C-4845-95AD-4511705E5498/stream.mpd","/d/CU11CU-vnWaHnf1TbkpqJq2xnjfE_rMBSCcO20zUFwE=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/D500BB71-3F0C-4845-95AD-4511705E5498/master.m3u8","BEHIND THE SONG:\n\"When I came up with the music for this song I knew it was different. I later discovered that it was in a very unusual time signature 14/8 Basically it has a bar of 9/4 and a bar of 5/4. I received two years of piano lessons from when I was twelve years old and had no time for the theory. I wonder what my teacher would say now? The words are simply an expression of the way I live my life - my own way. I always seem to be talking inside my head. Sometimes that's where you can have the best conversations!\"\n\nLYRICS:\nI've been holdin' back the tears\nI've been smilin' ear to ear\nI've been dangerous once or twice\nI've been blinded by the light\n\nI've been talking away walking away\nLiving my life my own way\n\nI've been stung beneath my pride\nHad my heart split open wide\nI've been close to selling soul\nNow I'm mending up that hole\n\nI've been praying by the hour\nRubbing shoulders with the power\nAnd he's sending me his plan\nI just hope I understand\n\nNow I'm scarcely scared of life\nAnd I've found myself a wife\nShe makes me feel at home\nBut she leaves me room to roam","SONG:\nWritten by David Leask\n\nTHE MUSICIANS:\nDavid Leask - vocals and acoustic guitar\nTroy McLaggan - electric guitar\nJonathan Goldsmith - piano and B3 organ\nCollin Barrett - bass guitar\nMark Kelso - drums and percussion\n\nRECORDING:\nProduced by David Leask - Mixed by Mike Jones \nRecorded at Digital Music Toronto and Jeddart Music Studios\nMastered by George Marino at Sterling Sound, New York.",{"_16":154,"_18":155,"_39":157},"21733",222,"Swim With The Waterfall","/d/6D2hTXOwiiTBc03nex3wc8FeMwWFx72unzsUoC8dAzI=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/CF156543-E673-4B02-A876-AF5604D02137/stream.mpd","/d/6D2hTXOwiiTBc03nex3wc8FeMwWFx72unzsUoC8dAzI=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/CF156543-E673-4B02-A876-AF5604D02137/master.m3u8","BEHIND THE SONG:\n\"This song was inspired by my dad. He's a \"go with the flow\" kind of guy who has taken some bold steps in his life. He definitely lives life to the fullest - as he would put it \"it's no' a dress rehearsal!\". I saw this title as the perfect metaphor for daring to live life close to the edge.\"\n\nLYRICS:\nThere's an old man filled with pride\nAnd a heart so big and wide\nSmarter than the tide,\nHe swims with the waterfall\nSwims with the waterfall\n\nAnd he stands out from the rest,\nFilled with passion in his chest\nAnd he always does his best\nTo swim with the waterfall\nSwim with the waterfall\n\nAnd though his future was unknown\nHe built a family and a home\nAnd to make it on his own\nHe'd swim with the waterfall\nSwim with the waterfall\n\nAnd for all the stubborn things he's done\nHe is not the only one\nFor like father like son\nI swim with the waterfall\nSwim with the waterfall\n\nI've learned there's nothing bolder than you\nI'll try to follow your steps\nAnd stay strong and true\nAnd swim with the waterfall\nSwim with the waterfall\n\nAnd I'll always keep in mind\nThrough the rapid twists of time\nThere'll be one man by my side\nWhen I swim with the waterfall\nSwim with the waterfall","SONG:\nWritten by David Leask\n\nTHE MUSICIANS:\nDavid Leask - vocals and acoustic guitar\nTroy McLaggan - electric guitar\nJonathan Goldsmith - piano and B3 organ\nCollin Barrett - bass guitar\nMark Kelso - drums and percussion\nLoretto Reid - tin whistle\n\nRECORDING:\nProduced by David Leask - Mixed by Mike Jones - Mastered by George Marino",{"_16":154,"_18":155,"_39":157},"21732",238,"The Message in You","/d/ovzkor5BujhU1hn1m1EeJr6OBH7rmrMm6cPjjpsqF8Q=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/8BC6097A-A3A0-4053-A863-E0B899828548/stream.mpd","/d/ovzkor5BujhU1hn1m1EeJr6OBH7rmrMm6cPjjpsqF8Q=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/8BC6097A-A3A0-4053-A863-E0B899828548/master.m3u8","BEHIND THE SONG:\n\"This song came into being almost at the stage where I had chosen all my songs for the record. I had written the music and had an idea about a child's relationship with his grandfather which can sometimes be very powerful. I sat down with Kristi Magraw and within a few hours it was complete.\"\n\nLYRICS:\nFrom the footprints in the sand\nAs I followed behind\nI saw one of his strides would take three of mine\nMy Grandfather's wisdom was as deep as the sea\nAnd like a message in a bottle\nIt comes back to me\n\nHe'd pick up a stone that looked dirty and old\nAnd hold it in his hand like a nugget of gold\n'Cause he knew with a little tumble and spin\nIt would shine with the colours hidden within\n\nThrough the heartaches I've had\nOn this bumpy trail\nThrough the doubts and the worries\nThe fear that I'd fail\nHe'd say to me \"if you wanna stay true\nLook inside for the message\nThe message in you\"\n\nIn the dark night of the soul\nHe could still make me smile\nOver twenty five years and two thousand miles\nWell I was so glad when his letter got through\n'Cause in a time of decision I knew what to do\n\nNow I'm standing at your grave\nI realise you're on your way\nBut I can read your epitaph\nI can hear every word you'd say\nI hear the words every day","SONG:\nWritten by David Leask and Kristi Magraw\n\nTHE MUSICIANS:\nDavid Leask - vocals and acoustic guitar\nTroy McLaggan - electric guitar\nJonathan Goldsmith - piano and B3 organ\nCollin Barrett - bass guitar\nMark Kelso - drums and percussion\nTodd Lumley - accordion\nLen Soloman - violin\nSuzie Vinnick - Backing vocals\n\nRECORDING:\nProduced by David Leask - Mixed by Mike Jones \nRecorded at Digital Music Toronto and Jeddart Music Studios\nMastered by George Marino at Sterling Sound, New York.",{"_16":154,"_18":155,"_39":157},"21731",267,"Take Me In","/d/5gfOJEJYAqbbdu5WTnpJHEeCGraj-I83-ni17drCCy4=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/D864BDA3-3EE0-4424-A940-64CDB9FE1262/stream.mpd","/d/5gfOJEJYAqbbdu5WTnpJHEeCGraj-I83-ni17drCCy4=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/D864BDA3-3EE0-4424-A940-64CDB9FE1262/master.m3u8","BEHIND THE SONG:\n\"This song has one of the funkiest grooves, some great bass playing and a killer sax solo by John Johnson. It addresses the struggle in relationships sometimes when one person finds it hard to let the other go behind that darkened door and see a part of him or herself that's been locked away for a long time.\"\n\nBEHIND THE SONG:\nSing, sing a lovers song,\nThen cry 'til the tears are gone\nWe'll laugh like there's nothing wrong\nBut if you shut me out then I can't see in\nAnd I'm just asking now, will you take me in\n\nRide on a rocket horse,\nFly round the fastest course\nWe'll sail from coast to coast\nBut if you shut me out then I can't see in\nAnd all I'm asking now\n\nWill you take me in to a deeper place\nWhere I can be strong\nWill you take me in\nThrough the darkened door\nSo I can belong, if you take me in\n\nRise from your lonely bed,\nClimb through the dusty web,\nAnd we'll dance with a dizzy head\nBut if you shut me out then I can't see in\nAnd all I'm asking now\n\nI've opened up my soul\nI've one more place to go\nAre you coming with me coming with me now","SONG:\nWritten by David Leask and Mary Ellen Beatty\n\nTHE MUSICIANS:\nDavid Leask - vocals and acoustic guitar\nTroy McLaggan - electric guitar\nJonathan Goldsmith - piano and B3 organ\nCollin Barrett - bass guitar\nMark Kelso - drums and percussion\nJohn Johnson - soprano sax\nSuzie Vinnick - Backing vocals\n\nRECORDING:\nProduced by David Leask - Mixed by Mike Jones \nRecorded at Digital Music Toronto and Jeddart Music Studios\nMastered by George Marino at Sterling Sound, New York.",{"_16":154,"_18":155,"_39":157},"21730",220,"/d/QoyQqBGhKQ1_zENY23xxaH7c2eMEq5vy5II9vtDwAX8=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/E4FDD9E0-289B-42A5-BD38-F0FFE70DF785/stream.mpd","/d/QoyQqBGhKQ1_zENY23xxaH7c2eMEq5vy5II9vtDwAX8=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/E4FDD9E0-289B-42A5-BD38-F0FFE70DF785/master.m3u8","BEHIND THE SONG:\n\"Not long after moving to Canada I read a book about the legend of Prince Henry Sinclair. This Scottish adventurer traveled with an Italian navigator named Antonio Zeno, and a party of two hundred men from the Orkney Islands in Scotland to Guysborough Nova Scotia in 1398 - 90 years before Columbus came to the shores of North America. From Nova Scotia, they explored the land and waterways traveling as far as Massachusetts. They came in peace and made no claims upon the lands of the Micmac Indians with whom they lived. Indeed, the legends of these native people recount their harmonious relations with the visiting Earl of Orkney. It may be that their peaceful approach to the new land and its people contributed to their being overlooked by the pages of history. I was fascinated by this story, perhaps because of my own journey across the Atlantic some 600 years later and wanted to write a song about the legend. The song \"Prince Henry\" was co-written with Kristi Magraw.\n\nAfter it had been recorded, it was circulated amongst the Sinclair Clan and eventually made it overseas to the UK where it reached Niven Sinclair. Niven had devoted a lot of effort publicizing the adventurer's story and was so moved by the song he phoned me. After discussing the Sinclair story he drew attention to my own surname Leask and mentioned that there was a lot of Leask's on the Orkney Islands. He offered to search my own ancestry through his contacts on the island. I was absolutely flabbergasted when Niven faxed me evidence to show that a Thomas Leask was very close to Prince Henry and in all likelihood sailed with him to the new world. Niven concluded his fax by saying, \"There's a reason you wrote this song, for what is born in the bone is not lost in the blood.\" It sent shivers down my spine and this experience of discovering my roots inspired the song \"Ancestors' Eyes\".\n\nLYRICS:\nI found a dusty photo\nWith a black and white expression\nStaring back at me\nI knew his only grandson\nSince he was my father\nWho was this man to me?\n\nI took a good look at life,\nThrough my ancestors' eyes\nLearning from the wayward and the wise\n\nI heard of one called Thomas\nWho loved the open water\nAnd longed to be at sea\nHe sailed out with Prince Henry\nSought a new horizon\nAnd found a whole new world for me\n\nI took a good look at life,\nThrough my ancestors' eyes\nLearning from the wayward and the wise\nI took a good look at life,\nThrough my ancestors' eyes\nLooking back to where the future lies\n\nI left my home and family\nThe safety of the harbour\nAnd faced a lonely sea\nThrough all the storm and struggle\nI found the kind of courage\nThat's been handed down to me\n\nLooking, learning, loving through their eyes\nThrough ancestors' eyes\nI found some dusty photos\nI heard forgotten stories\nAll, all part of me","SONG:\nWritten by David Leask and Mary Ellen Beatty\n\nTHE MUSICIANS:\nDavid Leask - vocals and acoustic guitar\nTroy McLaggan - electric guitar\nJonathan Goldsmith - piano and B3 organ\nCollin Barrett - bass guitar\nMark Kelso - drums and percussion\nJohn Johnson - soprano sax\nLoretto Reid - tin whistle\nLen Soloman - violin\nPeter Jellard - accordion and fiddle\nTodd Lumley - accordion (Track 8)\nSuzie Vinnick - Backing vocals\n\nRECORDING:\nProduced by David Leask - Mixed by Mike Jones \nRecorded at Digital Music Toronto and Jeddart Music Studios\nMastered by George Marino at Sterling Sound, New York.",{"_16":154,"_18":155,"_39":157},"21729",259,"Halfway To Heaven","/d/wSOlfHiiNH1Kn3i0Ktb0TukWFc_8UUr8tw6k72FKT4c=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/A5BAA308-2763-45C5-819A-BD5B58131E7C/stream.mpd","/d/wSOlfHiiNH1Kn3i0Ktb0TukWFc_8UUr8tw6k72FKT4c=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/A5BAA308-2763-45C5-819A-BD5B58131E7C/master.m3u8","BEHIND THE SONG:\n\"One morning I woke up in the middle of a vivid dream where one moment I was flying in a plane high up through the clouds and the next moment I was crashing down to the ground. I immediately scribbled some notes in a semiconscious state. When I came back to it later I interpreted the dream as a reflection of the ups and downs encountered in the music business. You can give your own interpretation.\"\n\nLYRICS:\nDaylight, and I seldom remember my dreams\nBut this time, I picture the nightmare\nInside my head, like a story I've read\n\nShot down in a plane I was flying alone\nI know what it feels like to fall\nI was high in the clouds\nThen my dreams hit the ground\n\nAlmost halfway to heaven\nAlmost three quarters there\nAlmost fully forgiven\nBut nobody answered my prayer\n\nSlowly, I crawled from the wreckage alive\nBehind me a guardian angel\nAnd I felt no fear\nAs the dream disappeared\n\nAlmost halfway to heaven\nAlmost three quarters there\nAlmost fully forgiven\nDid somebody answer?\nMaybe somebody answered, my prayer\n\nI'm listening to sounds in the dark before dawn\nI'm learning what's there in the silence\nAt night on my own\nMaybe I'm not alone\n\nAlmost halfway to heaven\nAlmost three quarters there\nAlmost fully forgiven\nAnd somebody answered\nYeah somebody answered\nI know somebody answered my prayer",{"_16":154,"_18":155,"_39":157},"21728",201,"Love of A Mother","/d/j-XLgAHKGXN9OyRs4BJQvgtXwzX3o4qI7HZcNSZnqVM=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/D54FBDFB-5B0D-420D-9AD5-A105B3B4BFE7/stream.mpd","/d/j-XLgAHKGXN9OyRs4BJQvgtXwzX3o4qI7HZcNSZnqVM=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/D54FBDFB-5B0D-420D-9AD5-A105B3B4BFE7/master.m3u8","BEHIND THE SONG:\n\"In Scotland, mothering Sunday always falls about 6 weeks before mothers day in North America. I was stung a few times forgetting to send my mother's day greeting and would only realise this when I noticed the advertising on this side of the pond. When my parents were over one year, I had the chance to visit with my mom and she talked about what her mother was like, with a tear in her eye. Shortly thereafter I wrote the song and sent it over for her the following mothers day. I think she forgave me for all the others I'd missed.\n\nBy pure coincidence when we were tracking the album in the studio, this song happened to be recorded on Mothers Day. The musicians who were working with me had to call home and explain why they weren't home having dinner with their mothers because they were recording this special song!\"\n\nLYRICS:\nYou've cradled me since I was born\nWe've survived each other's scorn\nAnd as the time has come and gone\nI've watched you love me like a mother\n\nHeart of gold, nerves of steel\nYou taught me how to feel\nAnd the feelings they are real\nBetween a child and a mother\n\nHold me, share the soul inside me\nThen fly free, send me on my way\n\nWith all the earth beneath my feet\nI've finally wandered out of reach\nAnd all the silence cannot speak\nOf the love from a mother\n\nI'll build a life, I'll build a home\nA family of my own\nAnd share the love I've known\nBetween a child and a mother\nYou've cradled me since I was born\nAnd when our time has finally gone\nI know that I can still hold on\nTo the love of a mother","SONG:\nWritten by David Leask\n\nTHE MUSICIANS:\nDavid Leask - vocals and acoustic guitar\nTroy McLaggan - electric guitar\nJonathan Goldsmith - piano and B3 organ\nCollin Barrett - bass guitar\nMark Kelso - drums and percussion\nSuzie Vinnick - Backing vocals\n\nRECORDING:\nProduced by David Leask - Mixed by Mike Jones \nRecorded at Digital Music Toronto and Jeddart Music Studios\nMastered by George Marino at Sterling Sound, New York.",{"_16":154,"_18":155,"_39":157},"21727",228,"Walking Tall","/d/Pji2cDWKxr1aiBF9KVq98I2RSXofsJVnkSMX3_yMrYI=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/5AAE5D4E-C734-4B79-BBEB-A3A04C2AB732/stream.mpd","/d/Pji2cDWKxr1aiBF9KVq98I2RSXofsJVnkSMX3_yMrYI=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/5AAE5D4E-C734-4B79-BBEB-A3A04C2AB732/master.m3u8","BEHIND THE SONG:\n\"This song went through a few metamorphoses and the final one didn't come together until I enlisted the help of Kristi Magraw. Kristi is a very talented songwriter with an incredible drive to complete a song. Check out the killer guitar solo by Mr. Troy McLaggan.\"\n\nBEHIND THE SONG:\nI sat behind Jolene and she was in my dream\nWhen the teacher's chalk flew\nHe had me up on trial a man against a child\nBut when she defended me I knew\nShe was on my side I filled up with pride\n\nTakin' the fall But I kept walking tall\nI've been walking tall\nI'll keep walking tall\nWhen the chips fall\n\nI played hard on Wall Street\nWhile she kept me on my feet\nLoyal as a love song\nOne day I quit the team chasin' my own dream\nTo a place where I belong\nI've turned my life around breakin' new Ground as I give it my all\n\nWhat it is to do or die\nIs to talk it out and let it out\nWork it out and shout it out\nTo be your own, your own man\nAnd never have to crawl\nI keep walking tall\n\nTravellin' a different road learnin' the soul's code\nTakes forever to achieve\nBut I still stop and laugh with my better half\nShe's the one that I believe\nWin or lose, it's what you choose\nAnd I'm having a ball","SONG: \nWritten by David Leask and Kristi Magraw\n\nTHE MUSICIANS:\nDavid Leask - vocals and acoustic guitar\nTroy McLaggan - electric guitar\nJonathan Goldsmith - piano and B3 organ\nCollin Barrett - bass guitar\nMark Kelso - drums and percussion\nSuzie Vinnick - Backing vocals\n\nRECORDING:\nProduced by David Leask - Mixed by Mike Jones \nRecorded at Digital Music Toronto and Jeddart Music Studios\nMastered by George Marino at Sterling Sound, New York.",{"_16":154,"_18":155,"_39":157},"21726",195,"The Other Side","/d/YV4GhFVRF-yJCwR8fJlY38sBb2VTmwEA8_ktwOdG13g=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/4C7D5554-C828-41EF-8649-5C6A2992770B/stream.mpd","/d/YV4GhFVRF-yJCwR8fJlY38sBb2VTmwEA8_ktwOdG13g=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/4C7D5554-C828-41EF-8649-5C6A2992770B/master.m3u8","BEHIND THE SONG:\n\"I have a strong belief that there are forces working from the other side that help us bring certain things into being - like songs for example. This song highlights my trust in the unknown. When I was struggling to finish the lyrics for this song I jumped on my bicycle and went for a ride in the park. After wailing away like an idiot for half an hour riding around the park, I came home with the final words I needed - with a little help from the Other Side.\"\n\nLYRICS:\nI stand at the waterfall\nAmazed at the power that's behind it all\nI swear there's a message there that I can't ignore\n\nI pass by a wrecking ball\nIt swings like a demon through the seventh floor\nReminds me of the danger walking Through that door\n\nBut if I share what I find\nPut my trust in the other side\nI'll be strong, and I'm sure I will belong\nSometimes I'm a naked man\nStuck between the devil and the holy land\nWaiting for an angel to take my hand\n\nBut I'm much smarter than\nExpecting my world to have the perfect plan\nI'll jump into the universe and see where I land\n\nSo I say my prayers, fight my fears\nTake the dare\nI know that I can do it\n\nSo I'll swim with the waterfall\nKeep both eyes open for the wrecking ball\nHold on tight now 'til I freefall","SONG:\nWritten by David Leask\n\nTHE MUSICIANS:\nDavid Leask - vocals and acoustic guitar\nTroy McLaggan - electric guitar\nJonathan Goldsmith - piano and B3 organ\nCollin Barrett - bass guitar\nMark Kelso - drums and percussion\nSuzie Vinnick - Backing vocals\n\nTHE RECORDING:\nProduced by David Leask - Mixed by Mike Jones \nRecorded at Digital Music Toronto and Jeddart Music Studios\nMastered by George Marino at Sterling Sound, New York.",{"_16":154,"_18":155,"_39":157},"21725","Made My Bed","/d/yLibPCUQyaLbdupBj5HpOL4lkYrAlGzvqIrhRGyUjUg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/6B123D40-7CC1-495D-8590-4258CC1344C4/stream.mpd","/d/yLibPCUQyaLbdupBj5HpOL4lkYrAlGzvqIrhRGyUjUg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/6B123D40-7CC1-495D-8590-4258CC1344C4/master.m3u8","BEHIND THE SONG:\n\"A big theme throughout a number of my songs is the experience of emigrating to a new country. This song focuses on the positive side of that experience.\"\n\nLYRICS:\nSold my heart and left my home\nFound a place where others roam\nAnd when I look back\nAll I see is that closing door\nClose the door\n\nI'm on my way I'm stepping out\nNobody knows my whereabouts\nAnd I'm the man\nWith the big bad plan for the world\nAnd it is my world\n\nI've made my bed but I can't sleep\nWon't be long till I'm on my feet\nI've been waitin' a lifetime to have some fun\nAnd it's just begun\n\nCrashing low or flying high\nYou can't tell me that I don't try\nI've been spreading my wings\nIn a world that's spinning around\nAnd I just touched down\n\nI've made my bed but I can't sleep\nWon't be long till I'm on my feet\nI've been waitin' a lifetime to have some fun\nAnd it's just begun","SONG: \nWritten by David Leask\n\nTHE MUSICIANS:\nDavid Leask - vocals and acoustic guitar\nTroy McLaggan - electric guitar\nJonathan Goldsmith - piano and B3 organ\nCollin Barrett - bass guitar\nMark Kelso - drums and percussion\nSuzie Vinnick - Backing vocals\n\nRECORDING:\nProduced by David Leask - Mixed by Mike Jones \nRecorded at Digital Music Toronto and Jeddart Music Studios\nMastered by George Marino at Sterling Sound, New York.",{"_16":154,"_18":155,"_39":157},"#090a09","#4b2b17","#1c140d","#3c2515","#5e361c","#5a2f19","#27190f","#6c3b1e","#2b1c12","#7f4c26","#915a2b","#c37e39","#4b5c2c","#9f5f2c","#3b4c27",{"_199":38,"_200":201},{"_91":92,"_93":94},{"_87":69,"_89":558},{"_91":92,"_93":94},[216,217,218,219],[561,562,563,564],"/d/uGLdQZOmn7P3O5CmbPAIQ_RLjjwL00AgjCPAXmlM1VI=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjR9LCJ2Ijo0fQ==/214b7fd3-5318-4d49-8a5f-a407fa5c4321/source","/d/aseoctqGD8pBdP8bwkhILMPFM__Hyvc5cUGfN4VlZfo=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTAwfSwidiI6NH0=/214b7fd3-5318-4d49-8a5f-a407fa5c4321/source","/d/rsITlxciraJIBR0pmHt-x6DHQLa0D-qkp-WxyqsD0aY=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MzAwfSwidiI6NH0=/214b7fd3-5318-4d49-8a5f-a407fa5c4321/source","/d/dgF2sVtVXaZ0Laglhf8PCHUY00iEa_ykAbavVB6m2Ac=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjQwfSwidiI6NH0=/214b7fd3-5318-4d49-8a5f-a407fa5c4321/source","https://app.sleeve.fm/artists/davidleask/a/tightrope-of-dreams","{\"root\":{\"children\":[{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"My third record, \\\"\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Tightrope of Dreams\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\", was an album where I had to mine some deeper places, reflecting on the highwire of dreams that I had pursued, with a balancing act between the influences of Scotland and my new home in Canada. I think the group of songs, and particularly the title track and album cover, capture this journey. Musically, it's an interesting hybrid between Canamericana and Celtic roots.\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"The album has a couple of songs, \\\"\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Five Minutes\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"\\\" and \\\"\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Stronger In Broken Places\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"\\\", that were winners in the \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Unisong\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" and the \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"International Songwriting Competitions\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\". The record was mostly tracked at Puck’s Farm and became an interesting journey in how the production unfolded, working with engineers \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Keith Mariash\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" and then \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Michael Banton-Jones\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\". If you are someone who loves liner notes, check out the “Behind The Song” story segments on the lyric and credits pages.\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1},{\"type\":\"image\",\"version\":1,\"src\":\"/d/8lEaNBb7_B7r4073U8yYfwPhuF4fHyn8RDRo8LmkbtU=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTI4MH0sInYiOjR9/aca6fc50-d5bc-4364-89ce-13a1ce1c8111/source\",\"width\":1347,\"height\":934,\"title\":\"\",\"alt\":\"\",\"caption\":\"L to R - Sean O 'Connor, Drew Birston, David Leask, Keith Mariash, Mark Mariash, Steve O'Connor\",\"cardWidth\":\"wide\",\"href\":\"\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","Two earlier albums, 100 Camels and Ancestors' Eyes, established him as a talented troubadour now Leask is back with his strongest effort to date, Tightrope Of Dreams… his authoritative voice and well-written folk-rooted songs take centre stage. \nKerry Doole, TANDEM",2732,{"_208":694,"_210":695},{"_16":82,"_127":84,"_205":692},{"_87":419,"_89":691},{"_16":126,"_33":126,"_127":128,"_129":130,"_29":131,"_132":133,"_134":690},[],[675,676,677,678,679,680,681,682,683,684,685,686,687,688,689],"2004-02-22","2004",[],[579,580,581,582,583,584,585,586,587,588,589],{"_16":667,"_100":32,"_35":668,"_18":669,"_101":670,"_103":671,"_105":672,"_107":673,"_109":38,"_11":674},{"_16":660,"_100":387,"_35":464,"_18":661,"_101":662,"_103":663,"_105":664,"_107":665,"_109":38,"_11":666},{"_16":653,"_100":379,"_35":654,"_18":160,"_101":655,"_103":656,"_105":657,"_107":658,"_109":38,"_11":659},{"_16":645,"_100":370,"_35":646,"_18":647,"_101":648,"_103":649,"_105":650,"_107":651,"_109":38,"_11":652},{"_16":637,"_100":362,"_35":638,"_18":639,"_101":640,"_103":641,"_105":642,"_107":643,"_109":38,"_11":644},{"_16":629,"_100":201,"_35":630,"_18":631,"_101":632,"_103":633,"_105":634,"_107":635,"_109":38,"_11":636},{"_16":622,"_100":346,"_35":526,"_18":623,"_101":624,"_103":625,"_105":626,"_107":627,"_109":38,"_11":628},{"_16":614,"_100":337,"_35":615,"_18":616,"_101":617,"_103":618,"_105":619,"_107":620,"_109":38,"_11":621},{"_16":606,"_100":328,"_35":607,"_18":608,"_101":609,"_103":610,"_105":611,"_107":612,"_109":38,"_11":613},{"_16":598,"_100":296,"_35":599,"_18":600,"_101":601,"_103":602,"_105":603,"_107":604,"_109":38,"_11":605},{"_16":590,"_100":432,"_35":591,"_18":592,"_101":593,"_103":594,"_105":595,"_107":596,"_109":38,"_11":597},"21746",321,"Caledonia","/d/f560RZ8KBI21Lza4Vxn0bADNO0y770dPRovBQDdfAWM=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/283D88DD-81B5-4B2A-BB46-FF2406771ABC/stream.mpd","/d/f560RZ8KBI21Lza4Vxn0bADNO0y770dPRovBQDdfAWM=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/283D88DD-81B5-4B2A-BB46-FF2406771ABC/master.m3u8","BEHIND THE SONG:\n\"My own take on the powerful Dougie MacLean song that remains an anthem for exiled Scots around the world.\"\n\nLYRICS:\nI don't know if you can see\nThe changes that have come over me\nIn these last few days I've been afraid\nThat I might drift away\nSo I've been telling old stories, singing songs\nThat make me think about where I came from\nAnd that's the reason, why I seem, so far away today\n\nOh, but let me tell you that I love you\nThat I think of you all the time\nCaledonia you're calling me And now I'm going home\nIf I should become a stranger\nYou know that it would make me more than sad\nCaledonia's been everything I've ever had\n\nNow I have moved and kept on moving\nProved the points that I needed proving\nLost the friends that I needed losing\nFound others on the way\nI have kissed the ladies and left them crying\nStolen dreams, yes there's no denying\nI have traveled hard sometimes with conscience flying\nSomewhere in the wind\n\nOh, but let me tell you that I love you\nThat I think about you all the time\nCaledonia you're calling me And now I'm going home\nIf I should become a stranger\nYou know that it would make me more than sad\nCaledonia's been everything I've ever had\n\nNow I'm sitting here before the fire\nThe empty room, the forest choir\nThe flames that couldn't get any higher\nThey've withered now they've gone\nBut I'm steady thinking my way is clear\nAnd I know what I will do tomorrow\nWhen the hands are shaken and the kisses flow\nThen I will disappear","SONG:\nWritten by Dougie MacLean\n\nMUSICIANS:\nDavid Leask - vocals, piano, keys\nMark Mariash - drums and percussion\nDrew Birston - electric bass\nSean O' Connor - flute, whistle and sax\nTroy McLaggan - electric guitar\n\nRECORDING:\nProduced by David Leask - Mixed by Michael Banton-Jones - Mastered by Ted Carson\nRecorded at Pucks Farm, engineered and pre-mixed by Keith Mariash",{"_16":159,"_18":160,"_39":162},"21745",204,"The Lasses","/d/sIF57iEGJjCB7MypjFAmjFkKEwTCPDGC1T5NAvOJ1V8=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/8E730819-6C5C-470B-9D72-3785C1CB63B9/stream.mpd","/d/sIF57iEGJjCB7MypjFAmjFkKEwTCPDGC1T5NAvOJ1V8=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/8E730819-6C5C-470B-9D72-3785C1CB63B9/master.m3u8","BEHIND THE SONG:\n\"Robert Burns, the Scots poet and songwriter, was known for adapting old tunes; to reflect his time. In the same spirit, this is my adaptation of his song, \"Green Grow the Rashes O'.\" It captures Burns' celebration and respect of women.\"\n\nLYRICS:\nGreen grow the rashes, O;\nGreen grow the rashes, O;\nThe sweetest hours I ever spend,\nAre spent among the lasses, O.\n\nThere's nought but care on every han',\nIn every hour that passes, O;\nWhat signifies the life o' man,\nAn' 'twere na for the lasses, O.\n\nThe warly race may riches chase,\nAn' riches still may fly them, O;\nAn' tho' at last they catch them fast,\nTheir hearts can ne'er enjoy them, O.\n\nBut give me a canny hour at e'en,\nMy arms about my dearie, O;\nAn' warly cares an' warly men,\nMay a' gae tapsalteerie, O!\n\nFor you sae douse, ye sneer at this,\nYe're nought but senseless asses, O;\nThe wisest man the world saw,\nHe dearly loved the lasses, O.\nGreen grow, etc\n\nAuld nature swears, the lovely dears\nHer noblest work she classes, O;\nHer apprentice hand she tried on man,\nAn' then she made the lasses, O.\n\nGreen grow the rushes, O;\nGreen grow the rushes, O;\nThe sweetest hours that I ever spend,\nAre spent among the lassies, O.","SONG:\nWritten by Robert Burns and David Leask\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar\nMark Mariash - drums and percussion\nDrew Birston - acoustic bass\nSean O' Connor - flute\nBen Grossman - bodhran\n\nRECORDING:\nProduced by David Leask - Mixed by Michael Banton-Jones - Mastered by Ted Carson\nRecorded at Pucks Farm, engineered and pre-mixed by Keith Mariash",{"_16":159,"_18":160,"_39":162},"21744",278,"Kindly","/d/BoGlsss-MH_NOk33g51iNSlx2HsqBWrKBEXB7tBY3HA=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/038703B5-EC70-42CA-BF58-1032BDFB738C/stream.mpd","/d/BoGlsss-MH_NOk33g51iNSlx2HsqBWrKBEXB7tBY3HA=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/038703B5-EC70-42CA-BF58-1032BDFB738C/master.m3u8","BEHIND THE SONG:\n\"This song was inspired by a CBC radio interview about a group of students travelling across North Americ carrying out random acts of kindness. It features an instrumental from The Banks of Claudy.\"\n\nLYRICS:\nA million to one\nThat’s what her chance to survive had become\nShe prayed for life from the blood of someone\nAnd a thousand miles away\nA stranger was starting his day\nHe rolled up his sleeve and gave love away\n\nSometimes we can help in ways we don‘t know\nSometimes we’re selfish before we can grow\nInstead of indifference let some grace show\nAnd watch the world become kindly again\n\nA cold Christmas day\nThe turkey was roasting away\nShe watched over her flock as \"Silent Night\" played\nOutside by the bins\nShe saw an old man with no next of kin\nAnd as he foraged around she welcomed him in\n\nSometimes we can help in ways we don‘t know\nSometimes we’re selfish before we can grow\nInstead of indifference let some grace show\nAnd watch the world become kindly again\n\nWhen fear takes it’s toll\nIt might seem impossible\nBut real love can rise up lift the weight from your soul\n\nCause sometimes we can help in ways we don‘t know\nSometimes we’re selfish before we can grow\nInstead of indifference let some grace show\nWatch the world become kindly again\nWatch the world become kindly again\nWatch the world become kindly again\nCan the world become kindly again","SONG:\nWritten by David Leask and Kristi Magraw\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar\nMark Mariash - drums and percussion\nDrew Birston - electric bass\nSteve O' Connor - piano, B3 organ and accordion\nWendell Ferguson - electric guitar\nSuzie Vinnick - BG vocals\nAlan Johnstone - bass drum\n\nRECORDING:\nProduced by David Leask - Mixed by Michael Banton-Jones - Mastered by Ted Carson\nRecorded at Pucks Farm, engineered and pre-mixed by Keith Mariash",{"_16":159,"_18":160,"_39":162},"21743",264,"It All Comes Down","/d/UZ3DzjZrOok_F5kqpPqrQaPN4b_uxbuQdlTi9IH7JDo=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/757C9E61-64BA-4B25-B7AE-7BF33D0B2E56/stream.mpd","/d/UZ3DzjZrOok_F5kqpPqrQaPN4b_uxbuQdlTi9IH7JDo=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/757C9E61-64BA-4B25-B7AE-7BF33D0B2E56/master.m3u8","BEHIND THE SONG:\n\"Traditional native philosophy wisely considers how each community decision will affect 7 generations back and 7 generations forward. Now that's something to live by!\"\n\nLYRICS:\nI made my wish on a distant star\nMailed it out into cyberspace\nI want to see my grandkids play\nWatch them breathing in their freedom\nI can’t stand still, no I can’t stand still\n\nI see this world around me\nLike one big family tree\nTwo hundred generations\nAs it’s handed down\nIt all comes down to you and me\n\nWe can drink the planet dry\nOr we can try to feed the source\nCan we agree to save this place\nInstead of talking let’s start walking\nWe can’t stand still, no we can’t stand still\n\nI see this world around me\nLike one big family tree\nTwo hundred generations\nAs it’s handed down\nIt all comes down to you and me\n\nSometimes we’re victims to the way that we’ve become\nKillin' our future, and the only cure for the world is love\n\nI made my wish on a distant star\nMailed it out into cyberspace\nI want to see my grandkids play\nThe torch is coming, let’s keep it running\nWe can’t stand still, no we can’t stand still\n\nI see this world around me\nLike one big family tree\nTwo hundred generations\nAs it’s handed down\nIt all comes down to you and me","SONG: \nWritten by David Leask and Kristi Magraw\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar\nAl Cross - drums\nRuss Boswell - bass\nSteve O' Connor - B3 organ\nMike Francis - electric guitar\nSean O' Connor - saxophone\nKevine Turcotte - trumpet\nSuzie Vinnick - BG vocals\n\nRECORDING:\nProduced by David Leask - Mixed by Michael Banton-Jones - Mastered by Ted Carson\nRecorded at McLear Digital engineered by Michael Banton-Jones",{"_16":159,"_18":160,"_39":162},"21742","The Rain Came Down","/d/3N1BT2PLcDIonVoliIXON_C5uXobTExURT5AIqd_5x4=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/CA169995-9782-45BE-90BC-4E3FE288990D/stream.mpd","/d/3N1BT2PLcDIonVoliIXON_C5uXobTExURT5AIqd_5x4=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/CA169995-9782-45BE-90BC-4E3FE288990D/master.m3u8","BEHIND THE SONG:\n\"Growing up in Scotland gave me a thirst for a good rain and the respect of it's mighty source.\"\n\nLYRICS:\nThere's an old man sittin' at the edge of the sea\nWaiting to sail his boat\nKangaroos came in 2 by 2\nAnd then the rain came down\nThe rain came down\n\nThere's a farmer standing at the edge of his field\nWaiting for something to grow\nForty days since he started to pray\nAnd then the rain came down\nWaking up that ground\nYeah the rain came down\nThe rain came down\n\nI dreamt I was walking in the border hills\nTrying to find my home\nThe sky went black\nI heard a thunder clap\nAnd the rain came down\nOn that sacred ground\nYeah the rain came down\nThe rain came down\n\nRain, rain, rain wash away these stains\nFeed my soul and kiss my face again\nHoly rain\n\nThere's an old man floatin' in a great big sea\nWaitin' to find some land\nForty days since he sailed away\nWhen the rain came down\nThe rain came down\nBut behind those clouds\nThere's a rainbow now\nThere's a rainbow now\nThere's a rainbow now\nCause the rain came down\nRain came down","SONG:\nWritten by David Leask and Mary Ellen Beatty\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar, piano (11)\nMark Mariash - drums and percussion\nDrew Birston - electric bass\nSean O' Connor - flute\nSteve O' Connor - piano, B3 organ\nTroy McLaggan - mandolin and electric guitar\n\nRECORDING:\nProduced by David Leask - Mixed by Michael Banton-Jones - Mastered by Ted Carson\nRecorded at Pucks Farm, engineered and pre-mixed by Keith Mariash",{"_16":159,"_18":160,"_39":162},"21741",236,"Life (When You View it From Here)","/d/yWIb481yYq_Xdxq9brp1g006LbuY0NXEjOTDc5n2DM0=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/87D13421-A28C-4670-AEF0-7B1725942FEC/stream.mpd","/d/yWIb481yYq_Xdxq9brp1g006LbuY0NXEjOTDc5n2DM0=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/87D13421-A28C-4670-AEF0-7B1725942FEC/master.m3u8","BEHIND THE SONG:\n\"This is a hopeful song about love written on the eve of the Iraq war, April 2003.\"\n\nLYRICS:\nI thought I had seen everything in life there was to see\nBut life came along proving me wrong making a fool out of me\nConvinced I was much more important that each passer by\nThe truth of it is learning to live means letting go of your pride\n\nSo I try one new thing each day\nLet faith lead the way\n\nIn life the best thing is love\n'Cause that's what we're all made of\nIt's suddenly perfectly clear\nWhen you view it from here\n\nVan Gogh he threw paint on canvas like no one else could\nWe didn't care while he was here, sad he was misunderstood\nYeah and Lincoln rallied for freedom he saw a better day\nTimes may have changed, it's all the same, perception stands in our way\n\nSo I try to pray every day\nLet faith lead the way\n\nIn life the best thing is love\n'Cause that's what we're all made of\nIt's suddenly perfectly clear\nIn life the best thing is love\n'Cause that's what we're all made of\nIt's suddenly perfectly clear\nYeah, it's perfectly clear\nEverything's crystal clear\nWhen you view it from here\nWhen you view it from here","SONG:\nWritten by David Leask and RyLee Madison\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar\nMark Mariash - drums and percussion\nDrew Birston - electric\nSteve O' Connor - piano, and accordion\nWendell Ferguson - electric guitar\nSuzie Vinnick - BG vocals\n\nRECORDING:\nProduced by David Leask - Mixed by Michael Banton-Jones - Mastered by Ted Carson\nRecorded at Pucks Farm, engineered and pre-mixed by Keith Mariash",{"_16":159,"_18":160,"_39":162},"21740",256,"Strong In Broken Places","/d/RcecYNxAzOUq399vty83UTKIwYbdNAwRa_BSr88blvI=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1B4FD42F-A324-4758-BF46-3E2B26EDB929/stream.mpd","/d/RcecYNxAzOUq399vty83UTKIwYbdNAwRa_BSr88blvI=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1B4FD42F-A324-4758-BF46-3E2B26EDB929/master.m3u8","BEHIND THE SONG:\n\"I love this Ernest Hemingway quote - \"The world breaks everyone and afterward many are strong in the broken places\".\n\nLYRICS:\nGrowing stronger in broken places\nGrowing wise where we were blind\nFinding love where amazing grace is\nWe're growing stronger in broken places\n\nThis crazy world breaks everyone\nFrom the highest priest to the prodigal son\nBut when we face what we’ve become\nThe healing has begun\n\nGrowing stronger in broken places\nGrowing wise where we were blind\nFinding love where amazing grace is\nWe're growing stronger in broken places\n\nChristopher Reeve became a superman\nNelson Mandela saw his promised land\nWe all can get there hand in hand\nSlowly marching on\n\nGrowing stronger in broken places\nGrowing wise where we were blind\nFinding love where amazing grace is\nWe're growing stronger in broken places\n\nIn the darkest hour, I'm like a frightened kid\nBut I won’t be scared to fight to live\n\nGrowing stronger in broken places\nGrowing wise where we were blind\nFinding love where amazing grace is\nWe're growing stronger, we're growing wiser\nWe're growing stronger in broken places","SONG:\nWritten by David Leask and Mary Ellen Beatty\n\nMUSICIANS:\nDavid Leask - vocals\nMark Mariash - drums and percussion\nDrew Birston - acoustic bass\nSean O' Connor - whistle\nSteve O' Connor - piano\nTroy McLaggan - mandolin and electric guitar\nDebbie Quigley - unlearn pipes\n\nRECORDING:\nProduced by David Leask - Mixed by Michael Banton-Jones - Mastered by Ted Carson\nRecorded at Pucks Farm, engineered and pre-mixed by Keith Mariash",{"_16":159,"_18":160,"_39":162},"21739",206,"Five Minutes","/d/RjpFUa9WUtEa-0opGYHg4EmJR7YHKNeW9BrJ1oKKJTg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/65CAE1E1-E0EE-474C-9E43-760882F29434/stream.mpd","/d/RjpFUa9WUtEa-0opGYHg4EmJR7YHKNeW9BrJ1oKKJTg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/65CAE1E1-E0EE-474C-9E43-760882F29434/master.m3u8","BEHIND THE SONG:\n\"Love can sometimes feel like one big song. This one was a winner of the Country/Folk category of the 2003 Unisong International Songwriting Competition.\"\n\nLYRICS:\nShe was sittin' by the cherry tree trying to write some poetry\nLooking like a vision from a Monet scene\nI was out in the park strumming on my new guitar\nWaiting for the muse to set me free\nShe was looking lyrical I could feel a melody\nFeeding me the hook to bring her close to me\n\nIt can take forever to write a love song\nBut it just takes five minutes to fall in love\nIf we can hang together like a timeless metaphor\nThen I know when we sing it\nWe can make five minutes forever more\n\nShe finally came across to me choosing words so carefully\nSaid, \"You sound a little like a Dylan fan\"\nI said \"I'm just a rolling stone chillin' out on my own\nPlaying the role of a Renaissance man\"\nShe said \"You must have been a friend in another existence\nYou feel as close as the pen in my hand\"\n\nIt can take forever to write a love song\nBut it just takes five minutes to fall in love\nIf we can hang together like a timeless metaphor\nThen I know when we sing it\nWe can make five minutes forever more\n\nI've got the rhythm, she's got the rhyme\nWe'll write this song together, in our own sweet time\n\nIt can take forever to write a love song\nBut it just takes five minutes to fall in love\nIf we can hang together like a timeless metaphor\nThen I know when we sing it we'll be livin' in it\nIt can take forever to write a love song\nBut it just takes five minutes to fall in love\nIf we can hang together like a timeless metaphor\nThen I know when we sing it\nWe can make five minutes forever more\nIt can take forever to write a love song\nBut it just takes five minutes to fall","SONG:\nWritten by David Leask, Kristi Magraw and Robert Davis\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar\nMark Mariash - drums and percussion\nJohn Dymond - bass\nSteve O' Connor - piano, B3 organ and accordion\nWendell Ferguson - electric guitar (3,4,6,9)\nLuke Mercier - fiddle and banjo\nSuzie Vinnick - BG vocals\n\nRECORDING:\nProduced by David Leask - Mixed by Michael Banton-Jones - Mastered by Ted Carson\nRecorded at McLear Digital engineered by Michael Banton-Jones\n",{"_16":159,"_18":160,"_39":162},"21738",269,"/d/cA6dSa9xWn-HcddwwIjRPtM68_djXco0UQelANMo1FA=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/49BD7EC7-81AA-4192-AFF2-03C9CD8A7F19/stream.mpd","/d/cA6dSa9xWn-HcddwwIjRPtM68_djXco0UQelANMo1FA=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/49BD7EC7-81AA-4192-AFF2-03C9CD8A7F19/master.m3u8","BEHIND THE SONG:\n\"Some days, balancing life, love and the pursuit of our dreams is like walking a tightrope.\"\n\nLYRICS:\nLiving on a high wire everyday\nYou and I don't look down\nKnowing what we want, tryin' not to sway\nWhen distraction's all around\nIt's a circus, it's a dance, our hopes hang in the balance\n\nAs you walk and I walk the tightrope of dreams\nWe'll rely on each other and we'll believe\n\nWeighing every step, gotta give and take\nHoldin' back, movin' on\nYou'll take a risk, I'll play it safe,\nUnderstanding makes us strong\nWe practice and prepare building castles in the air\n\nAs you walk and I walk the tightrope of dreams\nWe'll rely on each other and we'll believe\nAs you walk and I walk the tightrope of dreams\nWe'll try, we'll fail, and we'll succeed\nFind all that we need on this tightrope of dreams\nPush the extremes on this tightrope of dreams\n\nMovin through life we're the stars of our travelling show\nCloser and closer our dreams lead us where we must go, let's go\n\nLearning how to free-fall into space\nYou and I can survive\nAll we really need is a little faith\nCause life's one big surprise\nWhat's above us, what's below\nWhat's behind us is the only sure thing we're ever gonna know\n\nAs you walk and I walk the tightrope of dreams\nWe'll rely on each other and we'll believe\nYeah, as you walk and I walk the tightrope of dreams\nWe'll try, we'll fail, and we'll succeed\nFind all that we need on this tightrope of dreams\nPush the extremes on this tightrope of dreams","SONG:\nWritten by David Leask and Debra Alexander\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar\nMark Mariash - drums and percussion\nSteve O' Connor - piano, B3 organ and accordion\nWendell Ferguson - electric guitar\nJohn Dymond - bass\nSuzie Vinnick - BG vocals\nKevin Turcotte - trumpet\n\nRECORDING:\nProduced by David Leask - Mixed by Michael Banton-Jones - Mastered by Ted Carson\nRecorded at McLear Digital engineered by Michael Banton-Jones",{"_16":159,"_18":160,"_39":162},"21737","Slip Away","/d/QwsP8MgqW5F1pYP8zyVp1XKYhRSHahh3aQzLenrdVds=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/2E64ADEB-C5BD-4B8D-9EE8-2B580E0780EB/stream.mpd","/d/QwsP8MgqW5F1pYP8zyVp1XKYhRSHahh3aQzLenrdVds=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/2E64ADEB-C5BD-4B8D-9EE8-2B580E0780EB/master.m3u8","BEHIND THE SONG:\n\"I've learned from personal experience how important can be to reach out before time slips away.\"\n\nLYRICS\nThere's a great big sea outside my window\nPounding on the shore\nWashing up these memories\nI cannot ignore\n\nThere's a lonely line on the horizon\nCold and hard and strong\nLike the barrier between us\nThat's divided us so long\n\nAs this day slips away\nI could mourn the mistakes I have made\nAnd miss this chance to explain\nBut I may never have this time again\n\nThere's a picture sitting on the mantle\nA smile upon your face\nStaring out at me like\nTime could be erased\n\nI had a point of view you disagreed with\nAnd I'd never change my mind\nFunny how it doesn't matter\nAfter all this time\n\nAs this day slips away\nI could mourn the mistakes I have made\nAnd miss this chance to explain\nBut I may never have this time again\n\nSo many ways to leave home\nFew ways to return\nI'm looking at the bridge I thought we'd burned\n\nBut there's a telephone out in the kitchen\nWaiting on the wall\nMy heart would love to hear you\nI know that I should call, I think it's time….\n\nCause as this day slips away\nI could mourn the mistakes I have made\nBut it's my chance to explain","SONG:\nWritten by David Leask and Don Bray\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar\nMark Mariash - drums and percussion\nDrew Birston - acoustic bass\nSteve O' Connor - accordion\nLuke Mercier - fiddle\nSuzie Vinnick - BG vocals\n\nRECORDING:\nProduced by David Leask - Mixed by Michael Banton-Jones - Mastered by Ted Carson\nRecorded at Pucks Farm, engineered and pre-mixed by Keith Mariash",{"_16":159,"_18":160,"_39":162},"21736",254,"Every River","/d/d_3332yHDnhP_cXF_sdhV9UV5s1DP7Si166uPkj49lE=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/639B6CA0-BCF8-4881-9CA2-81EC46398595/stream.mpd","/d/d_3332yHDnhP_cXF_sdhV9UV5s1DP7Si166uPkj49lE=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/639B6CA0-BCF8-4881-9CA2-81EC46398595/master.m3u8","BEHIND THE SONG:\n\"My friend Keith Rainer introduced me to this song by the Scottish band Runrig years ago and I immediately fell in love with it.\"\n\nLYRICS:\nYou ask me to believe in magic\nExpect me to commit suicide of the heart\nAnd you ask me to play this game without question\nRaising the stakes on this shotgun roulette\n\nEvery river I try to cross, Every hill I try to climb\nEvery ocean I try to swim Every road I try to find\nAll the ways of my life I'd rather be with you\nThere's no way Without you\n\nBut you came to me like the ways of children\nSimple as breathing, easy as air\nNow the years hold no fears, like the wind they pass over\nLoved, forgiven, washed, saved\n\nEvery river I try to cross, Every hill I try to climb\nEvery ocean I try to swim Every road I try to find\nAll the ways of my life I'd rather be with you\nThere's no way Without you","SONG: \nWritten by C & R MacDonald\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar\nMark Mariash - drums and percussion\nDrew Birston - electric and acoustic bass\nSean O' Connor - whistle\nTroy McLaggan - mandolin\nBen Grossman - hurdy gurdy\n\nRECORDING:\nProduced by David Leask - Mixed by Michael Banton-Jones - Mastered by Ted Carson\nRecorded at Pucks Farm, engineered and pre-mixed by Keith Mariash",{"_16":159,"_18":160,"_39":162},"#1d1c1e","#282728","#3c59a3","#b1c3e5","#5b70b4","#6b81c2","#8ea2d4","#4e69b2","#c3d2e7","#1f1f23","#a0b4e2","#6c6e6e","#3f5fac","#d4e2f2","#617ac0",{"_199":38,"_200":201},{"_91":92,"_93":94},{"_87":69,"_89":693},{"_91":92,"_93":94},[216,217,218,219],[696,697,698,699],"/d/zV5J63KeKtQrV6VTHkroLMgpBsJ3q7gSzTPU5rh9CBE=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjR9LCJ2Ijo0fQ==/454db5b4-11b3-40e1-9e9a-fe39d303a75d/source","/d/SsoQ18GWcIwYQGn3zsHmsAHRPvQzNpLFCURfE40F3Ss=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTAwfSwidiI6NH0=/454db5b4-11b3-40e1-9e9a-fe39d303a75d/source","/d/Zvgc6_PWSvVEfHss_s8o9_IRndSdcwJUKnhyIn5o1M4=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MzAwfSwidiI6NH0=/454db5b4-11b3-40e1-9e9a-fe39d303a75d/source","/d/tO-a6IN6esGfzXO6gtcZnbR5I4eUPfufnGA3N823f_s=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjQwfSwidiI6NH0=/454db5b4-11b3-40e1-9e9a-fe39d303a75d/source","https://app.sleeve.fm/artists/davidleask/a/run-fox-run","{\"root\":{\"children\":[{\"type\":\"embed\",\"version\":1,\"url\":\"https://youtu.be/WElBm4v5dsw?si=_6TnAOwxM8kiBQZh&t=10\",\"embedType\":\"video\",\"html\":\"\",\"metadata\":{\"title\":\"2008 SHS Terry Fox Run video\",\"author_name\":\"Marco Zimbalatti\",\"author_url\":\"https://www.youtube.com/@mzimbalatti\",\"type\":\"video\",\"height\":150,\"width\":200,\"version\":\"1.0\",\"provider_name\":\"YouTube\",\"provider_url\":\"https://www.youtube.com/\",\"thumbnail_height\":360,\"thumbnail_width\":480,\"thumbnail_url\":\"https://i.ytimg.com/vi/WElBm4v5dsw/hqdefault.jpg\",\"html\":\"\",\"method\":\"provider-api\"},\"caption\":\"\"},{\"type\":\"image\",\"version\":1,\"src\":\"/d/yYbEzlquumKkrFFgQfmiQnZGuPiCKYEUncEE__vn5ss=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTI4MH0sInYiOjR9/e0c911c0-250d-4ff2-8405-cde97499066b/source\",\"width\":791,\"height\":935,\"title\":\"\",\"alt\":\"\",\"caption\":\"\",\"cardWidth\":\"wide\",\"href\":\"\"},{\"children\":[],\"direction\":null,\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1}],\"direction\":null,\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","A song written and recorded to honour the inspiring great Canadian Terry Fox who set out on a selfless journey to raise money for a cure for cancer running a marathon a day for 143 days. The song is centred around Terry's unique \"foxtrot\" double hop and the song has been played at Terry Fox Run events as far away as Vietnam, Taiwan and India. \"His spirit runs farther and stronger each day....\"",258,{"_208":740,"_210":741},{"_16":82,"_127":84,"_205":738},{"_87":69,"_89":737},{"_16":126,"_33":126,"_127":128,"_129":130,"_29":131,"_132":133,"_134":736},[],[721,722,723,724,725,726,727,728,729,730,731,732,733,734,735],"2006-09-15","2006",[],[714],{"_16":715,"_100":32,"_35":703,"_18":165,"_101":716,"_103":717,"_105":718,"_107":719,"_109":38,"_11":720},"21747","/d/a85t5UwTNvezzyOaW_emmMv8kA8WzYTg3HDV7mhFAOA=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/795D3ABA-0E18-46B3-8E7D-E4837C710B6C/stream.mpd","/d/a85t5UwTNvezzyOaW_emmMv8kA8WzYTg3HDV7mhFAOA=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/795D3ABA-0E18-46B3-8E7D-E4837C710B6C/master.m3u8","You gave us a dream as big as our land\nA mountain of hope from a humble man\nChasing a cure one mile at a time\nFacing home you would smile,\nTake a breath and hit your stride\n\nCome on run Fox run\nInto our hearts\nYou can run Fox run, run, run\nInto our hearts\n\nA marathon a day\nThrough the wind and rain\nYou believed in a miracle\nBeyond the pain\nNow there's unfinished business\nAnd we're racing the clock\nFor today and tomorrow\nWe can't rest 'til the hurting stops\n\nCome on run Fox run\nInto our hearts\nYou can run Fox run, run, run\nInto our hearts\n\nYour spirit runs farther and stronger each day\nHelping us to go the distance and to keep the faith\n\nCome on run Fox run\nInto our hearts\nYou can run Fox run, run, run\nInto our hearts","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar, piano and bass guitar\nMark Kelso - drums\nJames McKie - fiddle and mandolin\nSean O' Connor - accordion\nTroy McLaggan - electric guitar\n\nRECORDING:\nProduced by David Leask - Mixed by Dave Vanderploeg",{"_16":164,"_18":165,"_39":167},"#d3d6e6","#c0c7df","#bfc5d9","#e1e2e9","#b6bed8","#c8cee3","#e7e8ef","#15171c","#38383d","#dbdde9","#050608","#cfd0d9","#1b1e24","#26282d","#b8c2dd",{"_199":38,"_200":201},{"_91":92,"_93":94},{"_87":69,"_89":739},{"_91":92,"_93":94},[216,217,218,219],[742,743,744,745],"/d/THsQYtdtMYk161PypTqN60t90UlT4F9c4VVO_OqD-78=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjR9LCJ2Ijo0fQ==/748f8ae2-2e55-48b2-ac80-51565a2d817d/source","/d/Vkym4VSGRTNqlzqJWyrN4yO3zS8h24ywUSA_zZsnG_4=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTAwfSwidiI6NH0=/748f8ae2-2e55-48b2-ac80-51565a2d817d/source","/d/t0I_T9rKr-TOczek8sHia43Jj-aLpz2JuBS_MEUL7OY=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MzAwfSwidiI6NH0=/748f8ae2-2e55-48b2-ac80-51565a2d817d/source","/d/fpkp6pZTLgeLxWoZ3htYwwrWxbXdLgk7G6WONQJkb1s=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjQwfSwidiI6NH0=/748f8ae2-2e55-48b2-ac80-51565a2d817d/source","https://app.sleeve.fm/artists/davidleask/a/underneath","{\"root\":{\"children\":[{\"type\":\"video\",\"version\":1,\"src\":\"https://stream.mux.com/23m5Gsw19FVf0100b101i02xsgSv01BUOgKTNCh3JwxFEjpg.m3u8?uuid=0683d669-0fb4-4b0a-85a7-356f9cfc6fe3\",\"caption\":\"

All My Love - Music Video

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Highway Home - Lyric Video

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Underneath - Live from the Rose Theatre

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Words - Live performance

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Burdens & Blessings - Live performance

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certainly get 5 stars out of 5 stars. All songs are well written and superbly sung by David.\"\nJohn Gavin, Atlantic Seabreeze\n\n“Having won numerous accolades for his songs, Leask co-wrote 11 of the album’s 13 tracks. Songs such as the title track, “Underneath”, “Photosynthesis”, and “One Second Look” shed refreshingly mature perspectives on personal relationships. Others like, “Freedom by the Barrel”, “Ready to Buy”, and “Breathing” go even deeper to tackle and examine social conditions such as war mongering, rampant consumerism and the struggle for peace amidst chaos. “Highway Home\" really stood out for me.\nStewart Fenwick, CMDS, Scotland\n\n",13,2609,{"_208":894,"_210":895},{"_16":82,"_127":84,"_205":892},{"_87":419,"_89":891},{"_16":126,"_33":126,"_127":128,"_129":130,"_29":131,"_132":133,"_134":890},[],[875,876,877,878,879,880,881,882,883,884,885,886,887,888,889],"2013-10-29","2013",[],[761,762,763,764,765,766,767,768,769,770,771,772,773],{"_16":867,"_100":32,"_35":868,"_18":869,"_101":870,"_103":871,"_105":872,"_107":873,"_109":38,"_11":874},{"_16":860,"_100":387,"_35":861,"_18":170,"_101":862,"_103":863,"_105":864,"_107":865,"_109":38,"_11":866},{"_16":853,"_100":379,"_35":599,"_18":854,"_101":855,"_103":856,"_105":857,"_107":858,"_109":38,"_11":859},{"_16":845,"_100":370,"_35":846,"_18":847,"_101":848,"_103":849,"_105":850,"_107":851,"_109":38,"_11":852},{"_16":837,"_100":362,"_35":838,"_18":839,"_101":840,"_103":841,"_105":842,"_107":843,"_109":38,"_11":844},{"_16":829,"_100":201,"_35":830,"_18":831,"_101":832,"_103":833,"_105":834,"_107":835,"_109":38,"_11":836},{"_16":821,"_100":346,"_35":822,"_18":823,"_101":824,"_103":825,"_105":826,"_107":827,"_109":38,"_11":828},{"_16":813,"_100":337,"_35":814,"_18":815,"_101":816,"_103":817,"_105":818,"_107":819,"_109":38,"_11":820},{"_16":805,"_100":328,"_35":806,"_18":807,"_101":808,"_103":809,"_105":810,"_107":811,"_109":38,"_11":812},{"_16":798,"_100":296,"_35":88,"_18":799,"_101":800,"_103":801,"_105":802,"_107":803,"_109":38,"_11":804},{"_16":790,"_100":432,"_35":791,"_18":792,"_101":793,"_103":794,"_105":795,"_107":796,"_109":38,"_11":797},{"_16":781,"_100":782,"_35":783,"_18":784,"_101":785,"_103":786,"_105":787,"_107":788,"_109":38,"_11":789},{"_16":774,"_100":749,"_35":775,"_18":776,"_101":777,"_103":778,"_105":779,"_107":-5,"_109":38,"_11":780},"21760",223,"This Time Round","/d/ynaZhNnU6o_XHe9ZuOtSKU5uw3uHFT4pwk1X12tG7g8=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1B5AF27D-2829-409A-B402-4911FDC3ADDC/stream.mpd","/d/ynaZhNnU6o_XHe9ZuOtSKU5uw3uHFT4pwk1X12tG7g8=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1B5AF27D-2829-409A-B402-4911FDC3ADDC/master.m3u8","BEHIND THE SONG:\n\"The first time I heard this song on Darrell Scott's record, \"Crooked Road\", it really spoke to me. Maybe it was something in the melody or the powerful lyric but it stayed with me. I had tracked everything for my record and very late in the game I decided to drop one tune and cut this track. Perhaps it was a line like, \"I will dig down to the bottom and fill me right back up\", that resonated with my own process of what I had gone through during the process of writing and recording this record. It's never easy to have the objectivity and put aside the ego and drop one of your own songs but I am so glad I did as it has become one of my favourites. I hope you enjoy it as much as I do.\"\n\nLYRICS:\nThis time ‘round I’ll be like water\nI have learned to let it flow \nOh, there is no need to dam me\nI will go where I must go\nI'll drop this suit of armour\nPut away my thorny crown\nGonna lay my heart wide open this time ‘round\n\nThis time ‘round I’ll be a giver\nI have saved me long enough\nI will dig down to the bottom\nAnd I’ll fill me right back up\nAnd I’ll end this search for saviour\nI’ll be a lost without a found\nA pilgrim on life’s highway this time ‘round\n\nEvery time I play the game of love I play to win\nAnd it always breaks me open \nAnd I try to fly but fall and crash and burn\nThat’s how I learn\n\nThis time ‘round I’ll be forgiving\nI have harmed myself too long\nI will speak the words of healing\nAnd it will fill my heart with song\nAnd I’ll sing this song with others\nWho were born to make the sound\nA ragged choir of angels this time ‘round\n\nAs I sail out on the ocean\nAnd I look back on the shore\nI can see the sweet perfection\nOf the ones I’ve loved before\nIn each face I see the lesson\nThat has brought me here and now\nThey will all give me their blessing this time ‘round\n\nOh every time we play the game of love we play to win\nAnd, it always breaks us open and we try to fly but fall and crash and burn\nThat's how we learn to love again\nThis time ‘round",{"_16":169,"_18":170,"_39":172},"21759",12,224,"All My Love","/d/FI7W9s8-pIyV_GFImb-ERIbxE2qQdglLYlRuY6hn4Sc=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1FDC6F4D-E31C-4D47-8EF3-759D7B465DA9/stream.mpd","/d/FI7W9s8-pIyV_GFImb-ERIbxE2qQdglLYlRuY6hn4Sc=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1FDC6F4D-E31C-4D47-8EF3-759D7B465DA9/master.m3u8","BEHIND THE SONG:\n\"This is another tune co-written with Daryl Burgess who also co-wrote You've Got My World. It was written over two fun sessions at SOCAN house in Nashville almost exactly a year apart. I brought a little baby musical idea to the session and as we began working on it, it was cool to hear the way Daryl experimented with the phrasing of my original melody. The idea grew up to be a bouncy little love song with a Rhythm and Bluegrass vibe!\"\n\nLYRICS:\nAll my love, all my faith\nAll my love I wanna give to you\nAll my love, is yours to take\nLet every day start and end with you\n\nI’ll hold you when the nighttime falls\nI wanna be the smile in the memories you recall\nAll my love, all my love\nAll my love is true and it’s all coming home to you\n\nAll my time is standing still\nAnd all I am is hanging on a kiss\nAll my heart is yours to thrill \n'Cause you’re all the things I know I can’t resist \n\nI wanna be the moon in your sky\nThe message that you find that just rolled in on the tide saying\nAll my love, all my love\nAll my love is true and it’s all coming home to you\n\n'Til all my days are gone\nMy love will always find its way back into your arms\nI'll bring it home to you\n'Cause you know what to do with\n\nAll my love, all my love, \nall my love is coming on home, coming on home\nAll my love, all my love, all my love, is all coming home to you","SONG:\nWritten by David Leask and Daryl Burgess\n\nMUSICIANS\nDavid Leask - lead & BG vocals & acoustic guitar \nJustin Moses - fiddle, mandolin & dobro\nSteve Brewster - drums & percussion \nClay Krasner - electric bass\nSteve O' Connor - wurlitzer & B3 Organ\n\nRECORDING:\nProduced by Justin Abedin & David Leask.\nMixed by Chad Carlson and Mastered by Hank Williams.\nRecorded at Brewbeat Studios in Nashville, engineered by Steve Brewster. \nAdditional recording at Jeddart Music, Canterbury Music & Sweetbriar Recording Studio. ",{"_16":169,"_18":170,"_39":172},"21758",173,"Burdens and Blessings","/d/wC6E-yR3ixQWcO-8VsT3gTdq5uY8H_dq6kKQxHrcc0E=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/E87A28D3-B172-4B60-B462-A15F611F1D85/stream.mpd","/d/wC6E-yR3ixQWcO-8VsT3gTdq5uY8H_dq6kKQxHrcc0E=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/E87A28D3-B172-4B60-B462-A15F611F1D85/master.m3u8","BEHIND THE SONG:\n\"Navigating the path of life involves figuring out who you are. Part of the puzzle can be understanding where you come from - how you've acquired a certain feature, quirkiness or skill handed down from your relatives over generations. Some of them you're able to wear naturally, with pride and others remain uncomfortable, never quite fitting in your skin. Yet both are undeniably part of your DNA. My wife Mary Ellen and I got talking about how what's handed down to us from our personal family and from simply being human is both \"a blessing and a burden.\" When I heard the phrase I thought it could be a good song title, eventually flipping it around. The musical idea came shortly thereafter while we were up at a family cottage. The song seemed to inhabit us for the next couple of days until it got to the point where it rang true. I like the contrast between the tension in the verses and the open feel in the chorus teasing us with the possibility that the rainbow will show up.\"\n\nLYRICS:\nPart of me's the enemy of love\nWith a history hidden in the blood\nAnd it casts an ugly shadow\nAnd follows me around and beats me up\n\nPart of me's a prisoner of hope\nA lifer with a lifeline of rope\nAnd no matter what I'm facing\nIt's amazing how it keeps this heart afloat and I know\n\nWhen the rain is pouring, the sun keeps shining \nAnd the rainbows still turn up\nSo weigh me down and raise me up\nWith the burdens and the blessings of love\n\nAll of me is all I'll ever need\nA doubter who is able to believe\nAn enemy befriended \nAnd a prisoner who knows he's free, that's me\n\nWhen the rain is pouring, the sun keeps shining \nAnd the rainbows still turn up\nSo weigh me down and raise me up\nWith the burdens and the blessings of love\n\nI know it's true and I'll be alright\nLet it all shine through and I'll learn to live with\nThe burdens and the blessings of love","SONG:\nWritten by David Leask and Mary Ellen Beatty\n\nMUSICIANS:\n\nDavid Leask - lead, BG Vocals, piano & acoustic guitar \nJustin Abedin - mandolin & electric Guitar - , \nJames McKie - fiddle - , \nMark Mariash - drums\nDrew Birston - bass \n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Chad Carlson and Mastered by Hank Williams. \nRecorded at Canterbury Music in Toronto. Engineered by Jeremy Darby. \nAdditional recording at Jeddart Music in Mississauga. ",{"_16":169,"_18":170,"_39":172},"21757","Highway Home","/d/gen4WnS-Yv2GcKsLIVzYl19eRkScjRdFPAagP_m8h3Y=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/79E148B5-1135-47CC-BFFE-4D2AACD6D21B/stream.mpd","/d/gen4WnS-Yv2GcKsLIVzYl19eRkScjRdFPAagP_m8h3Y=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/79E148B5-1135-47CC-BFFE-4D2AACD6D21B/master.m3u8","BEHIND THE SONG:\nHow does the saying go, \"You can take the boy out of the small town but you can't take the small town out of the boy\". There's no doubt growing up in a small town in the south of Scotland left an indelible impression on me. Even after 20 years of living more than 3,000 miles away, any time I prepared to make the pilgrimage back to the \"auld\" country, the involuntary butterflies took flight at the prospect of my memories reuniting with the present day. Maybe it's that powerful mixture of excitement in reconnecting with the people and the landscape combined with a natural anxiety around what has changed. It was during one of these times when I was scheduled to head home that the emotional reverberations began to surface as they do for me, in the form of words and music. I had an encounter with a poignant piano idea with a working title, \"Highway Home\". Of course I knew what it was about and that it wouldn't be easy to write. I scheduled a writing session with Debra Alexander. For me this song has a tenderness in the music and lyrics that captures something very true. I love the way the 1st inversion chord in the chorus captures the nervous uncertainty of what's going to happen and then by the time you hit the chord on the line \"travelling at the speed of love\" it feels like you're already home and everything is going to be OK.\n\nLYRICS:\nI can see the town on the top of the hill waiting for me\nCounting down the miles while I’m looking for signs\nBurned in my memory\nBreathing in the sweet meadow air\nHoneysuckle wind in my hair\nIt’s good to be\n\nOut on the highway home\nTaking back the time that’s flown\nWondering who I’ll see, going through the things I’ll say\nTraveling at the speed of love\nTo the place I’ve been thinking of every day\nOut on the highway home\n\nThinking ‘bout the warmth of the arms wrapping ‘round, taking me in\nSmiling ‘cause I know while my heart’s catching up,\nMy head’s gonna spin\nI’ll see my picture in a brand new frame\nA little different, but still the same\nThat’s just me\n\nOut on the highway home\nTaking back the time that’s flown\nWondering who I’ll see, going through the things I’ll say\nTraveling at the speed of love\nTo the place I’ve been thinking of every day\nOut on the highway home\n\nHave I lived those dreams that they dreamt for me?\nHave I been gone too long?\nAll I know right here, right now, is that I belong\n\nOut on the highway home\nTaking back the time that’s flown\nWondering who I’ll see, going through the things I’ll say\nTraveling at the speed of love\nTo the place I’ve been thinking of every day\nOut on the highway home","SONG:\nWritten by David Leask & Debra Alexander\n\nMUSICIANS:\nDavid Leask - lead & BG vocals & acoustic guitar\nSteve O' Connor - piano & accordion\nJustin Abedin - electric Guitars \nRob Ickes - dobro\nGary Craig - drums\nJohn Dymond - bass \n\nRECORDING:\nProduced by Justin Abedin & David Leask.\nMixed by Chad Carlson and Mastered by Hank Williams. \nRecorded at Vyner Road in Toronto. Engineered by Michael Banton-Jones. \nAdditional recording at Jeddart Music in Mississauga. ",{"_16":169,"_18":170,"_39":172},"21756",207,"One Second Look","/d/a1_jAG0ox29cXarHw6y840-9fjUjP_nCLVZQr97_450=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1E17AED6-EA36-49C4-BC18-831EFC7E0D4F/stream.mpd","/d/a1_jAG0ox29cXarHw6y840-9fjUjP_nCLVZQr97_450=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1E17AED6-EA36-49C4-BC18-831EFC7E0D4F/master.m3u8","BEHIND THE SONG:\n\"I had written down a song title in my title idea book called \"2nd Look\" and brought it into a session with Debra Alexander. She immediately said, \"What about \"One Second Look?\" and we were off and running, brainstorming around the idea of an epiphany. It's another lyric that has an underlying big idea so it was a challenge to keep a balance between simplicity and depth. I love the way the epiphany could be as simple as falling in love after taking that second glance or something much bigger and more profound. An interesting note about this song is that it has only three chords, unusual for me and all major chords too! Originally it had a few minors in there and I decided to make it more straight forward and I think it really helps get across the sentiment.\"\n\nLYRICS:\nI never used to blink \nDidn’t even bat an eye\nNot a ripple in my hazy view\nLike a stoner on a sweet grass high\nThen you went and made me think\nI kind of did a double take\nI saw a little more than I did before\nAnd I came up wide-awake \n\nHey hey hey, \nIt’s all good\nI’m on my way\nAnd all it took was one second look\n\nI’m in a brand new world\nFloating on a stream of light\nGot a Technicolor sun and moon\nAn amazing kind of second sight\nAnd so I thank my lucky stars\nYou found a way to get to me\nShowed me how to shine, blew my mind\nAnd I love the stuff I see \n\nHey hey hey, \nIt’s all good\nI’m on my way\nAnd all it took was one second look","SONG:\nWritten by David Leask and Debra Alexander\n\nMUSICIANS:\nDavid Leask - lead & BG Vocals\nJustin Abedin - Banjo, acoustic & electric guitar\nSteve O'Connor - Accordion\nMark Mariash - Drums\nDrew Birston - Bass\nDavide Di Renzo - Percussion\n\nRECORDING:\nProduced by Justin Abedin & David Leask.\nMixed by Chad Carlson at Hippo Sound in Nashville and Mastered by Hank Williams. \nRecorded at Canterbury Sound in Toronto. Engineered by Jeremy Darby. \nOverdubs at Jeddart Music in Mississauga. ",{"_16":169,"_18":170,"_39":172},"21755",171,"Photosynthesis","/d/D3Wd5PsB8lxz8WW-Lju6q9dfsWhcio3zFHLcCANZJnk=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/84DD739F-28A7-4787-820A-0407AFEE1E1E/stream.mpd","/d/D3Wd5PsB8lxz8WW-Lju6q9dfsWhcio3zFHLcCANZJnk=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/84DD739F-28A7-4787-820A-0407AFEE1E1E/master.m3u8","BEHIND THE SONG:\n\"As someone who's been a long time, I've witnessed a lot of change in myself and my partner and I'm not just talking about change in hairstyle and waist size : ) One day my wife and I were chatting about the idea of how the chemistry between two people can help them grow as individuals and as a couple in a similar way to the chemical reaction that happens between the different elements that make plants grow. I wrote down the title \"Photosynthesis\" and thought it could be a good idea for a love song. I was going through a phase of exploring my jazzy side and a musical idea bounced out one day with a cheeky little diminished chord or as I sometimes refer to them \"demolished chords\". I had a writing session with Debra Alexander and we agreed that the two ideas could marry well together. The struggle was to keep the lyric simple and natural to contrast with the more complex chord movement. We worked hard at it and I'll never forget our last writing session, finishing the song in a friend's back yard looking out at the beautiful garden. Just as we finished, the sunshine turned to rain.\"\n\nLYRICS:\nA little rain a little sun \nIs all a flower needs\nA little pain a little love\nKeeps changing you and me \n\nWe’ve got our own photosynthesis, it’s a natural thing we do\nYou keep growing on me I keep growing on you \n\nA little time a little space \nA blossom comes alive\nA little give a little take \nThat’s how our love survives cause\n\nWe’ve got our own photosynthesis, it’s a natural thing we do\nYou keep growing on me and I’ll keep growing on you \n\nThrough every dark night we can hold on\nWake up to the light\nShining on this garden we have grown\n\nWe’ve got our own photosynthesis, it’s a natural thing we do\nYou keep growing on me and I’ll keep growing on you \nYou keep growing on me and I’ll keep growing on you ","SONG:\nWritten by David Leask and Debra Alexander\n\nMUSICIANS:\nDavid Leask - lead & BG vocals - . \nJustin Abedin - Acoustic & electric guitars\nRoger Travassos - Drums & percussion \nDrew Birston - Acoustic bass - . \nRon Lopata - Rhodes Piano & organ\n\nRECORDING:\nProduced by Justin Abedin & David Leask - Mixed by Chad Carlson - Mastered by Hank Williams \nRecorded at The Drive Shed in Toronto. Engineered by John Bailey. Additional overdubs at Jeddart Music & Dixie South Recording in Mississauga. ",{"_16":169,"_18":170,"_39":172},"21754",219,"Stronger Back","/d/a34GetaLXdpjVaFIh8p9PAkrZ5HohYY5-515PQpU4oY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/C25A1CB7-5744-4934-9A5F-8C975026573D/stream.mpd","/d/a34GetaLXdpjVaFIh8p9PAkrZ5HohYY5-515PQpU4oY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/C25A1CB7-5744-4934-9A5F-8C975026573D/master.m3u8","BEHIND THE SONG:\n\"As a songwriter who has written many songs over the years, I'm always on a quest for the true song, one that seems natural & timeless in it's combination of words and music. This search takes place not only during my own writing process but also when I'm listening to other writers. To me there's nothing quite like hearing a writer tell the story and then bowl you over with their performance of the song. I was down in Gulf Shores, Alabama at the Frank Brown International Songwriters Festival and heard Doug Gill perform Stronger Back. It struck me that this was as true a song as you'll find. Doug Gill wrote the tune 6 weeks after 9/11 while he was going through a tough time and he saw a church sign that read \"Don't pray for a lighter load, pray for a stronger back\". For me it captures that experience of struggle and hope we all face in life\"\n\nLYRICS:\nI had everything and lost it all\nI built towers of gold and watched them fall\nI tried my best, but I guess my best wasn't good enough\nI made promises and broke them\nI've laid loved-ones lives wide open\nI've got a broken heart, but I've come this far and I ain't giving up\n\nI pray for a stronger back\nI pray for a bigger heart\nI pray for the will to keep on walking\nWhen the way is dark\nI follow that winding road\nI just try to stay on track\nI don't pray for a lighter load\nI pray for a stronger back\n\nI've seen losers get a second chance\nI've seen miracles and happenstance\nI've seen long shots come from way behind to win the race\nI've had dreams blow up in a cloud of smoke\nIt's a world of pain, it's a world of hope\nAnd it's dark right now, but I know somehow\nSomeday the sun will find a way to shine down on my face\n\nI pray for a stronger back\nI pray for a bigger heart\nI pray for the will to keep on walking\nWhen the way is dark\nI follow that winding road\nI just try to stay on track\nI don't pray for a lighter load\nI pray for a stronger back","SONG:\nWritten by Doug Gill\n\nMUSICIANS:\nDavid Leask - lead, BG vocals & acoustic guitar - . \nSteve O'Connor - piano\nTodd Lumley - B3 Organ \nJustin Abedin - lectric guitar - . \nMark Mariash - drums & percussion \nDrew Birston - bass\nTravis Toy - pedal steel\nQuisha Wint - choir & counter vocals\n\nRECORDING:\nProduced by Justin Abedin & David Leask - Mixed by Chad Carlson - Mastered by Hank Williams \nRecorded at Canterbury Sound in Toronto. Engineered by Jeremy Darby. Overdubs at Jeddart Music. ",{"_16":169,"_18":170,"_39":172},"21753",214,"You've Got My World","/d/nD9cNdRVGzZ-xDIgLs8Spi-u-90Eh-vDZisXaYCdLFo=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/0C047B21-D27B-4351-9CF3-036646B4BCF3/stream.mpd","/d/nD9cNdRVGzZ-xDIgLs8Spi-u-90Eh-vDZisXaYCdLFo=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/0C047B21-D27B-4351-9CF3-036646B4BCF3/master.m3u8","BEHIND THE SONG:\nYou've Got My World was written in Nashville at SOCAN house with Daryl Burgess. I brought a sketched idea to the session which was very groove based and I knew Daryl was a pretty groovy guy so I thought he might dig it and I was right! He quickly re-shaped the chorus melody and the lyric hook and it was cool to watch the way another writer can see things from a different angle and help bring the idea home. We worked at building out the verses and then wrote a beatle-esque bridge. I love the imagery in this song, particularly the \"magic carpet riding\". \n\nLYRICS:\nA big streak of red in a sky so blue\nWaking up in a rainbow holding you\nYou’ve got my world, you’ve got my world \nEvery dum punch line & crooked smile\nI’m hoping that your gonna wanna stay a while\nYou’ve got my world, you’ve got my world\n\nSpinning, flying, \nMagic carpet riding\nYou’re right where you belong\nThere’s no denying\nYou’re so easy to invite in \nRight into my world \n\nAny speck of gold hidden in these veins\nAny diamond you can find baby you can take\nYou’ve got my world, you’ve got my world\nIt’s got a bigger moon than what it was\nAnd it shines so beautiful because\nYou’ve got my world, you’ve got my world\n\nSpinning, flying, \nMagic carpet riding\nYou’re right where you belong\nThere’s no denying\nYou’re so easy to invite in \nRight into my world\n\nYou’ve got my world in your hands\nYou’re the feathers in my wings \nAnd I don’t wanna land anywhere tonight\nCause loving you is like \n\nSpinning, flying, \nMagic carpet riding\nYou’re right where you belong\nThere’s no denying\nYou’re so easy to invite in \nRight into my world","SONG:\nWritten by David Leask and Daryl Burgess\n\nMUSICIANS:\nDavid Leask - lead vocals and acoustic guitar\nJustin Abedin - electric guitars\nSteve Brewster - drums\nClay Krasner - bass\nSteve O' Connor - B3 Organ\nHenry Lees - BG vocals\n\nRECORDING:\nProduced by Justin Abedin & David Leask - Mixed by Chad Carlson - Mastered by Hank Williams \nRecorded at Brewbeat Studios engineered by Steve Brewster, overdubs at Jeddart Music",{"_16":169,"_18":170,"_39":172},"21752",177,"Freedom By The Barrel","/d/pRLr0axzCfbO5jO2qgQpXkkBIhdKvKD80zBAAts1dDY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/511DF46B-7FCA-478C-9F1D-8E53784DA2EC/stream.mpd","/d/pRLr0axzCfbO5jO2qgQpXkkBIhdKvKD80zBAAts1dDY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/511DF46B-7FCA-478C-9F1D-8E53784DA2EC/master.m3u8","BEHIND THE SONG:\n\"It's not every day you get the chance to write a song about the military industrial complex and the billionaires that move like dark shadows behind governments and wars. My friend Alec Steinwall and I were playing a gig together and on our break the subject of conversation got around to politics as it frequently did. He mentioned he had a lyric for me and I had a look. It was incredibly powerful and I could feel something straight away. I took it home and started working on it the following morning and was quickly inspired to write some music. It felt like there were more verses than we needed and I started shaping the tune and tweaking a few words here and there. Alec and I went back and forth for about another month before settling on the final version. Initially I recorded an acoustic demo with a Dylanesque feel which won the political category of the Ontario Council Of Folk Festivals \"Songs from the Heart\" Contest. In it's present form, it won first prize in the Rock Category of the Unisong International Song Contest so I guess the tune is a pretty good genre jumper!\"\n\nLYRICS:\nThey got a Jesus face painted on the tank\nGot democracy and battle plans,\nThe \"Bill of Rights\" and bombing runs \nThey got a corporate box at the playoff games\nTravel business class on the gravy train\nGot lobbyists with great big silver tongues\nAnd they got freedom by the barrel\nFreedom by the barrel of a gun\n\nBillionaires with high ideals\nGonna roll some folks beneath the wheels\nBetter grab your things get set to run\n'Cause they got freedom by the barrel of a gun\n\nThey got fear campaigns making lots of noise\nTheir own truth laid out full of talking points\nGot liberty their fathers fought and won \nThey'll bring vote machines with no paper trail\nPut your country up for a fire sale\nAnd after everything is said and done\nThey'll have freedom by the barrel\nFreedom by the barrel of a gun\n\nBillionaires with high ideals\nGonna roll some folks beneath the wheels\nBetter grab your things get set to run\n\"Cause once they siphon off their fee\nThere'll be nothing left for you and me\nJust words that they will empty one by one\nBut they’ll have freedom by the barrel\nFreedom by the barrel, Freedom by the barrel of a gun","SONG:\nWritten by David Leask and Alec Steinwall\n\nMUSICIANS:\nDavid Leask - lead & BG vocals & acoustic guitars & piano \nDoug Romanow - B3 organ, glock, keys, drum & loop programming \nJustin Abedin - Electric guitars\nClay Krasner - Bass\n\nRECORDING:\nProduced by Douglas Romanow & David Leask - Mixed by Doug Romanow - Mastered by Hank Williams \nRecorded at Fire Escape Studios in Toronto. Engineered by Doug Romanow",{"_16":169,"_18":170,"_39":172},"21751",179,"Ready To Buy","/d/6MjxXY92CWAqLD3SlEIgfJBCDb1Wc9lJB4ZEEU21D-0=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/87F72BFA-601E-4E27-BDEF-2C1A6825739F/stream.mpd","/d/6MjxXY92CWAqLD3SlEIgfJBCDb1Wc9lJB4ZEEU21D-0=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/87F72BFA-601E-4E27-BDEF-2C1A6825739F/master.m3u8","BEHIND THE SONG:\n\"I brought this vibey piece of music to a writing session with Debra Alexander. We started chatting about one thing or another, trying to hunt down the lyric. I mentioned I had read a story in the news about Walter Kavanagh who held the Guinness World record for having the most number of credit cards. He had collected 1497 cards with a total credit limit of 1.7 million. We both thought this was crazy and talked about our general frustration with the day to day pressure to consume. We felt the lyric should take a shot at a system that entices us to buy stuff we don't need. To explore a bit more on this topic, check out the video below called The Story of Stuff. It's a twenty minute piece but if you can find the time it will bend your mind.\"\n\nLYRICS:\nSo sleek so fine, never seen such a beautiful line\nMy logic's starting to fray\nYou tempt, you tease, pretty soon I'll be on my knees\nI wanna take you away hey hey hey\n\nI'm ready to buy\nTake me for a ride\nI want a piece of the dream\nI'm willing I'm ready to buy\n\nAlright, okay, make me feel like a King for a day \nEvery fool has his gold\nNo fee's too high, let the plastic slide\nI'm already sold\n\nI'm ready to buy\nTake me for a ride\nI want a piece of the dream\nI'm willing I'm ready to buy\n\nPast the billboards and ShopTV\nThere's an hunger that I gotta feed\nSell me something, sell something I need\n\nI'm ready to buy\nTake me for a ride\nYou’ve got me drunk on the dream\nAnd I'm willing, I’m ready, \nI'm chillin', I'm ready to buy","SONG:\nWritten by David Leask and Debra Alexander\n\nMUSICIANS:\nDavid Leask - lead & BG Vocals & acoustic guitar \nJustin Abedin - electric guitars \nLyle Molzan - drums \nDrew Birston - electric bass\nKevin Adamson - wurlizer & B3 hammond\n\nRECORDING:\nProduced by Justin Abedin & David Leask - Mixed by Chad Carlson - Mastered by Hank Williams \nRecorded at Canterbury Sound in Toronto. Engineered by Jeremy Darby. Overdubs at Jeddart Music",{"_16":169,"_18":170,"_39":172},"21750","Breathing","/d/pGhZ7lhRdQ872ydK4IKHboBFzBWxKSGuL2S89GSHZ8s=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/C7F120B6-D776-484D-BB66-9EFBA0DACCF9/stream.mpd","/d/pGhZ7lhRdQ872ydK4IKHboBFzBWxKSGuL2S89GSHZ8s=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/C7F120B6-D776-484D-BB66-9EFBA0DACCF9/master.m3u8","BEHIND THE SONG:\n\"Perhaps not something we give a lot of thought to everyday unless we're running up a flight of stairs or playing sports. But if you didn't breathe, as Monthy Python would say, you would be \"no more\". With the crazy pace of life these days I'm sure most of you can relate to having times when it's a struggle to keep up. This was the premise my co-writer Debra Alexander and I wanted to capture in a song. We worked on creating a strong contrast between the idyllic calm images in the verses and the more clenched nature of the chorus. When it came to writing a bridge, always the hardest part of a song, we couldn't get there until we finally went down to a nearby park. The change in scenery and serene environment prompted us to realize that, while a lot of bridges ramped up to a massive musical peak, this one needed to go in the opposite direction, one where you literally stop, sit on the bridge and take in the view of the song.\"\n\nLYRICS:\nWell the rollin' tide moves the sea\nThere's wind across the water where the waves run free\nI wanna catch my breath, feel that flow\nBut I'm caught up in the world I know\n\nSix-lane life going far too fast\nForever changing lanes but I can't get past\nFeeling choked. What do I need?\nPeople tell me just breathe? but\n\nBreathing's not as simple as it seems\nThis crazy pace is suffocating me\nIt should be automatic when the air is free\nBut breathing's not that easy\n\nI wanna fly a kite on a sea blue sky\nDance it on the breeze; take a long deep sigh\nBut here I am tryin' to keep control\nThis highway's gonna take its toll\n\nBreathing's not as simple as it seems\nThis crazy pace is suffocating me\nIt should be automatic when the air is free\nBut breathing's not that easy\n\nBe still, breathe in, breath out\n\nBreathing's not as simple as it seems\nThis crazy pace is suffocating me\nIt should be automatic when the air is free\nBut breathing's not that easy","SONG:\nWritten by David Leask and Debra Alexander\n\nMUSICIANS:\nDavid Leask - all Vocals, acoustic guitar & piano\nJustin Abedin - electric guitars & mandolin\nRoger Travassos - drums & percussion \nDrew Birston - upright bass\nSteve O' Connor - B3 organ\n\nRECORDING:\nProduced by Justin Abedin & David Leask - Mixed by Chad Carlson - Mastered by Hank Williams \nRecorded at The Drive Shed in Toronto. Engineered by John Bailey.",{"_16":169,"_18":170,"_39":172},"21749",237,"/d/WSKl-53h2VwD01uWr8nHIHiHqSYf6TbOOrJW8cZqcFE=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/5E9F702C-4BE9-4766-8445-8DB771F5C030/stream.mpd","/d/WSKl-53h2VwD01uWr8nHIHiHqSYf6TbOOrJW8cZqcFE=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/5E9F702C-4BE9-4766-8445-8DB771F5C030/master.m3u8","BEHIND THE SONG:\n\"In a world where we have more than enough love songs that live at surface level my co-writer Debra Alexander and I wanted to write a tune that spoke to something deeper. We strived to write a song about being in the middle of a relationship and diving down to another level, one where you not only see the beauty in your partner but you and partner each help mirror that beauty so you can see it in yourself. Of course getting there, inevitably brings about chaos with the change and I particularly like the way the chords in the bridge and the solo section represent this.\"\n\nLYRICS:\nIt's not the sweep of your lips when I kiss your smile\nIt's not the touch of your perfect skin, when it's been a while\nIt's not the way that you look\nIt's the beauty underneath, the things you wanna let me see and I see\n\nYou turned everything upside down\nI fell tumbling through the clouds\nAnd this time I'm in love\n\nYou've got me deep on a dive beyond a surface love\nYou let me swim with your open soul 'til we're close enough\nYou hold the mirror to me\nTo the beauty underneath, the things I wanna let you see and you'll see\n\nYou turned everything upside down\nI fell tumbling through the clouds\nAnd this time I'm in love\n\nYou’re the gold in the silver lining, you're the love I am re-defining\nInside out, right side up\n\nIt's not the sweep of your lips when I kiss your smile\nIt's not the touch of your perfect skin, when it's been a while\nIt's not the way that you look\nIt's the beauty underneath, the things you wanna let me see and I see\n\nYou turned everything upside down\nI fell tumbling through the clouds\nAnd this time I'm in love","SONG: \nWritten by David Leask and Debra Alexander\n\nMUSICIANS:\nDavid Leask - lead & BG Vocals & acoustic guitar, \nJustin Abedin - electric guitars, banjo & mandolin\nMark Mariash - drums & percussion\nDrew Birston - upright bass \nJohn Showman - fiddle - . BG Vocals\nHenry Lees - BG vocals\n\nRECORDING:\nProduced by Justin Abedin & David Leask - Mixed by Chad Carlson - Mastered by Hank Williams \nRecorded at Canterbury Sound in Toronto. \nEngineered by Jeremy Darby. Overdubs at Jeddart Music in Mississauga. ",{"_16":169,"_18":170,"_39":172},"21748",181,"Words","/d/v41eG2FSQB2o7hDn6h_hknMiqGM5dqqy55nSW-X9qWs=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/59AEC2A2-1F8B-4916-B225-6CCC23CF3CCE/stream.mpd","/d/v41eG2FSQB2o7hDn6h_hknMiqGM5dqqy55nSW-X9qWs=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/59AEC2A2-1F8B-4916-B225-6CCC23CF3CCE/master.m3u8","BEHIND THE SONG:\n\"What comes first the words or the music? A common question for songwriters. In my case the majority of times it's the music taking the lead. With this song of course it had to be the \"Words\" and they came via my talented friend Alec Steinwall who sent me the lyric. It really resonated with me and I was immediately inspired. In fact I wrote the music and sent him a demo recording within 24 hrs - I wish this happened more often! The song is dense with words and in way speaks to how crowded our life's can be with so many talking heads yapping at us everywhere you turn. Oops I guess I should shut up now : ) \"\n\nLYRICS:\nWords, words, can't get past the words\nPhrases like forests, mazes of meanings\nMasks for our faces, pillows for dreaming\n\nWords, words so crowded with words\nStuffed into spaces erasing the wonder\nWeeds in the garden choking us under\n\nWe keep building bridges across dangerous rivers\nWith words that keep bending and breaking in two\nStuck on our islands all huddled and frightened\nLonely and trying to be heard\nScreaming out nothing but words\n\nWords, Words carnival words\nNuanced and plastic, frowning and grinning\nMultiple facets, weather vanes spinning\n\nWords, words, spirograph words\nCampfires dancing, northern lights weaving\nKaleidoscopes tumbling, o","SONG:\nWritten by David Leask and Alec Steinwall\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nJustin Abedin - electric guitars\nMark Mariash - drums & percussion\nDrew Birston - electric and bowed upright bass\nTodd Lumley - piano & melodica\n\nRECORDING\nProduced by Justin Abedin & David Leask - Mixed by Chad Carlson - Mastered by Hank Williams \nRecorded at Canterbury Sound in Toronto. Engineered by Jeremy Darby. \nOverdubs at Jeddart Music in 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STRONGER BACK - BONUS VIDEO TRACK

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-1zq7LIPRZB_sT8MeVg-DxseCbSUQ58SAL1tlL-YIHwHFp2ryHkhHDF5-IyQwuBVgw4Ca6Hd7p45V8SYbvFzhLUyNSwA0pBQpAjKIWtEwQRG3nInk3Uvmg-Gb9F3QW3RObesZUHf_ChCz2UpBeaPvTRFaRraWkdEqUhhYMhuoREk7Yc4bBQ7j2DU7h7zDdJlHti-qOIG8SUc9XqxDcQw4S6KkNXSRExYiGu9w0pS4oCt4VfCFl1DhhcWcoxm4B0v4SSVX4KgRMoFG_18TYzJQHgudGTg\"},{\"children\":[],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","When David Leask rented the historic Clarke Memorial Hall, his intention was to record video of some live performances for promotion and web content. Juno-nominated audio engineer Dave Vanderploeg brought in some studio recording gear to capture the beautiful acoustics of the century old community hub. Armed with just an acoustic guitar, along with Juno Award-winning musicians Justin Abedin with his electric guitar and Sean O' Connor with a whistle, flute and a couple of saxophones, they set out to capture a group of songs, raw, live and in the moment. The 12 songs - a rich mix of country Americana & Celtic soul - were recorded live off the floor in one freewheeling take. As they listened back to the afternoon's performances, it dawned on everyone that some magic had been captured. These 12 tracks became David's 5th full-length release, \"The Clarke Hall Sessions\". Crackling with unrepeatable spontaneity and creative energy, this collection includes 7 previously unreleased songs, 4 reinterpretations of fan favourites and a cool Celtic-flavoured cover of Van Morrison's \"Into The Mystic\". In what could be described as David's \"Trinity Sessions\", the music captures not just his diversity and quality as a songwriter but his essence as a highly seasoned performer.\n** Check out the extras section for videos of each live performance. **",2581,{"_208":1033,"_210":1034},{"_16":82,"_127":84,"_205":1031},{"_87":419,"_89":1030},{"_16":126,"_33":126,"_127":128,"_129":130,"_29":131,"_132":133,"_134":1029},[],[1014,1015,1016,1017,1018,1019,1020,1021,1022,1023,1024,1025,1026,1027,1028],"2016-04-26","2016",[],[914,915,916,917,918,919,920,921,922,923,924,925],{"_16":1006,"_100":32,"_35":1007,"_18":1008,"_101":1009,"_103":1010,"_105":1011,"_107":1012,"_109":38,"_11":1013},{"_16":998,"_100":387,"_35":999,"_18":1000,"_101":1001,"_103":1002,"_105":1003,"_107":1004,"_109":38,"_11":1005},{"_16":991,"_100":379,"_35":814,"_18":992,"_101":993,"_103":994,"_105":995,"_107":996,"_109":38,"_11":997},{"_16":983,"_100":370,"_35":984,"_18":985,"_101":986,"_103":987,"_105":988,"_107":989,"_109":38,"_11":990},{"_16":975,"_100":362,"_35":976,"_18":977,"_101":978,"_103":979,"_105":980,"_107":981,"_109":38,"_11":982},{"_16":967,"_100":201,"_35":968,"_18":969,"_101":970,"_103":971,"_105":972,"_107":973,"_109":38,"_11":974},{"_16":960,"_100":346,"_35":456,"_18":961,"_101":962,"_103":963,"_105":964,"_107":965,"_109":38,"_11":966},{"_16":952,"_100":337,"_35":953,"_18":954,"_101":955,"_103":956,"_105":957,"_107":958,"_109":38,"_11":959},{"_16":945,"_100":328,"_35":946,"_18":815,"_101":947,"_103":948,"_105":949,"_107":950,"_109":38,"_11":951},{"_16":939,"_100":296,"_35":822,"_18":940,"_101":941,"_103":942,"_105":943,"_107":931,"_109":38,"_11":944},{"_16":933,"_100":432,"_35":472,"_18":784,"_101":934,"_103":935,"_105":936,"_107":937,"_109":38,"_11":938},{"_16":926,"_100":782,"_35":927,"_18":155,"_101":928,"_103":929,"_105":930,"_107":931,"_109":38,"_11":932},"21772",217,"/d/05csr2JcD2bMyGdFIFwrYtPMOltQ0Aw8X6EkD1dPLKk=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/8E50CDBE-1352-44FC-AA33-40ABC72C51DF/stream.mpd","/d/05csr2JcD2bMyGdFIFwrYtPMOltQ0Aw8X6EkD1dPLKk=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/8E50CDBE-1352-44FC-AA33-40ABC72C51DF/master.m3u8","BEHIND THE SONG:\n\"Ancestors' Eyes is a song that lead me to a personal discovery about my own ancestors. It’s been a fan favourite over the years and this stripped down live version with Justin and Sean's sensitive accompaniment seemed like a good place to sign off the record.\" \n\nLYRICS:\nI found a dusty photo\nWith a black and white expression\nStaring back at me\nI knew his only grandson\nSince he was my father\nWho was this man to me?\n\nI took a good look at life, through my ancestors' eyes\nLearning from the wayward and the wise\n\nI heard of one called Thomas\nWho loved the open water\nAnd longed to be at sea\nHe sailed out with Prince Henry\nSought a new horizon\nAnd found a whole new world for me\n\nI took a good look at life, through my ancestors' eyes\nLearning from the wayward and the wise\nI took a good look at life, through my ancestors' eyes\nLooking back to where the future lies\n\nI left my home and family\nThe safety of the harbour\nAnd faced a lonely sea\nThrough all the storm and struggle\nI found the kind of courage\nThat's been handed down to me\n\nI took a good look at life through my ancestors' eyes\nLearning from the wayward and the wise\nI took a good look at life, through my ancestors' eyes\nLooking back to where the future lies\n\nLooking, learning, loving through their eyes\nThrough ancestors' eyes\n\nI found some dusty photos\nI heard forgotten stories\nAll, all part of me","SONG:\nWritten by David Leask & Mary Ellen Beatty\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nJustin Abedin - electric guitar\nSean O' Connor - whistle\n\nRECORDING\nRecorded live of the floor and mixed and mastered by Dave Vanderploeg (Naturally Digital)",{"_16":174,"_18":175,"_39":177},"21771","/d/QSLRPoSNao10hOn8OIaVYZY7Q08yItiIgu57Eujf0ws=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1CE37414-489A-4144-8E45-569172A783AE/stream.mpd","/d/QSLRPoSNao10hOn8OIaVYZY7Q08yItiIgu57Eujf0ws=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1CE37414-489A-4144-8E45-569172A783AE/master.m3u8","BEHIND THE SONG:\n\"All My Love, the penultimate track and it was penned with the soulful Daryl Burgess. Some of you may remember the rhythm & bluegrass version I did on my “Underneath” record. This time, I decided to soup it up with the playful soprano saxophone of Sean O'Connor.\"\n\nLYRICS:\nAll my love, all my faith\nAll my love I wanna give to you\nAll my love, is yours to take\nLet every day start and end with you\n\nI’ll hold you when the nighttime falls\nI wanna be the smile in the memories you recall\nAll my love, all my love\nAll my love is true and it’s all coming home to you\n\nAll my time is standing still\nAnd all I am is hanging on a kiss\nAll my heart is yours to thrill\n'Cause you’re all the things I know I can’t resist\n\nI wanna be the moon in your sky\nThe message that you find that just rolled in on the tide saying\nAll my love, all my love\nAll my love is true and it’s all coming home to you\n\n'Til all my days are gone\nMy love will always find its way back into your arms\nI'll bring it home to you\n'Cause you know what to do with\n\nAll my love, all my love,\nall my love is coming on home, coming on home\nAll my love, all my love, all my love, is all coming home to you","SONG:\nWritten by David Leask & Daryl Burgess\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nSean O' Connor - soprano saxophone\n\nRECORDING\nRecorded live of the floor and mixed and mastered by Dave Vanderploeg (Naturally Digital)",{"_16":174,"_18":175,"_39":177},"21770","Stronger In Broken Places","/d/gdXTqVOaXqACbp2sprZfyryGmB_tS3Bwz6XoSLskxXs=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/160BA7A7-3196-463A-B623-81F2C3093066/stream.mpd","/d/gdXTqVOaXqACbp2sprZfyryGmB_tS3Bwz6XoSLskxXs=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/160BA7A7-3196-463A-B623-81F2C3093066/master.m3u8","BEHIND THE SONG:\n\"Ernest Hemmingway wrote, \"The world breaks everyone and afterward many are strong in the broken places.\" It was this insightful and intriguing line that inspired Stronger In Broken Places. It was co-written with my wife Mary Ellen - who is pretty inspiring herself! Growing stronger in the broken places seems like an inescapable part of living, whether it's navigating the crumbling music business or confronting the illusions of ego. It's a song of struggle and hope. Some of you may remember, I recorded a version of this tune on my Tightrope of Dreams record in 2004 but not long after that recording, we rewrote a couple of lines at the beginning of verse two and I've always wanted to recapture and re-imagine it ever since. \"The Clarke Hall Sessions\" seemed liked a good time to do it.\"\n\nLYRICS:\nGrowing stronger in broken places\nGrowing wise where we were blind\nFinding love where amazing grace is\nWe're growing stronger in broken places\n\nThis crazy world breaks everyone\nFrom the highest priest to the prodigal son\nBut when we face what we’ve become\nThe healing has begun\n\nGrowing stronger in broken places\nGrowing wise where we were blind\nFinding love where amazing grace is\nWe're growing stronger in broken places\n\nI believe in a promised land\nBeyond the greed and the hate of man\nWe all can get there hand in hand\nSlowly marching on\n\nGrowing stronger in broken places\nGrowing wise where we were blind\nFinding love where amazing grace is\nWe're growing stronger in broken places\n\nIn the darkest hour, I'm like a frightened kid\nBut I won’t be scared to fight to live\n\nGrowing stronger in broken places\nGrowing wise where we were blind\nFinding love where amazing grace is\nWe're growing stronger, we're growing wiser\nWe're growing stronger in broken places",{"_16":174,"_18":175,"_39":177},"21769",168,"/d/ZYyHhU5TZ6rB-So0TOvKtqlc_K2cw3jz0o_5d3TCiOc=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/42B8DA0E-8312-4D3A-A1EA-F4CB9AB22A91/stream.mpd","/d/ZYyHhU5TZ6rB-So0TOvKtqlc_K2cw3jz0o_5d3TCiOc=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/42B8DA0E-8312-4D3A-A1EA-F4CB9AB22A91/master.m3u8","BEHIND THE SONG\n\"Photosynthesis is a tune I've recorded previously on my \"Underneath\" record but I wanted to capture it live on \"The Clarke Hall Sessions\" and take it further down a Jazz path with the wonderful saxophone playing of Sean O'Connor. Co-written with the talented Debra Alexander, it's a song that reminds us of how we bring different elements to a relationship, discovering our own chemistry and providing the fuel to help us grow in the process.\"\n\nLYRICS:\nA little rain a little sun\nIs all a flower needs\nA little pain a little love\nKeeps changing you and me\n\nWe’ve got our own photosynthesis, it’s a natural thing we do\nYou keep growing on me I keep growing on you\n\nA little time a little space\nA blossom comes alive\nA little give a little take\nThat’s how our love survives cause\n\nWe’ve got our own photosynthesis, it’s a natural thing we do\nYou keep growing on me and I’ll keep growing on you\n\nThrough every dark night we can hold on\nWake up to the light\nShining on this garden we have grown\n\nWe’ve got our own photosynthesis, it’s a natural thing we do\nYou keep growing on me and I’ll keep growing on you\nYou keep growing on me and I’ll keep growing on you","SONG:\nWritten by David Leask & Debra Alexander\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nSean O' Connor - tenor saxophone\n\nRECORDING\nRecorded live of the floor and mixed and mastered by Dave Vanderploeg (Naturally Digital)",{"_16":174,"_18":175,"_39":177},"21768",305,"Roger Sherlocks Dream/Into The Mystic","/d/Rs9_9XxCgfjCVLFJrrt5E7TfJYpbO_SMYWF40L8aELE=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/20CD1D31-DCA3-4B3F-9CC1-2DAF96A655F5/stream.mpd","/d/Rs9_9XxCgfjCVLFJrrt5E7TfJYpbO_SMYWF40L8aELE=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/20CD1D31-DCA3-4B3F-9CC1-2DAF96A655F5/master.m3u8","BEHIND THE SONG:\n\n\"Into The Mystic is the only cover on the record. It features multi-instrumentalist Sean O'Connor on flute & saxophone. Sean & I concocted this mash-up with a traditional tune called Roger Sherlock's Dream during a spontaneous jam session at Feathers Pub in Toronto and I liked it so much, I decided to record it.\"","SONG:\nInto The Mystic written by Van Morrison\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nSean O' Connor - flute and tenor saxophone\n\nRECORDING\nRecorded live of the floor and mixed and mastered by Dave Vanderploeg (Naturally Digital)",{"_16":174,"_18":175,"_39":177},"21767","You & I & the Universe","/d/8Va15cWHPB1QQqYOCm8kRDgS_j7Y562tOrGK0HS0odE=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/472BF450-A9E2-480E-B7A6-E4D78C87E6A0/stream.mpd","/d/8Va15cWHPB1QQqYOCm8kRDgS_j7Y562tOrGK0HS0odE=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/472BF450-A9E2-480E-B7A6-E4D78C87E6A0/master.m3u8","BEHIND THE SONG:\n\"You & I & The Universe is a song co-written on a road trip in Northern Alberta with the talented Dana Blayone. It's safe to say it's one of my wife's favourite songs that I've written. It was inspired by the experience of the vast, open plains we were passing through on my way to the writing appointment at Dana's house. I said at the time that the feeling made we want to write a big love song. It's also the most sick I've ever been, trying to croak out a song in a writing session and I'll be forever grateful for Dana's tenacity in keeping me going into the wee hours as we wrote this song from the ground up. For me, I love the idea at the end of the chorus that our world together keeps on expanding in tandem with the way the universe expands. It makes me think of how we are all connected and reminds me of a mind-blowing interview I heard with cosmologist Richard Tarnas on CBC Radio's Tapestry program.\"\n\nLYRICS\nThe world was spinning I was in but it felt like the earth was flat\nSo I sent out my heart on a satellite and it brought you back\nWe were light years apart,\nNow you're in my arms and when I hold you\nYou bring the moon in closer\nMake the sun burn hotter\nAnd I swear I've seen the stars dance a tango in the sky\nYou make my heart feel lighter, defying gravity\nI don't understand it,\nhow my world keeps on expanding beyond the earth\nWith you & I And the Universe\n\nMy thoughts exploded, didn't know that you would change the atmosphere\nNow I'm breathing deeper, seeing clearer ever since you landed here\nWhen I look into your eyes,\nOur energies collide, I can't stop smiling\n\nYou bring the moon in closer\nMake the sun burn hotter\nAnd I swear I've seen the stars dance a tango in the sky\nYou make my heart feel lighter, defying gravity\nI don't understand it, how my world keeps on expanding beyond the earth\nWith you & I And the Universe\n\nSomethings you can't explain science just gets in the way.\nAll I know Inside this time and space.\n\nYou bring the moon in closer\nMake the sun burn hotter\nAnd I swear I've seen the stars do a tango in the sky\nYou make my heart feel lighter, defying gravity\nI don't understand it, how my world keeps on expanding beyond the earth\nWith you & I And the Universe","SONG:\nWritten by David Leask & Dana Blayone\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nJustin Abedin - electric guitar\n\nRECORDING\nRecorded live of the floor and mixed and mastered by Dave Vanderploeg (Naturally Digital)",{"_16":174,"_18":175,"_39":177},"21766",218,"Meant To Be","/d/aOemyvixFbjgeoJgpz3zyD0bNVZe1RdcFbblg_6Cuow=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/FA5FAF7A-A983-4D50-A0D4-477E4AEB34B1/stream.mpd","/d/aOemyvixFbjgeoJgpz3zyD0bNVZe1RdcFbblg_6Cuow=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/FA5FAF7A-A983-4D50-A0D4-477E4AEB34B1/master.m3u8","BEHIND THE SONG:\n\"Meant To Be\" is a song that to me represents the rather naked way \"The Clarke Hall Sessions”, was recorded. The song was co-written with Debra Alexander and talks about peeling away the layers, breaking out of a shell that hides our true essence. While most records today are made with multiple overdubs, edits & fix ups, this one was made in the moment captured entirely live in one take (save for one song where I forgot the lyrics and had a rare second take that I could cut from.) If you've ever had the chance to see me live, you'll know that this is the closest it gets to that experience, peeling away the layers of production to give you the true essence of the song, of me and my amazing players, and of the room we played in.\"\n\nLYRICS:\nI’ve been twisting in my skin\nAnd the chrysalis I’m in\nIs holding back my heart\n\nI’ve been locked out from the sky\nLike an unborn butterfly\nShut up in the dark\n\nBut I’ve got wings beneath my fear\nThey’re gonna break me outta here\n\nI’ve decided I can’t hide this crazy part of me\nThat kicks and screams and knows the dream\nOf who I’m meant to be, meant to be\n\nI’m gonna learn what life is for\nRide the wind and soar\nLet it guide me home\n\nYeah I’ve known it all along\nOnly I can sing this song\nAnd make it my own\n\nSo I’ll keep wrestling this tune\nHowling at the moon\n\nI’ve decided I can’t hide this crazy part of me\nThat kicks and screams and knows the dream\nOf who I’m meant to be, meant to be\n\nINSTRUMENTAL\n\nI’ll keep wrestling this tune\nWave my freak flag at the moon\n\nI’ve decided I can’t hide this crazy part of me\nThat kicks and screams and knows the dream\nOf who I’m meant to be, meant to be","SONG:\nWritten by David Leask & Debra Alexander\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nJustin Abedin - electric guitar\n\nRECORDING\nRecorded live of the floor and mixed and mastered by Dave Vanderploeg (Naturally Digital)",{"_16":174,"_18":175,"_39":177},"21765",197,"While I Still Breathe","/d/ZxznTDDTwZGKSuwzSjkIloFES2nimnyJNxNim1ardGc=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/8A760E6E-7B38-4B07-AB3B-1E8E5AFD56F9/stream.mpd","/d/ZxznTDDTwZGKSuwzSjkIloFES2nimnyJNxNim1ardGc=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/8A760E6E-7B38-4B07-AB3B-1E8E5AFD56F9/master.m3u8","BEHIND THE SONG:\n\"I've always found something very haunting about this track, ever since my co-writer, Bruce Madole, sent along the lyric and I spontaneously reacted with the music. I love Justin Abedin's haunting accompaniment. Bruce had been inspired while sitting in his kitchen. He noticed the linen sail of his toy wooden sailboat move in a passing breeze and he had a stirring thought, \"What if every breeze is the sum of the dying breath of every sailor lost at sea?\" As his imagination floated on that breeze, he envisioned a haunting tale of honour and gallantry and wrote the lyric. The first time I read it through I could immediately hear the ghosts singing to me and the full melody came within minutes. The song won us the Folk Music Ontario \"Songs From the Heart\" Contest.\"\n\nLYRICS:\nThere’s a ship out in the harbour patient on that glassy green\nAs the last boat rowing slowly carries her away from me\nI know her heart was heavy, heavy as these iron chains\nAnd her face was stained with sorrow as she turned her eyes away\n\nHold the wind, don’t let it blow\nGentle as a babe asleep, silent as a stone\nHold the wind, calm the seas\nQuiet every single breath while I still breathe\n\nSoon the jailer will collect me, march me down that one-way street\nHang me like a flag of freedom while she sails out to sea\nWhat I did I did for honour, not for lust and not for gold\nFor to see that villain strike her made my blood turn freezing cold\n\nHold the wind, don’t let it blow\nGentle as a babe asleep, silent as a stone\nHold the wind, calm the seas\nQuiet every single breath while I still breathe\n\nThere’s justice now and judgement later\nHere's the price that must be paid\nNow I go to meet my maker\nLonging for one last look at her sweet, sweet face\n\nHold the wind, don’t let it blow\nGentle as a babe asleep, silent as a stone\nHold the wind, calm the seas\nQuiet every single breath while I still breathe","SONG:\nWritten by David Leask & Bruce Madole\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nJustin Abedin - electric guitar\n\nRECORDING\nRecorded live of the floor and mixed and mastered by Dave Vanderploeg (Naturally Digital)",{"_16":174,"_18":175,"_39":177},"21764",227,"Blow Over","/d/cRzeGi_5Cd8pctts3XqNWPaczELox9WM0_8RE3ifSjg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/779D5EC9-DA3E-4F68-97BD-164E4BBF2CF5/stream.mpd","/d/cRzeGi_5Cd8pctts3XqNWPaczELox9WM0_8RE3ifSjg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/779D5EC9-DA3E-4F68-97BD-164E4BBF2CF5/master.m3u8","BEHIND THE SONG:\n\"Blow Over was written with the talented Tim Taylor. We had fun writing this playful tune about relationships and the weather :) \"\n\nLYRICS\nI thought our sun would shine forever\nBut it seems like love can change like the weather\nYou’re cold then hot then cold all over again\nDay to day you’re hard to predict\nA storm can sure come up real quick\nI’d better - take cover while I can\n\nWill this blow over or blow up in my face?\nLeave a trail of destruction or maybe just go away\nThis situation is out of my hands\nAnd the ways of a woman can confuse a man\nWill this blow over or blow up in my face?\n\nYou shake things up you keep me guessing\nYou think by now I’d have learned my lesson\nI little rough patch don’t mean it’s the end of the line\nI don’t know much but one thing I do know\nYou’ve gotta have rain to get to the rainbow\nSo let go – tell me what’s on your mind\n\nAll I can do is shower you with a show of my affection\nMaybe then the winds will change direction\n\nWill this blow over or blow up in my face?\nLeave a trail of destruction or maybe just go away\nThis situation is out of my hands\nAnd the ways of a woman can confuse a man\nWill this blow over or blow up in my face?","SONG:\nWritten by David Leask & Tim Taylor\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nJustin Abedin - electric guitar\n\nRECORDING\nRecorded live of the floor and mixed and mastered by Dave Vanderploeg (Naturally Digital)",{"_16":174,"_18":175,"_39":177},"21763","River Road","/d/ke8KtTKb-mI4s76VKkdhSXEh2sG7Z_M323GXBi2pFig=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/4FF1F4CB-044E-45E9-82A1-9AE3F11FAAD2/stream.mpd","/d/ke8KtTKb-mI4s76VKkdhSXEh2sG7Z_M323GXBi2pFig=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/4FF1F4CB-044E-45E9-82A1-9AE3F11FAAD2/master.m3u8","BEHIND THE SONG:\n\"River Road, was co-written with Thomm Jutz on a trip to Nashville. I grew up in the small town of Jedburgh in the south of Scotland where the Jed Water has flowed for thousands of years. I recently read a historical book by Alastair Moffat and he described how rivers were seen by the ancients as sentient. Rivers, in those times, were named to describe the size and sounds of the water running through the place. My hometown was likely named after the word \"Jekti\" which described the water as \"talking\" or \"babbling\". To me there's always been something comforting in the sound of a moving river, something alive and yet peaceful at the same time. I hope you find a bit of that in the latest tune River Road.\"\n\nLYRICS:\nAll that I'm seeing is red\nI can't see the rainbow and it's easy to forget that\nWhenever I run just for the speed\nI'm gonna miss just what I need\n\nIt seems like I might have take some time\nRoll on easy around the bend\nWhere my soul starts singing, and I'm trusting the wind\nI go walking down that river road again\n\nWhen all that I'm seeing is grey\nAnd I forget I've been given all I need today\nWhen everything's once and second guessed\nThere's still a place so richly blessed\n\nWhere I go and I know I can take some time\nRoll on easy around the bend\nWhere my soul starts singing, and I'm trusting the wind\nI go walking down that river road again\n\nWhere water can be water under the bridge\nWhere everything is perfect just the way it is\n\nWhere I go and I know I can take some time\nRoll on easy around the bend\nWhere my soul starts singing, and I'm trusting the wind\nI go walking down that river road again\nI go walking down that river road again","SONG:\nWritten by David Leask & Thomm Jutz\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nJustin Abedin - electric guitar\n\nRECORDING\nRecorded live of the floor and mixed and mastered by Dave Vanderploeg (Naturally Digital)",{"_16":174,"_18":175,"_39":177},"21762",193,"Working On Faith","/d/nwzWu4R2tKCIhg0-XD3WMCCoiiD21Zksby4r3LlE8Ak=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/776C8343-331A-416B-AC25-45CB7F7E6FB0/stream.mpd","/d/nwzWu4R2tKCIhg0-XD3WMCCoiiD21Zksby4r3LlE8Ak=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/776C8343-331A-416B-AC25-45CB7F7E6FB0/master.m3u8","BEHIND THE SONG:\n\"I happened to hear someone being interviewed on the radio who had come through a really rough time. When the interviewer asked how they were doing, their response was, \"I'm working on faith\". It seemed like a powerful line so I brought the idea to a co-writing session with Bill DiLuigi while on a trip to Nashville. The idea seemed to click because it was written in a couple of hours. For me, it’s a song about being a work in progress and having hope.\"\n\nLYRICS:\nI've got a lot of troubles and a few good friends\nWho tell me the truth and love me for who I am\nBut late at night when they're not around\nMy worries all come sneaking out\nAnd try to weigh me down but\n\nI'm working on faith, I'm diggin’ down deep\nI'm learning to fly by hitting my knees\nI'm losing my doubts, changing my shape\nA little more each day\nI'm working on faith, I'm working on faith\n\nI'm fighting hard to believe\nIn the kind of man that I want to be\nAny minute he'll show up\nI'm pretty sure he won't give up on me\nDon't give up on me ‘cause\n\nI'm working on faith, I'm diggin’ down deep\nI'm learning to fly by hitting my knees\nI'm losing my doubts, changing my shape\nA little more each day\nI'm working on faith, I'm working on faith\n\nIt doesn't mean it's gone if you can't feel it\nYou know sometimes you just gotta close your eyes\nAnd jump off, hold on, you'll reach it\n\nI'm working on faith, I'm diggin’ down deep\nI'm learning to fly by hitting my knees\nI'm losing my doubts, changing my shape\nA little more each day\nI'm working on faith, it won't do me wrong\nIt's killing the blues right here in this song\nI'm getting over myself getting out my way\nA little more each day\nI'm working on faith, I'm working on faith","SONG:\nWritten by David Leask & Bill DiLuigi\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nJustin Abedin - electric guitar\n\nRECORDING\nRecorded live of the floor and mixed and mastered by Dave Vanderploeg (Naturally Digital)",{"_16":174,"_18":175,"_39":177},"21761",231,"The Good Fight","/d/mXWXb_BZLi5Fam8uggSrYBqyTeagVYsUGqeZUQUXgZg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/C3DA478D-5B41-4B1B-BF0E-71921EFB0C6F/stream.mpd","/d/mXWXb_BZLi5Fam8uggSrYBqyTeagVYsUGqeZUQUXgZg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/C3DA478D-5B41-4B1B-BF0E-71921EFB0C6F/master.m3u8","BEHIND THE SONG:\n“During a writing trip to Nashville, I was woken up at 3 am by a melody whispering in my ear. Reluctantly, I got out of bed and tried my best to follow the song. I wasn't able to finish the song during that encounter but it stayed under my skin for the next couple of weeks, regularly waking me up in the wee hours of the morning. It was like the song was teaching me what it was about, that fighting for what feels true, whether in a song or in a relationship, is painful and hard.”\n\nLYRICS:\n\nThere's a fire and a beauty in your eyes\nWhen we kiss between the blame and the compromise\nGo dancing round the anger in the dark\nI'm holding you like dynamite waiting for the spark\n\nWe make love we make pain and stir it up again\nBut if we're both in the battle we're alive\nYou raise your voice, I speak my mind\nIt takes courage in the trenches to survive every tear\nSometimes we have to go to war,\nFight the good fight, it's a love worth fighting for\n\nThere's a strength beneath your shoulders and your hands\nThat keeps carrying the wounds the best you can\nIf you peel off those fatigues around your heart\nLet me pull you closer, we can share the scars\n\nWe make love we make pain and stir it up again\nBut if we're both in the battle we're alive\nYou raise your voice, I speak my mind\nIt takes courage in the trenches to survive every tear\nSometimes we have to go to war,\nFight the good fight, it's a love worth fighting for\n\nThere is no victory, no defeat\nNo giving up just to keep the peace\nI don't care if we're loving or fighting,\nJust as long as it's me and you\nAnd we're both fighting for the truth\n\nWe make love we make pain and stir it up again\nBut if we're both in the battle we're alive\nYou raise your voice, I speak my mind\nIt takes courage in the trenches to survive every tear\nSometimes we have to go to war,\nFight the good fight, it's a love worth fighting for","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nJustin Abedin - electric guitar\n\nRECORDING\nRecorded live of the floor and mixed and mastered by Dave Vanderploeg (Naturally 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in 6/8” does more in 20+ minutes than many albums do in 60. Expertly produced and performed by a first rate selection of musicians this is a terrific record full to the brim with fantastic songs. RED GUITAR MUSIC “. \n\nIt’s definitely not an easy task recording an album with just six tracks, with a total of a little more than twenty three minutes and to succeed in telling you six poignant and profound stories of humanity in the widest and most varied meaning, and to do it with excellent melodic taste, including country, traditional Irish sounds, classic songwriting styles and pop music. “Six in 6/8” showcases all these qualities in the best and sharpest way ….This record is worth listening to. \nRemo Ricaldone/PLANET COUNTRY",1380,{"_208":1122,"_210":1123},{"_16":82,"_127":84,"_205":1120},{"_87":419,"_89":1119},{"_16":126,"_33":126,"_127":128,"_129":130,"_29":131,"_132":133,"_134":1118},[],[1103,1104,1105,1106,1107,1108,1109,1110,1111,1112,1113,1114,1115,1116,1117],"2018-02-23","2018",[],[1053,1054,1055,1056,1057,1058],{"_16":1095,"_100":32,"_35":1096,"_18":1097,"_101":1098,"_103":1099,"_105":1100,"_107":1101,"_109":38,"_11":1102},{"_16":1088,"_100":387,"_35":36,"_18":1089,"_101":1090,"_103":1091,"_105":1092,"_107":1093,"_109":38,"_11":1094},{"_16":1081,"_100":379,"_35":388,"_18":1082,"_101":1083,"_103":1084,"_105":1085,"_107":1086,"_109":38,"_11":1087},{"_16":1073,"_100":370,"_35":1074,"_18":1075,"_101":1076,"_103":1077,"_105":1078,"_107":1079,"_109":38,"_11":1080},{"_16":1066,"_100":362,"_35":329,"_18":1067,"_101":1068,"_103":1069,"_105":1070,"_107":1071,"_109":38,"_11":1072},{"_16":1059,"_100":201,"_35":355,"_18":1060,"_101":1061,"_103":1062,"_105":1063,"_107":1064,"_109":38,"_11":1065},"21811","Between Him & Me","/d/qC5qvOauBArFvzSQBYsRhUfWEImWznlghIQGmaDErwY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/7ABFEDE6-BF7C-4CEB-A103-0A9990EB30D5/stream.mpd","/d/qC5qvOauBArFvzSQBYsRhUfWEImWznlghIQGmaDErwY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/7ABFEDE6-BF7C-4CEB-A103-0A9990EB30D5/master.m3u8","LYRICS:\nIs it all about Jesus or is it all about me?\nIs it all about living and dying and trying to be free?\nIs it all about scripture and what we believe?\nIf it’s all about Jesus\nLet it be between him and me \n\nIs it all about Buddha or is it all about me?\nIs it all about karma and kindness and pure harmony?\nIs it all about silence and learning to breathe?\nIf it’s all about Buddha\nLet it be between him and me\n\nLately I’ve been down like a stone in the ground\nSearching for something to say \nHow can I be strong when this world’s going wrong\nI just need to find my own way\n\nIs it all about Allah or is it all about me?\nIs it all about fasting and praying down on our knees?\nIs it all about surrender and divine destiny?\nIf it’s all about Allah\nLet it be between him and me\n\nLately I’ve been down like a stone in the ground\nSearching for something to say \nHow can I be strong when this world’s going wrong\nI just need to find my own way\n\nIs it all about Jesus or is it all about me?\nIs it all about icons and heroes and idolatry?\nOr is it all about the questions, and the things we can't see?\nIf it's all about Buddha\nIf it’s all about Allah\nIf it's all about Jesus\nLet it be between him and me","SONG:\nWritten by David Leask & Mary Ellen Beatty\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nJustin Abedin - electric guitars\nMark Mariash - Drums \nDrew Birston - Bass\nSteve O' Connor - Wurlitzer\nBen Grossman - percussion\n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Chad Carlson & Mastered by Peter J. Moore\nRecorded at Metalworks Studio, Mississauga, engineered by Michael Banton-Jones; Additional recording at Jeddart Music, Mississauga, engineered by David Leask",{"_16":179,"_18":180,"_39":182},"21810","Can't Make It Back Home","/d/y2pZ-6hiMTdP_EcHoD51CSAIoX8gDZfYt_9hfYE1Eqw=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/E552D32D-FE63-4B43-8D38-DD5C86FD1FB8/stream.mpd","/d/y2pZ-6hiMTdP_EcHoD51CSAIoX8gDZfYt_9hfYE1Eqw=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/E552D32D-FE63-4B43-8D38-DD5C86FD1FB8/master.m3u8","LYRICS:\nWe were safe in the picture\nLocked in that frame\nMe in my military uniform you dressed in white\nTaking my name\nNow were caught in the middle, stuck in no mans land\nFighting this battle the best that we can\n\nI know I'm a soldier but I'm a ghost of myself\nSo far from heaven living this hell\nI can't shed this armour and I'm turning to stone\nJust one more soldier who can't find his way home\n\nSometimes in the back yard, I play ball with the kids\nIt's all fun and games till they throw me a pass shout \"hey dad catch this\"\nAll I see is shrapnel and I fall to the ground\nThey come running to my rescue but can't calm me down\n\nThey call me a soldier but I'm a ghost of myself\nSo far from heaven living this hell\nI can't shed this armour and I'm turning to stone\nJust one more soldier who can't find his way home\n\nOh I try, and I try\nTo keep marching forward, fight through this torture inside yes I try..\n\nTo stand like a soldier, be my old self\nCause I'm so far from heaven here in this hell\nI can't shed this armour and I'm turning to stone\nJust one more soldier who can't make it back home","SONG:\nWritten by David Leask, Patrick Bouchard & Lora Ryan\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar & piano\nJustin Abedin - electric guitars \nPatrick Bouchard - electric guitar\nDavide DiRenzo - drums\nDrew Birston - bass \nKevin Fox - cello\n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Chad Carlson - Mastered by Peter J. Moore\nRecorded at MixArt Recording Studios, Montreal, engineered by Patrick Bouchard; Additional recording at The Canterbury Music Company, Toronto, engineered by Jeremy Darby & at Keen Music, Toronto, engineered by Justin Abedin. Arrangement by Patrick Bouchard, David Leask & Justin Abedin.",{"_16":179,"_18":180,"_39":182},"21809",246,"When You Think No One Loves You","/d/x_n68L0d_Fwm0RC-pijs_pEK4QQXGMhlLfBBiBe_8nw=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/66DAF600-B5E6-46DB-B6E2-1EA5622CAD52/stream.mpd","/d/x_n68L0d_Fwm0RC-pijs_pEK4QQXGMhlLfBBiBe_8nw=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/66DAF600-B5E6-46DB-B6E2-1EA5622CAD52/master.m3u8","LYRICS:\nNobody's listening, \nDon't know the world your in\nYou want someone to understand \nYour trying to hold it together man\nBut everything comes unglued\nWhen you think no one loves you \n\nAll that you tell yourself in the lonely night\nThreatens to break you down and your too tired to fight\nIt's so hard to find your way out of the shadows...cause\nEvery lie seems true when you think no one loves you\n\nEvery wall's too high, \nEvery word's as cold as ice\nAll that you hear is dark, \nAnd that helping hand's too far\nIt feels like your wings can't move \nWhen you think no one loves you\n\nAll that you tell yourself in the lonely night\nThreatens to break you down and your too tired to fight\nIt's so hard to find your way out of the shadows...cause\n Every lie seems true when you think no one loves you\n\nBut somebody does, somebody does\nSomebody knows your pain is only because\nIt's so hard to find your way out of the shadows…and\nEvery lie seems true when you think no one loves you\nBut I'm just telling you somebody does","SONG:\nWritten by David Leask and Daryl Burgess\n\nMUSICIANS:\nDavid Leask - lead vocal - ; \nJonathan Goldsmith - piano & B3 organ\nQuisha Wint - background vocals\n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Chad Carlson - Mastered by Peter J. Moore\nRecorded at The Canterbury Music Company, Toronto, engineered by Jeremy Darby; Additional recording at Keen Music, Toronto, engineered by Justin Abedin.",{"_16":179,"_18":180,"_39":182},"21808","Caught In The Tide","/d/73Z2X8bdXJgFH1STsdMiV8z6kTFuArWFZoMgjYm6B2k=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1A2A40D3-0394-4517-8C32-33F246F176B2/stream.mpd","/d/73Z2X8bdXJgFH1STsdMiV8z6kTFuArWFZoMgjYm6B2k=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1A2A40D3-0394-4517-8C32-33F246F176B2/master.m3u8","LYRICS:\nI’ve earned every callus on these proud working hands\nI’m not scared to roll up my sleeves\nLooked after my family when waters were rough \nAnd never stopped chasing the dream\n\nYou stretched every dime when we waded too deep\nSomehow you kept us afloat\nBut the waves keep on crashing closer to home\nWe need a lifeline to hold on to hope\n\nCause we’re caught in the tide\nOver our heads, losing the fight\nGive us the strength to rise up, and not give in\nDon’t let us sink, help us swim\n\nI never imagined our dreams would capsize\nBut we just can’t pretend anymore\nWhen I look in your eyes I keep wondering why \nWe drifted so far from shore\n\nNow we’re caught in the tide\nOver our heads, losing the fight\nGive us the strength to rise up, and not give in\nDon’t let us sink, help us swim\n\nWe used to be so unbreakable\nTwo hearts holding ground\nBut love gets trapped in the undertow, pulling us down\n\nAnd we’re caught in this tide\nOver our heads, losing the fight\nGive us the strength to rise up, and not give in\n'Cause we’re caught in the tide\nOver our heads, losing the fight\nGive us the strength to rise up, and not give in\nDon’t let us sink, help us swim, help us to swim","SONG:\nWritten by David Leask, Don Suitor & Steve Sherman\n\nMUSICIANS:\nDavid Leask - vocals, acoustic & electric guitar & piano\nJustin Abedin - electric guitar & mandolin\nSteve Sherman - electric guitar\nDavide DiRenzo - drums\nDrew Birston - bass\n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Chad Carlson - Mastered by Peter J. Moore\nRecorded at Jeddart Music, Mississauga, engineered by David Leask; Additional recording at The Canterbury Music Company, Toronto, engineered by Jeremy Darby & Steve Sherman Productions, Toronto, engineered by Steve Sherman.",{"_16":179,"_18":180,"_39":182},"21807","Red Balloon","/d/oMkZONsTwHGVme7Hn_pY_CeVo-_XwKJQKf4W-gAxV2E=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/BE7F3702-4FBB-4D83-B944-DDA3A0FA906A/stream.mpd","/d/oMkZONsTwHGVme7Hn_pY_CeVo-_XwKJQKf4W-gAxV2E=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/BE7F3702-4FBB-4D83-B944-DDA3A0FA906A/master.m3u8","LYRICS:\nAmy came back from the fair\nWith a shiny red balloon\nShe said \"I'll keep it forever until I grow old\nBounce it around in my room\"\nBut on her way home\nSomehow the string slipped away\nHer mom held her tight and wiped off the tears\nAnd said as they both watched it sail\n\nLet it go, let it fly\nA red balloon in the big blue sky\nLet it ride on the wind\nSo many things we can't hold, let it go\n\nAmy found her first love\nThey got an apartment downtown\nAnd she loved living there floating on air\nUntil it all crashed to the ground\nThe day he packed up his things\nThere was no more left to say\nBut she heard her mother's voice in her head\nAs his old car drove away\n\nLet it go, let it fly\nLike a red balloon in the big blue sky\nLet it ride on the wind\nSo many things we can't hold, let it go\n\nAmy sat on the bed\nAs her mother battled the pain\nThe best friend she'd known all skin and bone\nThen one last time she opened her eyes\nLove whispered it'll all be okay\n\nLet it go, let it fly\nLike a red balloon in the big blue sky\nLet it ride on the wind\nSo many things we can't hold, let it go","SONG:\nWritten by David Leask and Alec Steinwall\n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitars\nLoretto Reid - flute, whistle & concertina \nRob Ikes - dobro - ; \nDoug Romanow - accordion\nMark Kelso - drums & percussion \nPeter Bleakney - bass - ; \nJustin Abedin - drum programming\n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Chad Carlson - Mastered by Peter J. Moore\nRecorded at Fire Escape Recording, Toronto, engineered by Doug Romanow; Additional recording at Earwave Music, Nashville, engineered by Dave Pomeroy and at Dixie South Recording, Mississauga, engineered by Brian Allen.",{"_16":179,"_18":180,"_39":182},"21806",182,"Indescribable","/d/6P5HHtqOC7pjJ1Us6oqkgjEKIeCDG205dD1ryaZ98Ts=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/E5BA3B0F-14FA-4C38-9F27-DF48266573E8/stream.mpd","/d/6P5HHtqOC7pjJ1Us6oqkgjEKIeCDG205dD1ryaZ98Ts=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/E5BA3B0F-14FA-4C38-9F27-DF48266573E8/master.m3u8","LYRICS:\nYour eyes sparkle and shimmer like downtown lights\nMe I stutter and stammer the whole damn night\nAnd all I wanna say is it's you I adore\nAll I wanna do is come back for more\n\nIndescribable love\nEvery time I try to explain it\nI keep trippin' up on my tongue\nWith this indescribable love\n\nYour lips whisper me closer and I just move\nDancin' brushin' your body I melt into you\nAnd every little spin I can't let you go\nEvery little step I want you to know\n\nIndescribable love\nEvery time I try to explain it\nI keep trippin' up on my tongue\nWith this indescribable love\n\nSo much bigger than words\nBaby this kiss is the best kind of verb\nLet me show you poetry you've never heard\n\nIndescribable love\nEvery time I try to explain it\nI keep trippin' up on my tongue\nWith this irresistible, undeniable indescribable love","SONG:\nWritten by David Leask & Debra Alexander \n\nMUSICIANS:\nDavid Leask - vocals & acoustic guitar\nJustin Abedin - electric guitars & mandolin\nSteve O' Connor - piano \nGary Craig - drums\nJohn Dymond - bass \nScooter Muse - banjo\nSteve Fox - background vocals\n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Chad Carlson - Mastered by Peter J. Moore\nRecorded at Vyner Road Studio, Toronto, engineered by Michael Banton-Jones; Additional recording at Jeddart Music, Mississauga, engineered by David Leask & in Alabama by Scooter Muse.",{"_16":179,"_18":180,"_39":182},"#c2b5a3","#d1c2bf","#c4b3b1","#afa1a1","#cec0b4","#383e4a","#292e38","#3d4c5a","#c9bdb2","#2e3a48","#4d5c6b","#484f5c","#3b4750","#2d353e","#b4a4ad",{"_199":38,"_200":201},{"_91":92,"_93":94},{"_87":69,"_89":1121},{"_91":92,"_93":94},[216,217,218,219],[1124,1125,1126,1127],"/d/BzcLYwuwo4YFhbCxXknQ1kstedhJZtvmTgYXQb2l-A4=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjR9LCJ2Ijo0fQ==/64b1a996-ae0c-4711-b5b0-f0f3a03fc410/source","/d/GI1vIYEisaT8xEkVaoDbvQ5zQgodqvKMQB73wElsfHs=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTAwfSwidiI6NH0=/64b1a996-ae0c-4711-b5b0-f0f3a03fc410/source","/d/RNA6kl14kKMCvwA6NTUPTyk3wdyDioKVdz_KpCf-JXg=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MzAwfSwidiI6NH0=/64b1a996-ae0c-4711-b5b0-f0f3a03fc410/source","/d/dDri8yDVWoFZ6xOyKYclOnX83mcZ1m-Im0jUgpHG9Dk=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjQwfSwidiI6NH0=/64b1a996-ae0c-4711-b5b0-f0f3a03fc410/source","https://app.sleeve.fm/artists/davidleask/a/voyageur-in-song","{\"root\":{\"children\":[{\"type\":\"video\",\"version\":1,\"src\":\"https://stream.mux.com/MjRao01LhT2AyiUXq4P00rsUapzN6jX00uM3xtEqWd8kYc.m3u8?uuid=ef2ea180-b752-4eff-8e5f-162121f674b9\",\"caption\":\"

THE \\\"STORYING GUITAR\\\"

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PRODUCER JUSTIN ABEDIN INTERVIEW

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AGAINST THE GRAIN INTERVIEW & LIVE PERFORMANCE

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THE LEGEND OF JOE LABOBE INTERVIEW & LIVE PERFORMANCE

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FIRE & ICE - MUSIC VIDEO

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SPIRIT WRESTLER - INTERVIEW & LIVE PERFORMANCE

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TAKE A SEAT - MUSIC VIDEO

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VHQTRVMDBUMDAwMFpKbmxUd2J6SSIsImV4cCI6MTc4NTMyOTEzMiwia2lkIjoiMnRxNmhhTTAyd3AyeTAyZ3hxSHp0dXVrZGZyRFZHZGxFRmZrbVB5MDJSSGtYMDAiLCJhdWQiOiJ0In0.G_OaGOdjd3v9G2dHFzYyfW5pEEz7hBntAMyVaBzYjx3Bxy3Is3p6MshtHzvpP-OWPbaGYbipzN7bsXm1lQp0usUAnaPoi19_SboUvQoEySJX0_W8RpSlFsqx2Ybq9GAsCXltE7l_InC8vJoHcNC0PpVK0DtydCQCx76T4AEOTT3ZgaP3B0Nmpx04uX-YhxFPMpxTLkAt5ExIpvHdzDP8P29_dFz6OZrV1bvjv13kSVqiTbTZdKfKuNYiYZ9SEz0FCuG8nUJZ9pYYoTLpmtrmpfQsOoIFiP-AeA_kTFWLaUz6tMflrSsiUUQcyzspYvd9kDZiF32T-jHWq2kvHIsieQ\"}],\"direction\":null,\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","“Voyageur In Song” is a collection of songs written by David Leask on and with the iconic Six String Nation guitar, nick-named Voyageur.\n\n“Possibly the most Canadian album on Canada’s most historic instrument”. \nTORONTO STAR\n\n“The album is a unique, uplifting almost spiritual listening experience” \nROCK & REEL MAGAZINE",1285,{"_208":1212,"_210":1213},{"_16":82,"_127":84,"_205":1210},{"_87":419,"_89":1209},{"_16":126,"_33":126,"_127":128,"_129":130,"_29":131,"_132":133,"_134":1208},[],[1193,1194,1195,1196,1197,1198,1199,1200,1201,1202,1203,1204,1205,1206,1207],"2020-09-18","2020",[],[1142,1143,1144,1145,1146,1147],{"_16":1185,"_100":32,"_35":1186,"_18":1187,"_101":1188,"_103":1189,"_105":1190,"_107":1191,"_109":38,"_11":1192},{"_16":1178,"_100":387,"_35":822,"_18":1179,"_101":1180,"_103":1181,"_105":1182,"_107":1183,"_109":38,"_11":1184},{"_16":1170,"_100":379,"_35":1171,"_18":1172,"_101":1173,"_103":1174,"_105":1175,"_107":1176,"_109":38,"_11":1177},{"_16":1162,"_100":370,"_35":1163,"_18":1164,"_101":1165,"_103":1166,"_105":1167,"_107":1168,"_109":38,"_11":1169},{"_16":1155,"_100":362,"_35":984,"_18":1156,"_101":1157,"_103":1158,"_105":1159,"_107":1160,"_109":38,"_11":1161},{"_16":1148,"_100":201,"_35":472,"_18":1149,"_101":1150,"_103":1151,"_105":1152,"_107":1153,"_109":38,"_11":1154},"21817","Les Chansons Du Voyageur","/d/DVov09jtz5dx1x8AFVNDfDh5a_oGVOyk1xtT1vU-6Dg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/FB7BC4C3-826A-407F-B4EB-F4B081086D53/stream.mpd","/d/DVov09jtz5dx1x8AFVNDfDh5a_oGVOyk1xtT1vU-6Dg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/FB7BC4C3-826A-407F-B4EB-F4B081086D53/master.m3u8","BEHIND THE SONG:\n“Les Chansons Du Voyageur”, is about my journey of discovery on this amazing songwriting expedition and a tribute to the guitar and all its diverse, fascinating and conflicting pieces of Canadian history and culture - the pain and the beauty. I wanted to do something special in that recording of it, something that showcased the different voices hidden in the Six String Nation guitar. And I wanted it performed by the core group of musicians that played on all the other songs. In one beautiful creative day at Loud Mouse Studios we set about building up the tracks from scratch – drummer Gary Craig finding his own orchestra of percussive tones from different points on the guitar, Drew Birston transforming Voyageur into a bass guitar with the help of an octave pedal and amp, and Justin Abedin and I using the more traditional strings and fretboard. Check out the behind the scenes video “The Storying Guitar” in the “extras” section below.\n\nLYRICS:\nPain & beauty\nLet it all move right through me\nGood tales, sad tales\nBenevolence & blackmail\nNo excuses\nTell me what the awkward truth is\n\nFighters, lovers\nSinging at one another\nWords expanding\nA cultural understanding\nPeace and noise in \nAll of the different voices\n\nHidden in this storying guitar\nÉcoute les chansons du Voyageur\nLes chansons du Voyageur\n\nWood and bone, \nFretted metal & stone\nBridge and saddle\nTime that’s meant to travel \nShame & sorrow \nHanging on “old tomorrow”\n\nAnswers, questions\nMother of invention\nTough vibrations \nReconciliation \nGently tethered\nStrike a chord together\n\nListen to this storying guitar\nÉcoute les chansons du Voyageur\nLes chansons du Voyageur\n\nWhen you cry, I cry\nThrough the strings and tears\nI hear everything, everything\n\nWritten in this storying guitar\nÉcoute les chansons du Voyageur\nLes chansons du Voyageur\nPain & beauty let it all move right through me (repeat x4)\n","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - vocals and acoustic guitar\nJustin Abedin - Voyageur lead guitar\nDrew Birston -Voyageur bass\nGary Craig - Voyageur percussion\n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Vic Florencia - Mastered by João Carvalho\nBed tracks recorded at Loud Mouse Studios, engineered by Ian Bodzasi\nOverdubs recorded at Jeddart Music Studio, engineered by David Leask, Mary Ellen Beatty",{"_16":184,"_18":185,"_39":187},"21816","Take A Seat","/d/3U1Zo5pB4dpVOSXr8nOZx2g1cIFORdBpGqtm1KCY51o=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/C4A45AD8-503A-4D47-98B4-0E9067C276E4/stream.mpd","/d/3U1Zo5pB4dpVOSXr8nOZx2g1cIFORdBpGqtm1KCY51o=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/C4A45AD8-503A-4D47-98B4-0E9067C276E4/master.m3u8","BEHIND THE SONG\n“Take A Seat” - is inspired by the headstock on the Six String Nation guitar, which is made from the original seat 69 in the gallery section of the legendary Massey Hall. There are 100+ years of vibrations that have not only gone through the people sitting there, but through the wooden seat itself.\n\nLYRICS:\nStanding in line since 1894\nTravelling time through big red doors\nComing here to see dreamers making history\n\nLike Booker T Washington, Keller & McClung\nThey raise their voice to overcome\nAnd there’s freedom when they speak with the Old Lady down on Shuter street\n\nIn this hallowed hall, you chase the light\nAnd feel sound wrap around you like a lover in the night\nSo let these walls & arches have their say\nAnd ghosts of those who graced the stage\nIt’s time to take a seat with the old lady down on Shuter Street\n\nJack Dempsey dances in the ring\nThe Mendelssohn choir begins to sing\nHitting all the highs, suddenly the air’s alive\n\nDylan, Buffy, Young & Pavarotti\nThe Jazz Quintet and the Grand Ole Opry\nWay up in cloud nine, reading Gordon Lightfoot’s mind\n\nIn this hallowed hall, you chase the light\nAnd feel sound wrap around you like a lover in the night\nSo let these walls & arches have their say\nAnd ghosts of those who graced the stage\nIt’s time to take a seat with the Old Lady down on Shuter Street\n\nAll the sounds that shook the air\nFrom the stage to the back of every chair\nAnd the magic in-between, two seconds of a dream\n\nIn this hallowed hall, you chase the light\nAnd feel sound wrap around you like a lover in the night\nSo let these walls & arches have their say\nAnd ghosts of those who graced the stage\nThe crowd is on their feet, \nIt’s time for you to meet, \nThe Grand Old Lady down on Shuter Street","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - acoustic guitar\nJustin Abedin - electric guitar\nDrew Birston - electric bass\nGary Craig - drums, percussion\nKevin Turcotte - trumpet \n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Vic Florencia - Mastered by João Carvalho\nBed tracks recorded at Loud Mouse Studios, engineered by Ian Bodzasi\nOverdubs recorded at Toast & Jam, engineered by Justin Abedin and at Jeddart Music Studio, engineered by David Leask, Mary Ellen Beatty & Ian Bodzasi\n",{"_16":184,"_18":185,"_39":187},"21815",240,"Spirit Wrestlers","/d/gSp_QKddzvjOTFdC31DWT7RprM0F31I7pWHKL2_e5zg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/3716CD17-55F7-4633-9054-E54552E705AD/stream.mpd","/d/gSp_QKddzvjOTFdC31DWT7RprM0F31I7pWHKL2_e5zg=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/3716CD17-55F7-4633-9054-E54552E705AD/master.m3u8","BEHIND THE SONG:\nA simple piece of wood used in four different places in both the interior and exterior of Voyageur is taken from a still sturdy grain elevator in Saskatchewan built by the Doukhobors, a Christian pacifist sect from Russia who, after persecution by Tsar Nicholas, immigrated to Canada in 1899 with support from author Leo Tolstoy using the proceeds of his book, “Resurrection”. \n\nLYRICS:\nThey fought against the war\nBy burning their own guns\nAnd faced a Russian Csar\nWho gave them no choice but to run\n\nA safe passage from Leo Tolstoy\nA chance to realize \nThe truth & resurrection in his words\nSettled in Saskatchewan\nFertile soil in their hands\nAnd faith & mother nature kept them alive\n\nNow the sun goes down\nAnd their prayers rise up\nSewing seeds of love & peace\nGentle spirit, gentle spirit wrestlers\n\nWith freedom on their side\nThey slowly found their way\nHow to toil and thrive\nIn harmony each day\n\nRaising hope in an elevator \nA meeting place for for generations\n100 years, still it’s standing strong\nPioneers and open fields \nWood & grain & peaceful dreams\nSurrendering to every kind of sky\n\nAs the sun goes down\nTheir prayers rise up\nSewing seeds of love & peace\nGentle spirit, gentle spirit wrestlers\n","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - acoustic guitar\nJustin Abedin - electric guitar\nDrew Birston - electric bass\nGary Craig - drums, percussion\nScott Galloway - organ\nDavide Di Renzo - percussion \n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Vic Florencia - Mastered by João Carvalho\nBed tracks recorded at Loud Mouse Studios, engineered by Ian Bodzasi\nOverdubs recorded at Toast & Jam, engineered by Justin Abedin and at Jeddart Music Studio, engineered by David Leask, Mary Ellen Beatty & Ian Bodzasi",{"_16":184,"_18":185,"_39":187},"21814",174,"Fire & Ice","/d/0JZiOrNIJc_RBjdck5xYbBf5xdjSQ8CZdD-0CuswYxY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1D987453-5496-4C0A-8BDE-0E8F03A57096/stream.mpd","/d/0JZiOrNIJc_RBjdck5xYbBf5xdjSQ8CZdD-0CuswYxY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/1D987453-5496-4C0A-8BDE-0E8F03A57096/master.m3u8","BEHIND THE SONG:\nViking seafarers catching the sun glinting off a piece of billion year old iridescent blue feldspar approaching the coast of Labrador thought they’d found Valhalla. To the local Inuit, the brilliant blue was simply the colour left behind after a hunter freed the rest to become the Northern Lights. You’ll notice glints of blue on Voyageur’s 3rd and 9th frets. This song imagines the birth of Labradorite from its own geological and mythical perspective\n\nLYRICS:\nIt took a billion years of shadow \nTo climb up from the lava \nInto a sad world of grey\nYou might have heard me shouting \nTrying to move a mountain \nI guess I had so much to say\nAn aurora borealis, hiding in the darkness\nReady to come out and play\n\nI am fire and ice\nAnd I’ll dance with the light\nA moonstone skipping home \nTo the rhythm of the night\n\nLike getting blood out of a stone\nFrom the crust of the unknown \nI was born to shine through\nAt first glance I’m boring \nBut you ain’t seen the whole thing \n‘Til like a bolt from the blue\nMy Labradorescence keeps you guessing \nEvery time it meets your eye\n\nI am fire and ice\nAnd I’ll dance with the light\nA moonstone skipping home \nTo the rhythm, to the rhythm\nTo the rhythm of the night\n\nI am fire and ice\nAnd I’ll dance with the light\nA moonstone skipping home \nTo the rhythm, to the rhythm\nTo the rhythm of the night\n","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - acoustic guitar, piano\nJustin Abedin - electric guitar\nDrew Birston - electric bass\nGary Craig - drums, percussion\nJaron Freeman-Fox - violin \n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Vic Florencia - Mastered by João Carvalho\nBed tracks recorded at Loud Mouse Studios, engineered by Ian Bodzasi\nOverdubs recorded at Toast & Jam, engineered by Justin Abedin and at Jeddart Music Studio, engineered by David Leask, Mary Ellen Beatty & Ian Bodzasi",{"_16":184,"_18":185,"_39":187},"21813","The Legend Of Joe Labobe","/d/M6gFTWDCTDbYuKNPeHTze0maPgH6BQN9KKHuor-VksY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/37D94270-AD51-4063-858B-C7F1370B5AF6/stream.mpd","/d/M6gFTWDCTDbYuKNPeHTze0maPgH6BQN9KKHuor-VksY=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/37D94270-AD51-4063-858B-C7F1370B5AF6/master.m3u8","BEHIND THE SONG:\nMi’kmaq fisherman Joe Labobe was a local hero from Lennox Island First Nation P.E.I. – a two-time winner at the Canadian Oyster Shucking Championships and runner-up by 2 seconds at the international competition in Galway Ireland. It is “an extraordinary story about an ordinary man.” The handle of his favourite shucking knife was used as the seat for the strap post in Voyageur.\n\nLYRICS:\nBorn on Lennox Island \nWhere the waters dance with diamonds\nAnd nature casts a mighty spell\nHis love of life and family\nBrought him slowly out his shell \nAnd time would tell \n\nAbout a good pair of hands and his shucking knife\nHolding on tight for the time of his life\nHe could make the cut at breakneck speed \nDoing his best to protect the meat\nA little slice of heaven and a pearl of hope\nHe opened up a dream and wouldn’t let go\nAh the legend of Joe Labobe\n\nThe world became his oyster\nTyne Valley to Galway Ireland\nHow he made his people proud\nAn extraordinary story\nAbout an ordinary man \nWho took his chance\n\nWith a good pair of hands and his shucking knife\nHolding on tight for the time of his life\nHe could make the cut at breakneck speed \nDoing his best to protect the meat\nA little slice of heaven and a pearl of hope\nHe opened up a dream and wouldn’t let go\nThe legend of Joe Labobe\n\nNow his knife is enshrined, a guitar ghost\nTaking its seat from pillar to post\nHolding on, not letting go \nThat’s Joe Labobe\n\nWith a good pair of hands and his shucking knife\nHolding on tight for the time of his life\nHe could make the cut at breakneck speed \nDoing his best to protect the meat\nA little slice of heaven and a pearl of hope\nHe opened up a dream and now we know\nThe legend of Joe Labobe","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - acoustic guitar\nJustin Abedin - mandolin\nDrew Birston - upright bass\nGary Craig - drums, percussion\nDrew Jurecka - violin \n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Vic Florencia - Mastered by João Carvalho\nBed tracks recorded at Loud Mouse Studios, engineered by Ian Bodzasi\nOverdubs recorded at Toast & Jam, engineered by Justin Abedin and at Jeddart Music Studio, engineered by David Leask, Mary Ellen Beatty & Ian Bodzasi",{"_16":184,"_18":185,"_39":187},"21812",203,"Against The Grain","/d/ITgCvSbrlSlJL-RB-k1VdGoPR1Arc_CbzDlw7s07haQ=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/4B1BDCC2-3F05-4F61-8D5A-1C170920C65D/stream.mpd","/d/ITgCvSbrlSlJL-RB-k1VdGoPR1Arc_CbzDlw7s07haQ=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/4B1BDCC2-3F05-4F61-8D5A-1C170920C65D/master.m3u8","BEHIND THE SONG:\n\"The song encapsulates the power and intimidation I felt writing with and about Voyageur, the Six String Nation Guitar. I had the guitar for a couple of weeks and hadn’t finished anything until this song kept me up all night the day before I was due to return the guitar. “Against the Grain” came flooding out, something different from anything I’d ever written and when I played it for my wife in the morning, we both cried. It’s a song inspired by the mythical power of the Golden Spruce of Haida Gwaii and the regenerative spirit as a piece from it found its new home in the top of the Six String Nation guitar after tragically being cut down by a logging protestor. It also represents to me this idea of letting light come in just as the tree had done remarkably for 300 years without photosynthesizing.\"\n\nLYRICS:\nJust like an iceberg\nDeep in water\nYou keep your feet wet\nYou know the trauma\n\nYou hold the memories\nFrom sea and soil\nYou’ve seen the centuries\nBloom and spoil\n\nIn all the lines written on your face\nNo sign of a fall from grace\nFighting darkness against the grain\nStill letting light come in\n\nCascading shadows\nYou and the mountains\nRain & sunshine\nNature’s fountain\n\nLike elders singing\nFor generations \nA brand new skin \nIn a six string nation\n\nWith all the lines written on your face\nThere’s no sign of a fall from grace\nFighting darkness against the grain\nStill letting light come in\n\nWith all the lines written on your face\nThere’s no sign of a fall from grace\nFighting darkness against the grain\nStill letting light come in, still letting light come in\nStill letting light, still letting light, still letting light come in","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask - vocals, acoustic guitar, piano\nJustin Abedin - electric guitar\nDrew Birston - electric bass\nGary Craig - drums, percussion\n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Vic Florencia - Mastered by João Carvalho\nBed tracks recorded at Loud Mouse Studios, engineered by Ian Bodzasi\nOverdubs recorded at Toast & Jam, engineered by Justin Abedin and at Jeddart Music Studio, engineered by David Leask, Mary Ellen Beatty & Ian Bodzasi",{"_16":184,"_18":185,"_39":187},"#83a3c3","#8aa7c5","#8cabc8","#8dadce","#a0805a","#906f4c","#9f7c4f","#b08d60","#7e5d4b","#6e5c4c","#8f6f5a","#7f6d5b","#917c5d","#b1926a","#8fa1b2",{"_199":38,"_200":201},{"_91":92,"_93":94},{"_87":69,"_89":1211},{"_91":92,"_93":94},[216,217,218,219],[1214,1215,1216,1217],"/d/wjcllvzHw4bR0K86U0g88xwj70xJsicxBOrJgubQVNY=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjR9LCJ2Ijo0fQ==/2154c6a1-f117-4be9-a4a7-8003cdfd91a6/source","/d/4ncOJfk3j1ek03WFl3DGJxkZhfIOSGKBgO40xra8YOI=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTAwfSwidiI6NH0=/2154c6a1-f117-4be9-a4a7-8003cdfd91a6/source","/d/Ci5dSO_JJBKj9UPlb_KpoXH6xpbqdyYDTNpYPS0RdAs=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MzAwfSwidiI6NH0=/2154c6a1-f117-4be9-a4a7-8003cdfd91a6/source","/d/ImCkH3mDeELagZI0SDv5Mg80mPKIquH0xUM3PYInyIY=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjQwfSwidiI6NH0=/2154c6a1-f117-4be9-a4a7-8003cdfd91a6/source",{"_208":1232,"_210":1233},{"_16":82,"_127":84,"_205":1230},{"_87":88,"_89":1229},{"_16":126,"_33":126,"_127":128,"_129":130,"_29":131,"_132":133,"_134":1228},[],[111,112,113,114,115,116,117,118,119,120,121,122,123,124,125],[],[1226],{"_16":99,"_100":32,"_35":36,"_18":19,"_101":102,"_103":104,"_105":106,"_107":108,"_109":38,"_11":1227},{"_16":17,"_18":19,"_39":40},{"_199":38,"_200":201},{"_91":92,"_93":94},{"_87":69,"_89":1231},{"_91":92,"_93":94},[216,217,218,219],[212,213,214,215],"https://app.sleeve.fm/artists/davidleask/a/feet-in-your-shoes","{\"root\":{\"children\":[{\"type\":\"video\",\"version\":1,\"src\":\"https://stream.mux.com/O44MRbFcrgQ8B02N5R02kQCfga9eDuGvV5vZIh4dOZvQI.m3u8?uuid=7d89c433-006e-4b53-af78-d2375be7ee4b\",\"caption\":\"

FEET IN YOUR SHOES - MUSIC LYRIC VIDEO

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of the 2022 Mississauga Summer Song Contest, this song about empathy has an infectious upbeat production including a horn section, stirring electric guitar and Wurlitzer piano. Let the lyrics move your heart while the groove moves your body!",216,{"_208":1274,"_210":1275},{"_16":82,"_127":84,"_205":1272},{"_87":88,"_89":1271},{"_16":126,"_33":126,"_127":128,"_129":130,"_29":131,"_132":133,"_134":1270},[],[1255,1256,1257,1258,1259,1260,1261,1262,1263,1264,1265,1266,1267,1268,1269],"2023-06-09","2023",[],[1248],{"_16":1249,"_100":32,"_35":1237,"_18":190,"_101":1250,"_103":1251,"_105":1252,"_107":1253,"_109":38,"_11":1254},"21819","/d/-Tw02Y5Q0nhjaHdEbpV4IFFycy73P-451ghte7cN4mk=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/FDD6622E-932C-4E2E-9443-3DFA7B36796D/stream.mpd","/d/-Tw02Y5Q0nhjaHdEbpV4IFFycy73P-451ghte7cN4mk=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/FDD6622E-932C-4E2E-9443-3DFA7B36796D/master.m3u8","LYRICS:\nLet me put a little bit of my feet in your shoes \nTake a little bit of the heat before you blow that fuse\nI’ll find a way to make you smile\nTake some weight off every mile\nPut a little bit of my feet in your shoes\n\nYou wrestle with your day\nThen you toss and turn all night\nThis world’s got you more spaced out than a sattelite\nC’mon back to earth\nI wanna let you know you’re seen\nGet you dreaming bigger than you’ve ever dreamed\n\nLet me put a little bit of my feet in your shoes \nTake a little bit of the heat before you blow that fuse\nI’ll find a way to make you smile\nTake some weight off every mile\nPut a little bit of my feet in your shoes\n\nYou wanna to dance with joy\nBut you can’t shake the pain\nIf you could etch a sketch your world you’d start over again\nBut no one get’s control\nNothing goes as planned \nYou’ve been working your heart out baby and I understand\n\nSo let me put a little bit of my feet in your shoes \nTake a little bit of the heat before you blow that fuse\nI’ll find a way to make you smile\nTake some weight off every mile\nPut a little bit of my feet in your shoes\n\nJust when you think nothing’s gonna change\nThat’s the time when lives get rearranged so\n\nSo let me put a little bit of my feet in your shoes \nTake a little bit of the heat before you blow that fuse\nI’ll find a way to make you smile\nTake some weight off every mile\nPut a little bit of my feet in your shoes","SONG:\nWritten by David Leask\n\nMUSICIANS:\nDavid Leask – vocals & acoustic guitar\nJustin Abedin – electric guitars\nLyle Molzan – drums & percussion\nMark McIntyre – bass\nJoel Visentin – wurlitzer piano and organ\nSean O’ Connor – tenor and baritone saxophones\nBryden Baird – trumpet\n\nRECORDING:\nProduced by David Leask & Justin Abedin\nMixed by Chad Carlson - Mastered by Peter J Moore\nRecorded at Metalworks Studios, Mississauga and Toast & Jam in Toronto",{"_16":189,"_18":190,"_39":192},"#f5f5f2","#af8b4f","#b3905a","#a2804a","#f7b102","#ab8549","#f8c202","#f9d302","#f9e304","#f6a202","#8e6f3e","#7c5f39","#e5cf9d","#f1f0eb","#e40203",{"_199":38,"_200":201},{"_91":92,"_93":94},{"_87":69,"_89":1273},{"_91":92,"_93":94},[216,217,218,219],[1276,1277,1278,1279],"/d/4tbbUDmj2nwTdI56CuEMApZzP-jMi4dsH6vTAGMqeVg=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjR9LCJ2Ijo0fQ==/c46497a9-b0c9-46b5-a0f4-19397aefbbc3/source","/d/K6xIW2OHibGK-TY9vhNii_30O9f2i2FjMW9Fgy4bISE=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTAwfSwidiI6NH0=/c46497a9-b0c9-46b5-a0f4-19397aefbbc3/source","/d/4TfG_FTgE7vccXd_s8MeACJvc8RX_Vb-X-AuRgdYHE4=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MzAwfSwidiI6NH0=/c46497a9-b0c9-46b5-a0f4-19397aefbbc3/source","/d/TW2ku7IGnypk5Sf-qYBJPvq0dUNVLadw8ynvV2-g78w=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6NjQwfSwidiI6NH0=/c46497a9-b0c9-46b5-a0f4-19397aefbbc3/source","https://app.sleeve.fm/artists/davidleask/a/when-i-become-confused","{\"root\":{\"children\":[{\"type\":\"video\",\"version\":1,\"src\":\"https://stream.mux.com/HXVjS4KfadehArbweIYk4hgrvJVt1StX0101wM3JN6VSU.m3u8?uuid=3c6b55f4-ea50-411f-ac1a-9735565eef0c\",\"caption\":\"\",\"fileName\":\"DavidLeask_WhenIBecomeConfused 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I Become Confused” feels like more than just a song and video, it’s both a musical offering and a call to awareness, reminding us of the power of music to reach beyond memory, into shared human connection.",180,{"_208":1320,"_210":1321},{"_16":82,"_127":84,"_205":1318},{"_87":88,"_89":1317},{"_16":126,"_33":126,"_127":128,"_129":130,"_29":131,"_132":133,"_134":1316},[],[1301,1302,1303,1304,1305,1306,1307,1308,1309,1310,1311,1312,1313,1314,1315],"2025-05-16","2025",[],[1294],{"_16":1295,"_100":32,"_35":1283,"_18":195,"_101":1296,"_103":1297,"_105":1298,"_107":1299,"_109":38,"_11":1300},"21820","/d/p7Lh6sWh06bwoLbjs-kbMEClrgBTANPqgnsCKroIyJ0=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/FCC4EAAE-0473-46EA-B1FD-2BF3BF717290/stream.mpd","/d/p7Lh6sWh06bwoLbjs-kbMEClrgBTANPqgnsCKroIyJ0=/x/eyJleHAiOjE4MzAyOTc2MDAsInYiOjR9/FCC4EAAE-0473-46EA-B1FD-2BF3BF717290/master.m3u8","When I become confused\nNo longer get the news\nThe bridge between synapses collapses \nWords fall through\nAll the yellows turn to blues\nWhen I become confused\n\nAll the where’s and when’s \nStart sitting on the fence\nAnd the touchstones of time get buried inside\nNo beginning, no end\nA disappearing point of view\t\nWhen I become confused\n\nAll of my treasures and memories banked\nAll the heartaches and “I love you’s”\nA beautiful life with everything … to lose\nWhen I become confused\n\nAs I sink inside this shell\nBefore you bid me farewell\nRemember I’m still here\nAnd as long as you’re near\nI’d love to be held\nAnd I’ll sing my way through\nWhen I become confused","SONG:\nWritten by David Leask & Robert Keiller\n\nMUSICIANS:\nDavid Leask - vocals,\nAaron Davis - piano\nJustin Abedin - electric guitar\nDavide Di Renzo - drums\n\nRECORDING:\nProduced by Justin Abedin & David Leask\nMixed by Chad Carlson - Mastered by Dan Millice \nVocals, piano, bass & drums recorded live off the floor at Canterbury Music Company in Toronto, engineered by Jeremy Darby \nElectric guitar overdub recorded at Toast & Jam, engineered by Justin 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up to Mystery and you’ll get everything from the HEARTFELT content and being stirred in the SOUPSONG, but also have access to hundreds of back catalog unreleased song and worktape demos. Enjoy the full flow of experience from the creative river, with a greater connection with David, the evolution of new songs, and priority access to what comes next. At this level, you're helping the music happen.","exclusivePostCount","exclusiveAlbumCount",{"_87":419,"_89":1367},"convertedAnnualPrice",{"_87":1365,"_89":1366},7000,{"_91":92,"_93":94},{"_91":92,"_93":94},"306","Soupsong","Come and be stirred in the SOUPSONG community! Get access to all the HEARTFELT content but dive deeper into the co-collaborative space of regular SOUPSONG Salons. It's where I want to build an expression forum, a creative think tank where we can all share and learn how to govern our own originality. Imagine a “Livestream of consciousness\", community conversations, concerts, exclusive updates, sneak peeks, and the satisfaction of knowing you're fueling the music and maybe, your own creativity.",{"_87":1375,"_89":1376},{"_87":1373,"_89":1374},3500,{"_91":92,"_93":94},400,{"_91":92,"_93":94},"Join HEARTFELT for FREE and stay in the musical loop. I’ll be wearing my heart on Sleeve in a brand new \"Leask expected\" community where you’ll be first to hear my latest musings, watch video releases and other free download content. Join me in all my successes and failures along this colourful musical trail, meet me in the music and also meet other strange folks who have discovered something in my songs over the years.",{"_87":69,"_89":1381},{"_87":69,"_89":1380},{"_91":92,"_93":94},{"_91":92,"_93":94},"nodes",[],[],[1386,1387,1388],{"_16":1400,"_18":195,"_33":196,"_1392":1401,"_22":1402,"_24":14},{"_16":1395,"_18":1396,"_33":1397,"_1392":1398,"_22":1399,"_24":14},{"_16":1389,"_18":1390,"_33":1391,"_1392":1393,"_22":1394,"_24":14},"1615","Tartan Kiss of Fergus - \"A place in your heart called home”","tartan-kiss-of-fergus-a-place-in-your-heart-called-home","publishedAt","2026-01-12T21:21:36.898346Z","{\"root\":{\"children\":[{\"type\":\"image\",\"version\":1,\"src\":\"/d/lhS2i7OleQUJH-l4Bv5-zKfRyWkEp_sCyfDp9GlhSN4=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTI4MH0sInYiOjR9/e7d490ea-d998-4c29-858f-77a122c13079/source\",\"width\":2823,\"height\":1624,\"title\":\"\",\"alt\":\"\",\"caption\":\"\",\"cardWidth\":\"wide\",\"href\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"After performing at the Fergus Scottish Festival a dozen times, I was inspired to write \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"“The Tartan Kiss”\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" - a love song for the town of Fergus and its Scottish Festival which is the oldest Scottish Festival in North America. I wanted the song to capture the deep emotion that people feel from all the different parts of the Festival experience, both past and present. It’s about yearning for a place in our hearts called home that springs from our shared connection to Scottish ancestry, culture and history. \",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" The track features the \\\"\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Friends of Fergus\\\"\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" which include the Festival’s musical alumnae from as far away as Alabama and Glasgow, Scotland, as well as the Fergus & Grand Celtic pipe bands. Veteran producer Justin Abedin and alumnae from past festivals – Mark Kelso, Drew Birston, James McKie, Mark Fletcher, Scooter Muse & Jil Chambless, and singers Tommy Leadbeater, Gillebride MacMillan and the Mckenna brothers - all added their heartfelt sounds. \",\"type\":\"extended-text\",\"version\":1},{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Check out the song and extra music video content here.\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"link\",\"version\":1,\"rel\":\"noreferrer\",\"target\":null,\"title\":null,\"url\":\"https://davidleask.sleeve.fm/r/the-tartan-kiss\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","1616","Let me put a little bit of my \"Feet In Your Shoes\"","let-me-put-a-little-bit-of-my-feet-in-your-shoes","2026-01-13T16:51:52.026441Z","{\"root\":{\"children\":[{\"type\":\"image\",\"version\":1,\"src\":\"/d/GKjXXT-7A-LYoPyjeMf-5M0_zD6Fg9RuQHgBXLgFiuo=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTI4MH0sInYiOjR9/80886548-3de5-47ac-b54f-e350e4606c54/source\",\"width\":1918,\"height\":1356,\"title\":\"\",\"alt\":\"\",\"caption\":\"\",\"cardWidth\":\"wide\",\"href\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"You could say it was happenstance or just the music doing its job. It was through performing at an outdoor concert in Toronto that the door opened for me to experience performing music in a healthcare setting. I was heard by the Music Programmer at \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Sunnybrook Hospital\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" and it was an honour to play for the Veterans and their families in their Warriors Hall, in the gardens, and on some of the wards for the more vulnerable residents for more than 10 years. \",\"type\":\"extended-text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" \",\"type\":\"extended-text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"In those spaces, up close, I watched the power of music do its work, with all of us, moving our bodies and our hearts. There’s a kind of \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":2,\"mode\":\"normal\",\"style\":\"\",\"text\":\"“musicking”\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" that has a circular, reciprocal effect where people can somehow manage to meet in the space between, song by song and note by note. I don’t think you can do as many of these types of gigs as I have over the years without your heart naturally being wedged open further to a place of deeper empathy. \",\"type\":\"extended-text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" \",\"type\":\"extended-text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"After one of my performances at Sunnybrook Hospital, I was speaking with a staff member who said, \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":2,\"mode\":\"normal\",\"style\":\"\",\"text\":\"‘if only I could have put a little bit of my feet in her shoes.’ \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"That’s all it took for my songwriting wheels to start turning and a melody was mapped out during my drive home. At the time, my wife Mary Ellen was a full-time carer for her Mom at home who was dealing with dementia. Fuelled by the carer’s need for empathy - whether in a hospital setting or at home - I set out to write the song, “Feet In Your Shoes” to capture the emotion of a carer’s need for help but not being bold enough to ask. The song won top honours at the \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"2022 Mississauga Summer Song Contest\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" and is an infectious upbeat production with a horn section, stirring electric guitar and Wurlitzer piano - where the lyrics move your heart while the groove moves your body. \",\"type\":\"extended-text\",\"version\":1},{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Check out the track and video here \",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"link\",\"version\":1,\"rel\":\"noreferrer\",\"target\":null,\"title\":null,\"url\":\"https://davidleask.sleeve.fm/r/feet-in-your-shoes\"},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"that reminds us we are all living in a world that needs more empathy\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}","1617","2026-01-13T17:41:01.554254Z","{\"root\":{\"children\":[{\"type\":\"image\",\"version\":1,\"src\":\"/d/s9EAL3EJYDDLQVTc_b5j1DyaGjkcXaLhJ-KOTlj-lqI=/m/eyJleHAiOjE4MzAyOTc2MDAsInIiOnsidyI6MTI4MH0sInYiOjR9/43a2efac-a496-4944-affe-340eae29baa6/source\",\"width\":720,\"height\":410,\"title\":\"\",\"alt\":\"\",\"caption\":\"\",\"cardWidth\":\"wide\",\"href\":\"\"},{\"children\":[{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"“When I Become Confused” feels like more than just a song and a video. It’s part of my story, my wife’s story and many other folks who have been touched in some way by Alzheimer’s/Dementia. Released in partnership with the \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Alzheimer's Society of Peel\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\", it is both a musical offering and a call to awareness, reminding us of the power of music to reach beyond memory into shared human connection. \",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1},{\"children\":[{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Check out the song and animated and live performance videos here.\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"link\",\"version\":1,\"rel\":\"noreferrer\",\"target\":null,\"title\":null,\"url\":\"https://davidleask.sleeve.fm/r/when-i-become-confused\"}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1},{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"STORY BEHIND THE SONG\",\"type\":\"extended-text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"I was playing a gig in Aberdeen, Scotland in late 2019 and an old school chum, Rob Keiller, came out to the gig. Catching up with Rob on the break, he happened to mention a poem he had written, inspired by his mother Ada who had died at the age of 64 from Alzheimer’s. I could relate to this as my wife and I were helping care for her mother during her journey with late stage dementia. I asked Rob to send me the poem and the next day I opened it up and read through. It was a moving piece with a very powerful title, “When I Become Confused”, as well as other evocative lines. Later that day, I was on a plane back to Canada and literally when the plane was touching down in Toronto, I heard a melody for Rob’s title and sang it into my iPhone along with a few other lines. Over the next few weeks, I caught some more notes in the air and managed to finish the music for the song. But I still had half the lyrics to complete. The thing about songs though, is that they have their own timing for being born. Six weeks later, I went into hospital and was told I needed open heart surgery. \",\"type\":\"extended-text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"It would be another year after my heart repairs that I finally dug back in and was able to finish the song lyric. Having watched my mother-in-law Ruth as the disease progressed, I became aware of things that helped me imagine what it might be like for her. I hope the song will open audiences to a sense of empathy and understanding for someone living with this disease and for those journeying with them.\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1},{\"children\":[{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"RECORDING THE SONG - TORONTO - NASHVILLE - NEW YORK\",\"type\":\"extended-text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"For me, so many decisions along the path and journey of a song happen like instinctive signposts or, put another way, letters to my soul. It starts with the kernel of a song idea that eventually comes to fruition. But it then moves onto what key it should be in, what tempo, and what production approach you should take. Daniel Lanois describes the recording stage of a song’s journey so beautifully when he says it is the means of securing, “an aural photograph of an emotional or spiritual condition. The secret is being able to spot the magic and never lose sight of what it was about a song that excited you in the first place.”\",\"type\":\"extended-text\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"type\":\"linebreak\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"With “When I Become Confused”, I was blessed to work with producer \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Justin Abedin\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\", and he and I talked through all the pieces of how to capture the song’s magic. An important part of the puzzle were the players for the recording session and we chose the wonderful team of \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Davide DiRenzo\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" on drums, \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Drew Birston \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\"on upright bass and \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Aaron Davis\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" on piano. I’d never worked with Aaron before and Justin sent him my simple acoustic guitar/vocal work tape recording. When Aaron arrived at the studio, I remember he was surprised to find I wouldn’t be playing guitar on the session, just singing. This meant Aaron, Davide & Drew could have room to add their combined thoughtful phrasing and musical space, weaving their parts together while I sang the lead vocal. I recall vividly the amazing sense of all these wonderful parts wrapping around me as I strived to tap into the emotion of where the song came from. All these moments of magic were captured live off the floor with vintage gear and the vintage ears of \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Jeremy Darby\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" at \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Canterbury Music\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" in Toronto. After the session, Justin overlaid his electric guitar parts, creating a delicate soundscape like a textural brain fog over the live tracks that for me, along with the sensitivity of the other musicians, translated the lyrics of the song so beautifully. We sent the tracks to mixing maestro \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Chad Carlson\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" in Nashville who did a marvellous job bringing out the organic nature of the instruments and vocal. After that, mastering engineer \",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":1,\"mode\":\"normal\",\"style\":\"\",\"text\":\"Dan Millice\",\"type\":\"extended-text\",\"version\":1},{\"detail\":0,\"format\":0,\"mode\":\"normal\",\"style\":\"\",\"text\":\" added his sensitive sonic touches to the track at his studio in New York. I truly believe each of these players, producer and engineers added a piece of their own heart and art to this recording.\",\"type\":\"extended-text\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"paragraph\",\"version\":1}],\"direction\":\"ltr\",\"format\":\"\",\"indent\":0,\"type\":\"root\",\"version\":1}}",{"_1405":1410,"_127":258,"_1407":1411,"_1409":-5},{"_1405":1406,"_127":258,"_1407":1408,"_1409":-5},"label","booking","url","bookings@davidleask.com","telephone","general","info@davidleask.com","ENV",{"_1478":1479,"_1480":1481,"_1482":1483,"_1484":1485,"_1486":1487,"_1488":1489,"_1490":1491},"artistInfo",{"_1477":130,"_33":126,"_127":128},"light","payload","accounts",[],"message","currencies",[1468,1469,1470,1471],"country","US","isMobile","isSafari","userAgent",{"_1447":1448,"_1449":1450,"_1451":1452,"_1453":1454,"_1455":1456,"_1457":1458},"isWindows","sidebarOpen","needsPayment","viewAll","cursorEnabled","hasCampaignSignup","email","tracking",{"_1438":1439,"_1440":38,"_1441":1442,"_1443":38,"_1444":1445,"_1446":38},"gtmContainerId","GTM-TKZ4J8VD","enabled","gaMeasurementId","G-112K4B2HEN","gaEnabled","metaPixelId","2023395601569428","metaPixelEnabled","ua","Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)","browser",{"_127":1464,"_1463":1465,"_1466":1467},"engine",{"_127":1464,"_1463":1465},"os",{"_127":-7,"_1463":-7},"device",{"_1460":-7,"_1461":-7,"_1462":-7},"cpu",{"_1459":-7},"architecture","vendor","model","type","version","WebKit","537.36","major","537",{"_91":1475,"_93":94,"_1472":1476},{"_91":1474,"_93":94,"_1472":217},{"_91":1473,"_93":94,"_1472":217},{"_91":92,"_93":94,"_1472":217},"minimumAmount","CAD","EUR","DKK",500,"host","STRIPE_PUBLISHABLE_KEY","pk_live_51PAsOiLTMQfLRZ8d2McasCjSpIjVqv1YiPit8nzXcpjIPvO2CxbVI5BNFiAhpZqNEo36N3RKYE5nbRtUytnZtE5n00EuMw0M0b","ASSET_BASE","https://sleeve.fm","API_URL","https://api.sleeve.fm","MUX_AUDIO_DATA_ENV","lgkr7tu6tgm4lqvgho6ijgrp7","EMBED_URL","https://embed.slv.fm","APEX_DOMAIN","sleeve.fm","APPLICATION_HOST","app.sleeve.fm"]